There’s a lot to like about 'White' because it addresses important issues in an enjoyable, stimulating and provocative way.
It’s astonishing Sarah Burgess, author of the engrossing 'Dry Powder,' doesn’t have a financial background, so fine-tuned is her portrayal of the private-equity world in her play.
We talk to the artistic director who is stepping down at the end of the 2019 season after 27 years with the Berkeley theatre company.
This modern interpretation of Miguel de Cervantes’ 1605 Spanish classic, Don Quixote, is fresh, timely, and entertaining.
Two teenaged girls on a high-school swim team navigate the precarious path to female adulthood and friendship in Ruby Rae Spiegel’s honest and intense 90-minute drama.
Skillfully directed by Kimberly Ridgeway, this dramatic and visceral play, with its taut and honest, street-smart script, keeps all the focus on the actors.
It's impossible not to empathize with the writer and comedian's quest to find a cure for his obsessive compulsive disorder in this personal and professional one-man show.
'Palace Wreckers' may be billed as a comedy only in relation to the tragedies on which it's based. But it's engrossing, in part because the actors gave first-rate performances.
Heidi Schreck offers an appealing play that wafts between a recitation of her high-school speech about the Constitution and the history of four generations of women in her family.
Berkeley Rep's Tony Taccone delivers a memorable production aided by a marvelous cast and production staff. Don't miss this significant contribution to 20th-century theatre.
Playwright Jonathan Spector has created an exceptional play that is laugh-out-loud funny, yet with an intelligent and introspective perspective.
Largely written by Addie Ulrey in collaboration with, and directed by, Amy Sass, the main subtext of 'A Different Long Stretch of Earth' is white guilt.