Sometimes, “goodbye” is also “hello.”
Janet Eilber, Artistic Director of Martha Graham Dance Company since 2005, knows what all chefs, farmers, architects, engineers, scientists, philosophers — really, what anyone knows. The key to a delicious, sturdy, profoundly pleasing creation is all in the ingredients. On Friday Jan. 31 and Saturday Feb. 1 at Zellerbach Hall, Cal Performances and the 77-year-old modern dance company will serve up three classic feasts, with live accompaniment provided by the Berkeley Symphony.
First-rate theater lifts our well-cushioned minds and derrières out of life’s doldrums, challenging us to contemplate the great mysteries of human existence: love, hate, honor, betrayal, death, and why zippers always get stuck when we are in a hurry. It also titillates our bawdier senses, tickles our funny bones, threatens our presumptions and steals our breath away with unexpected brilliance and beauty.
What does winning sound like? The definition of winning for MacArthur Genius Award recipient and Lawrence Berkeley National Laboratory physicist Carl Haber is surprising.
Less than two weeks after Cal Performances brought the Nederland Dance Theatre’s exquisite dancers to Zellerbach Hall, Bay Area balletomanes reveled in the Shanghai Ballet’s 50-member, classically gifted company.
If it’s possible for a dance performance to cause tears of joy and dismay, shed simultaneously, then Nederlands Dans Theater’s Oct. 23 appearance at Cal Performances’ Zellerbach Hall did it.
Thank goodness for boring, sappy poetry. Without it, there might never be The Moth.
Cal Performances’ fourth annual Fall Free-For-All is choreography on a massive scale. The all-day arts sampler spins into action on Sunday, September 29 with vivid expressions of creativity accompanied by everything from Body Music to 13th-century French pop tunes to a Duke Ellington tribute to Beethoven and more.
The Bay Area dance world presents an embarrassment of riches: from ballet to modern, embracing street, jazz, tap, flamenco, ethnic — and pretty much everything else — along the way. Tucked away amid this bounty is a quiet, but dogged gem: Berkeley resident Christian Burns.
Like characters in an ancient Roman frieze, eight young boys assume motionless poses, then spring to pumping, rolling, spinning life in front of the Zellerbach Playhouse on the University of California, Berkeley, campus.
A splendid exhibition of Bay Area figurative and abstract-expressionist artist Richard Diebenkorn’s paintings and drawings on display at San Francisco’s de Young Museum proves 13 is a most fortunate number.
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