Author Archives: John Seal
As Lao Tzu’s well-worn bromide goes, ‘every journey of a thousand miles begins with a single step.’ In the case of Maidentrip (opening at Rialto Cinemas Elmwood on Friday, March 21), however, a lengthy trip can also begin with as little as a gentle breath of wind.
Dutch teenager Laura Dekker made international headlines in 2009 when, at only 13 years of age, she announced her intention to become the youngest person to circumnavigate the globe. The daughter of a Dutch father and German mother who themselves had previously sailed around the world, the New Zealand-born Dekker spent the first four or five years of her life at sea and clearly never became comfortable on land. … Continue reading »
It’s almost spring time in the East Bay (and, not too surprisingly, the rest of the Northern Hemisphere as well), which means two things are about to happen: the Oakland Athletics will drop their Opening Day game (can the team extend its already impressive nine-season losing streak to an unprecedented tenth, setting a new Major League record?), and the Asian American Film Festival (officially known as CAAMFest 2014) is about to put in its annual appearance at Pacific Film Archive.
This year’s Berkeley component of the Festival kicks off at 7:00 p.m. on Friday, March 14 with Farah Goes Bang, a comedy about a young campaign volunteer desperately trying to lose her virginity while working tirelessly to get John Kerry elected President in 2004. Nikohl Boosheri stars as the title character, an Iranian-American lass spending her days criss-crossing the battleground state of Ohio in search of votes and love. Despite its less than promising premise – is there anything or anyone less exciting than John Kerry? – the film won the Nora Ephron Prize at last year’s Tribeca Film Festival. … Continue reading »
We’ve barely had time to digest this year’s Academy Awards, but surely it’s not too soon to start prognosticating about next year’s nominees. By peering into the deepest recesses of my crystal ball, I see that The Rocket – an Australian-Laotian co-production, the first Laotian film I’ve ever seen, and one of only 66 films listed by IMDb to be at least partly of Laotian origin – will feature prominently in 2014’s Best Foreign Language Film competition.
Opening at Landmark’s Shattuck Cinemas on Friday, March 7, The Rocket is the at times surreal, at other times mytho-poetic tale of young Ahlo’s against-all-odds effort to shrug off the effects of the curse placed upon him by (of all people) his grandmother Taitok (Bunsri Yindi). Little Ahlo is the surviving sibling of a stillborn twin – and his tribe considers twins very bad news indeed. … Continue reading »
The American film industry was born on the Atlantic Seaboard. From Biograph’s lower Manhattan studio to the film factory that was Fort Lee, New Jersey (a city now infamous, of course, for an entirely different reason), the first American movies were primarily an East Coast affair.
That changed in 1911 when the advantages offered by the sunshine and vast open spaces of Southern California convinced New Jersey’s Nestor Studios (later to merge with Universal) to relocate to Hollywood. The secret was out: land and good weather were plentiful out west, and the industry moved en masse. By the 1920s, the East Coast film boom had quickly turned to bust.
And so it would remain for the next few decades: during the ‘20s and ‘30s, New York City locations were recreated hundreds of times on the Hollywood back lot, and no one complained. In the post-war years, however, audiences wanted something a little less artificial and a bit more realistic, and studios realized they needed to offer something to counter the growing threat of television. Second units began to pop up around The Big Apple — especially for crime pictures.
One of those pictures was MGM’s Side Street, an above average noir screening at 7:00 p.m. on Friday Feb. 28 at Pacific Film Archive as part of the series ‘Against the Law: The Crime Films of Anthony Mann’. … Continue reading »
We’re just a couple of weeks away from this year’s Academy Awards, but one of the Best Foreign Language Film nominees is only now going on general release (to be eligible, films must screen publicly in Los Angeles County for a full week during the prior year but may open later elsewhere). That’s no reflection on the nominated film’s quality, however – and I’ll go out on a rather long limb and predict Oscar glory for Omar, a powerful Palestinian drama about life in the Occupied Territories opening at Landmark’s Shattuck Cinemas on Friday, Feb. 21.
Omar (Adam Bakri) is a typical young West Bank resident. Having grown up under the occupation he’s adapted to it in innumerable ways, including making a daily climb over the 26 foot-tall ‘security wall’ in order to visit friends and get to work. Despite the best efforts of Israeli Defense Force patrols to prevent such breaches, Omar scales the wall on a regular basis, sometimes with a boost from kindly passers-by. … Continue reading »
We’ve been awash recently in reminders that 2014 marks the 50th anniversary of The Beatles’ momentous first trip to the United States. As a confirmed Beatlemaniac of long standing, I have no quarrel with celebrating the Fabs – does anyone have a black and gold-label first pressing of Please, Please Me they’d like to sell? — but let’s not forget that February 2014 is also the 50th anniversary of another significant event, the first Cassius Clay vs. Sonny Liston bout in Miami Beach.
By 1964, Clay — soon to change his name to Muhammad Ali — was already an African-American hero: the smooth-moving, fast-talking Kentuckian had rocketed to fame at the 1960 Rome Olympics, where he clobbered his way to the light heavyweight gold medal. His Miami Beach opponent, on the other hand, was a strong silent type with deep connections to organized crime. Despite his criminal past, Sonny Liston most definitely wasn’t Muhammad Ali — which meant he had most of white America in his corner. … Continue reading »
In his now legendary concurring opinion in the case Jacobellis v. Ohio, Supreme Court Justice Potter Stewart famously noted that, despite the difficulty of defining the pornographic, “I know it when I see it.” I used to think that was a pretty fair definition, too, but after screening the NC-17 rated L’inconnu du lac (Stranger by the Lake, opening at Landmark’s Shattuck Cinemas on Friday, Feb. 7), I’m not so sure anymore.
Written and directed by Alain Guiraudie, Stranger by the Lake is both incredibly intense (in terms of on-screen sex) and incredibly languorous (in terms of Guiraudie’s approach to storytelling). It’s a fascinating feature guaranteed to polarize opinion, a cinematic poster child for the cliché “you’ll either love it or hate it,” and a film all but certain to generate a few walkouts by low-information moviegoers. … Continue reading »
It’s time once again to handicap the Oscar races that most obsess Berkeleyside readers – I’m speaking, of course, of the short subjects. 2013’s crop of nominees is a strong one, and as in previous years will play as a package at Landmark’s Shattuck Cinemas beginning on Friday, Jan. 31.
Of the three categories, the Live Action group is (with one notable exception) particularly impressive. I’m picking former child actor Xavier Legrand’s Just Before Losing Everything – the riveting tale of a Frenchwoman (Lea Drucker) attempting to escape from her abusive husband – as the winner. Suspenseful and moving, the film suggests Legrand could easily transition to feature length productions should he so desire. … Continue reading »
We know it as neo-realism, but in India it was called Parallel Cinema – a movement to provide an alternative to the musicals and romantic comedies that have long been the staple of the Indian film industry. Parallel Cinema’s leading light (and the sub-continent’s most famous filmmaker) was Satyajit Ray, an artist belatedly recognized by the Academy of Motion Picture Arts and Sciences with an honorary Oscar only weeks before his death in 1992.
Trained in the fine arts, Ray began his journey into film-making in London, where a viewing of Vittorio de Sica’s Ladri di biciclette (The Bicycle Thief) inspired him to pick up a camera and make his first film, 1955’s award-winning Pather Panchali. De Sica’s hugely influential neo-realist classic helps kick off Pacific Film Archive’s series ‘The Brilliance of Satyajit Ray’ at 7:00 p.m. on Thursday, Jan. 23. The extensive retrospective continues through August. … Continue reading »
What lessons did I learn from cinema in 2013? First and foremost, that Somali pirates are very, very dangerous and should be avoided at all costs. From mainstream Hollywood’s Captain Phillips (an extremely well-made Pentagon recruitment film) to little Denmark’s A Hijacking and beyond to South Africa’s Oscar-nominated Live Action Short Subject Asad (which ultimately lost, of course, to the worst of the category’s five nominees), there was no shortage of heavily armed East Africans and bearded, pasty faced merchant seamen this year. Meanwhile, here at Big Screen Berkeley, gritty 21st century realism took a back seat to a silent, black and white retelling of Snow White and the Seven Dwarves. So without further ado: your humble scribe’s favorite 15 films of 2013. … Continue reading »
Did you hear the one about the joint American-British-Chinese-Irish mission to Mars — the one that didn’t actually include any Chinese astronauts? No? Well, prepare to discover it in Last Days on Mars, a thoroughly average science fiction adventure opening at Landmark’s Shattuck Cinemas on Friday, Dec. 13.
Directed by Ruairí Robinson, Last Days on Mars is headlined by Liev Schreiber, last heard in these parts narrating Federal Reserve documentary Money for Nothing. Schreiber plays Vince Campbell, one of an octet of astronauts who’ve spent the last six months conducting scientific research on the Red Planet: collecting soil samples, monitoring the weather, and trying to prove that Marvin the Martian really exists. Their tour of duty almost up, the group eagerly awaits the imminent arrival of space shuttle Aurora and a restful return trip to Earth. … Continue reading »
I have to admit I didn’t expect to be writing about another Rwanda documentary this year, but here we are. After being featured in cycling epic Rising from Ashes in a September review, the central African nation returns to the Big Screen Berkeley spotlight only three months later, this time in the form of Sweet Dreams, a locally grown feature opening Friday, December 6th at Landmark’s Shattuck Cinemas.
Produced and directed by siblings Lisa and Rob Fruchtman – she, a resident of Berkeley and Academy Award winner for her editing work on The Right Stuff (1983); he, a Sundance Best Director winner for Sister Helen (2002); each a veteran of Francis Ford Coppola’s Apocalypse Now (1979) – Sweet Dreams offers another perspective on Rwandan efforts to recover from the genocide of 1994. This time, bicycles are nowhere in evidence, here replaced by traditional drums and decidedly non-traditional ice cream scoops. … Continue reading »
The Federal Reserve Bank is a favorite whipping boy for both left- and right-wing conspiracy theorists, its role in manipulating currency — and (by extension) managing the economy — the source of endless controversy. Calls to ‘audit the Fed’ have been heard from both the Ron Paul libertarian right and the Alan Grayson liberal left, but such an audit would still be unlikely to assuage the frenzied palpitations of Alex Jones and others convinced that America’s central bank is nothing more than a tool the New World Order uses (alongside fluoridation, vaccinations, and chemtrails) to maintain its control over us.
Consequently, I anticipated Money for Nothing: Inside the Federal Reserve (a new documentary screening at Rialto Cinemas Elmwood at 7:00 p.m. on Wednesday Dec. 4) with some trepidation. Watching the film until the end, I kept waiting for the penny to drop: when would narrator Liev Schreiber reveal the awful truth about our reptilian overlords inventing one fiat currency to rule them all? … Continue reading »