Author Archives: John Seal
We all know what to expect from a Michael Moore film: snark. Though politically pointed and frequently hilarious, Moore’s bad attitude has been offending viewers ever since his groundbreaking boob tube series ‘TV Nation’ aired for a single season in 1994 (who can ever forget the Serbo-Croatian peace process pizza party?).
Now comes Moore’s latest feature, Where to Invade Next (opening at Landmark’s California Theatre on Friday, Feb. 12). Has the enfant terrible of documentary filmmaking toned things down since his last polemic, 2009’s Wall Street takedown Capitalism: A Love Story — or is his passive-aggressive sarcasm still in full flower?
The first five minutes of Where to Invade Next suggest that little to nothing has changed in Moore-land. Beginning with patriotic imagery, martial drumbeats, and a fictional visit to the Joint Chiefs of Staff, the film seems intent on repeating themes previously examined in Fahrenheit 9/11. … Continue reading »
The last coat of paint has been applied, the fixtures are all in place, and the hard hats have departed: it’s time to celebrate the re-opening of BAMPFA’s film programming. Yours truly managed to get a sneak peek of what’s in store for Bay Area cinéastes, and I can happily report that we’re all in for quite a treat.
Located at 2120 Oxford St. in downtown Berkeley, the new BAMPFA building is an open, airy, and naturally lit paradise for art enthusiasts and film fans. For the first time in 16 years, BAMPFA screenings will take place under the same roof — in this case, a gleaming curvaceous stainless steel roof — as the museum’s art galleries.
The new PFA features two screening rooms, with the Barbro Osher Theater serving as the Archive’s centerpiece. This 232-seat room is vastly superior to the ‘temporary’ space the Archive occupied for the last decade – and, dare I suggest, also a considerable improvement over BAMPFA’s previous ‘permanent’ home in the old Ciampi building on Bancroft Way. … Continue reading »
Call it a rite of mid-winter: it’s time once again for my annual (and usually futile) effort to guess which short subjects will win gongs at the forthcoming Academy Awards ceremony. And you can play, too, as all the films – Animated and Live Action – will be screening at Landmark’s Shattuck Cinemas beginning on Friday, Jan. 29.
The Animated category is almost always dominated by whichever short Disney/Pixar has produced during the preceding twelve months, and I suspect this will continue to be the case on Feb. 28. This year’s likely shoo-in is a warm-hearted ‘toon entitled Sanjay’s Super Team, in which a young lad repurposes his action figures as Hindu gods and goddesses doing battle with a multi-headed, multi-armed purple demon. Featuring rich, deep colors bathing in an almost psychedelic atmosphere, it’s a beautiful film book-ended by a nice personal note from director Sanjay Patel. … Continue reading »
The Romanian New Wave peaked a decade ago with such gritty, neo-realist films as The Death of Mr. Lazarescu (2005) and 4 Months, 3 Weeks and 2 Days (2007). Grim commentary on Romania’s changed circumstances post-communism, these films reflected the cultural and political shocks reverberating throughout the country at the turn of the 21st century.
The Death of Mr. Lazarescu provided an opportunity for a recent film school graduate named Radu Jude to work second unit for director Cristi Puiu. Now Jude has graduated to making his own features films, and the latest, Aferim!, opens at Landmark’s Opera Plaza Cinema in San Francisco on Friday, Jan. 22. As with last week’s Flowers, no East Bay play dates are currently scheduled.
Lazarescu was the sort of film that once would have been described as ‘torn from today’s headlines’. Aferim!, on the other hand, is an historical drama set in the 1830s, when the Ottoman Empire’s grip on the Balkans was ever so slowly beginning to weaken — not least in the province of Wallachia, where the story is set. … Continue reading »
It’s January, and the release schedule — overflowing with goodness only a few short weeks ago — has transformed into a vast winter wasteland of terrible films. During the long holiday season, folks flock to the movies – then promptly abandon them in January and February. Meanwhile, the studios have to put something into cinemas — and it’s almost always barrel scrapings, misfires and duds.
Things aren’t quite as bleak here in Berkeley: for one thing, we have the Jan. 31 opening of the new Pacific Film Archive to look forward to, a very special occasion indeed. And if you don’t mind taking a trip across the bridge, there’s also a really wonderful little picture entitled Loreak (Flowers) opening at Landmark’s Opera Plaza in San Francisco on Friday, Jan. 15. (No East Bay play-dates are currently scheduled.)
Made in Spain but shot in the Basque language (according to IMDb, one of only 35 films ever shot in Basque), Flowers is an ensemble piece about a series of relationships that barely exist in the accepted sense of the word. Nonetheless, these nascent semi-relationships change the lives of all involved. … Continue reading »
I estimate I watched between 500 and 600 films in 2015, but every year I miss a ton of new movies, so this article needs to include an appropriate disclaimer: this is NOT a comprehensive list of the year’s ‘best films’. It’s a short list of those new or revived films I saw for the first time in 2015, and enjoyed (and/or appreciated) the most, so please don’t be upset if I omitted your favorite – I probably haven’t seen it yet!
1. The Duke of Burgundy: From the moment this film began, I knew it would feature prominently on this year’s list — and here it is, right at the top. The Duke of Burgundy was the most classically ‘cinematic’ film I saw all year; a true work of art encompassing an intriguing story, superb acting, intelligent writing, and incredible music (the score deserves an Academy Award nomination) – all while reflecting director Peter Strickland’s deep appreciation for film history. … Continue reading »
Three hours, eight minutes and thirty-one seconds: that’s the amount of time you’ll devote to In Jackson Heights (opening at Rialto Cinemas Elmwood on Friday, Dec. 18, the new feature from documentarian Frederick Wiseman. Is it a worthwhile investment, or is it one of the legendary director’s occasional snoozers?
Happily (and in spite of its epic running time) In Jackson Heights falls into the ‘worthwhile’ camp. If there are several million stories to be told in the naked city, Wiseman’s film gives a handful of them a thorough airing – and while some are more interesting than others, there’s enough variety here to keep viewers engaged.
Located to the south of La Guardia Airport in the borough of Queens, Jackson Heights is a half-hour subway ride east of Manhattan – but culturally, it’s a world away. Home to an incredibly diverse community of 100,000 plus, it’s claimed that 167 different languages are spoken there. Its geographic proximity to Manhattan makes the area a prime target for gentrification. … Continue reading »
In 1966, François Truffaut published a book about the work of his fellow director, Alfred Hitchcock. Simply entitled “Hitchcock/Truffaut,” it went on to become one of the most famous of all film tomes, one considered indispensable by many cinéastes (though to my eternal shame, I’ve yet to read it myself).
Fifty years later, the book has its very own documentary, unsurprisingly entitled Hitchcock/Truffaut. Opening at Landmark’s Shattuck Cinemas on Friday, Dec. 11, it’s a somewhat unfocused and slightly stodgy tribute that is unlikely to win either director any new fans – though it may inspire some, including myself, to finally pick up a copy of “Hitchcock/Truffaut” (the book).
The biggest problem with Hitchcock/Truffaut (the film) is that its subject is so profoundly un-cinematic. Quite simply, its many close-ups — consisting largely of shots of pages of film-stills and interview transcriptions — don’t help us appreciate or understand the book’s importance. … Continue reading »
I let you off easy with last week’s Tab Hunter Confidential. This week, I am afraid to say, we’re back in deadly serious territory with What Our Fathers Did: A Nazi Legacy, a valuable if rather depressing documentary opening at Landmark’s Shattuck Cinemas on Friday Nov. 13.
Directed by David Evans ( “Downton Abbey”), the film brings together three very different people — two children of Nazi bigwigs, and one dedicated human-rights lawyer. Their mission: to come to terms with the terrible crimes committed by – and against — their fathers during the Second World War.
In addition to being one of the world’s renowned legal experts in genocide and crimes against humanity, Philippe Sands is also the author of several noteworthy books, including 2006’s ‘Lawless World’, which examined the Blair-Bush conspiracy to invade Iraq. With the exception of his father, who escaped to Britain, his extended family all died in the Nazi concentration camps in German-occupied Poland. … Continue reading »
Occasionally, though, even I like to relax with something fluffy. I’ve been known to take in a popcorn movie or two each summer (hey, I just saw The Martian – and it wasn’t terrible!), and can even enjoy the odd showbiz hagiography. Which kinda, sorta brings me to this week’s film, Tab Hunter Confidential, opening at Landmark’s Shattuck Cinemas on Friday, Nov. 6.
Born Art Gelien in 1931, Tab Hunter was, briefly, the hottest thing in 1950s Hollywood. Ridiculously handsome, Tab was the young man every young lady wanted to bring home to Mom and Dad during the Eisenhower administration. He also happened to be gay at a time when homosexuality was illegal in the United States. … Continue reading »
Everyone loves baseball, right? You, there in the back — you say you’re not so keen? Well, never mind. You’re still going to love Ghost Town to Havana, a documentary screening (for free!) at Oakland’s Grand Lake Theatre at 7 p.m. on Tuesday, Oct. 27.
Let’s slightly adjust the premise: everyone loves watching kids play Little League baseball, and that’s what Ghost Town to Havana offers viewers in abundance. Shot partly in West Oakland and partly in Cuba, the film examines the exploits and struggles of two teams of youth ballplayers and the dedicated adults who work with and support them.
Long-time Oakland coach Roscoe Bryant’s love for the game has benefited hundreds of kids throughout the city, while also placing intense stress on himself and his loved ones. Anyone deeply committed to youth baseball is familiar with this dynamic, but for the ‘at-risk’ kids of Ghost Town it’s a sacrifice that can really make a difference. … Continue reading »