- 12/04/2014 - Half the Sky's NICHOLAS KRISTOF / A Path Appears
- 11/25/2014 - 'Read and Share' Book Club
- 11/18/2014 - UC Berkeley Department of Theater, Dance and Performance Studies presents REGENTS' LECTURE: LUIS VALDEZ
- 11/13/2014 - Presidential Inaugural Poet RICHARD BLANCO / The Prince of Los Cocuyos
- 11/10/2014 - London's School of Life's ROMAN KRZNARIC / Empathy
Tag Archives: Alvin Ailey American Dance Theater
Is the juice worth the squeeze?
It’s the unexpected question Robert Battle, now in his third year as Artistic Director of the Alvin Ailey American Dance Theater, asks himself every day. The “squeeze” is the hard work of running a dance company and the dollars an audience spends to attend a performance. The “juice” is the legacy-upholding, future-building, legendary output of the company’s indelible dancers and choreographers.
Inheriting the heavy mantle of a dance company founded in 1958 by choreographer and activist Alvin Ailey, Battle succeeded former Ailey dancer Judith Jamison’s 1980 to 2011 term of leadership. As the troupe’s third artistic director, Battle says that during the first season, audiences showed up to see a spectacular season already fine-tuned by Jamison, a signature Ailey dancer. The second year, they were simply curious about the new leader’s imprint. In 2014, record numbers during the company’s New York City performances in December, have given him courage. … Continue reading »
Like characters in an ancient Roman frieze, eight young boys assume motionless poses, then spring to pumping, rolling, spinning life in front of the Zellerbach Playhouse on the University of California, Berkeley, campus.
It’s a rehearsal, but in light of the fierce pride and near-divine determination in their expression — and exploding from their agile bodies — it impresses as so much more. They are AileyCamp dancers, they are men-to-be, they are special.
AileyCamp, organized in Berkeley by Cal Performances every year, is a national program based on the principles of Alvin Ailey, an African American son of a single parent who made his way to the pinnacle of the dance world as a performer, choreographer and founder of the Alvin Ailey American Dance Theater. Along the way, he developed an ambitious philosophy: circumstances do not define the human spirit, and children are often the best place to look in order to learn life lessons. Expanding on his ideas, and using the Horton technique — the modern dance methodology behind the fearless, muscular physicality of the Ailey style — he focused AileyCamp on communication.
The almighty power of contemporary dance is alive and kicking in Berkeley through April 28, after which the Alvin Ailey American Dance Theater will pack up their four, richly textured programs and hoof it to the next tour stop.
Until then, it’s “get thee to the church of alpha men and women” in Zellerbach Hall. Feed your soul, feast your eyes and raise your inner flag (no matter how tattered) of patriotism. Artistic Director Robert Battle’s company sprang to life on American soil in 1958 and 55 hinge-bending, lateral-leaning, gravity-defying years later, the jubilee shows no signs of abating. … Continue reading »
The mighty ship that is the Alvin Ailey American Dance Theater docked at Berkeley’s Zellerbach Hall this week for a residency that begins tomorrow, March 13, and runs through March 18. The company’s Artistic Director, Robert Battle, stands as the captain of an organization that has known only two previous leaders.
Battle has choreographed on the company Alvin Ailey founded in 1958 and drove to a pinnacle of international acclaim, before passing the reins to dancer Judith Jamison in 1989, but he has never performed as a member of AAADT.
All of which has meant that the passing of the baton in July 2011 was preceded by a long, intricately planned transition. Battle has been groomed for the role with the same care that is poured into each movement the dancers execute. … Continue reading »