Tag Archives: Aurora Theatre Company
One of the fresh, modern aspects of the 1978 Fifth of July by Pulitzer Prize winner Lanford Wilson (1937–2011) is that it concerns a gay couple whose sexuality is never questioned. Neither is the relationship the subject of angst, derision or other negative reaction — just love and acceptance. Unfortunately, a few other elements of the play seem slightly off, despite the fact that Fifth of July has much to offer.
It’s 1977, and we’re at the Lebanon, Missouri childhood home of Kenneth Talley, Jr. (Craig Marker) a legless Vietnam veteran, who lives with his partner, botanist Jed Jenkins (Josh Schell). Jed seems content to put down roots there by continuing to improve the English garden he has designed. But Ken is now reluctant to teach at the local high school as he had planned, and is considering selling the house.
Visiting Ken are some longtime friends from his 1960s days in Berkeley, copper conglomerate heiress Gwen Landis (Nanci Zoppi) and her assertive husband, John Landis (John Girot). Gwen dreams of becoming a country singer and is actively promoted by her husband. They are traveling with Gwen’s amusing guitar player, Weston Hurley (Harold Pierce). John thinks that the 19-room Talley house would make a fine music studio for Gwen. Or does John have ulterior motives? … Continue reading »
Those who are fortunate and fast enough to find tickets for Aurora’s Theatre’s Talley’s Folly will enjoy a first-class theatrical experience.
Celebrated author Lanford Wilson (1937–2011) deservedly won the 1980 Pulitzer Prize for Drama for this tender two-person, one-act romantic comedy. It’s one of the plays in Wilson’s famed trilogy about the wealthy Talley family of Lebanon, Missouri. Aurora will be presenting the two other plays in the trilogy, Wilson’s Fifth of July from April 17 through May 17, 2015, and four private staged readings of the less produced Talley & Son in April.
Noted Bay Area veteran actor and director Joy Carlin directs inspired performances by Lauren English, as the unmarriageable 30-year old Sally Talley, and Rolf Saxon, as 40-something Matt Friedman, a Jewish émigré accountant from St. Louis, who shows up on July 4, 1944 at the Talley boathouse (or folly) to propose marriage to Sally. … Continue reading »
In the opening act of The Lyons, Nicky Silver’s bitingly funny and undeniably moving play, we are in a hospital room in New York, where Ben Lyon (Will Marchetti) lies terminally ill with cancer, cursing with pain, as his wife Rita (Ellen Ratner, After the Revolution) thumbs through decorating magazines, casually discussing her plans to redecorate their living room after Ben dies. Not your average loving couple merely engaging in bickering banter, Ben and Rita have struggled through 40 years in a difficult marriage burdened by disappointment and regret.
Into the hospital room timidly peeks adult daughter, Lisa (Jessica Bates, After the Revolution) a single mother of two boys, recently separated from her husband. Lisa struggles to cope with her day-to-day life as well as her psychological and alcohol issues. She’s clearly uncomfortable and distressed by her parents, seemingly more because her father’s condition was kept from her for months, than the fact that he is dying. … Continue reading »
Ask playwrights about their interest in theater and you will likely travel back in time to a childhood — if not further back to ancestral DNA — leading them to fall in love with words.
Such is the case with Jonathan Spector, who attended four different elementary schools in a family of fluid movers as they followed his professor father’s career from Washington, D.C. to Alabama and beyond. Entering each blacktop playground scene as the new kid, Spector analyzed relationships, learned the “language” of novel circumstances, developed an eye for the social color of various classrooms and communities. In non-theater words, he learned to get along.
So it comes as no surprise that FTW, a new play selected by Aurora Theatre Company for the 10th annual Global Age Project (GAP), is all about relationships and characters playing out large, social concerns against a backdrop ripped right out of everyday life.
“I wrote this very quickly; it’s very local West Oakland,” Spector says in an interview. “It’s three women who went to college together and how the shared experience falsely flattened out differences between them. They launch themselves into the world thinking they are the same and find out that is not the case.” … Continue reading »
An intimate power struggle between Robert Mugabe, the President of Zimbabwe, and Dr. Andrew Peric, a white Zimbabwean psychiatrist, is the compelling concept of Aurora Theatre’s gripping, finely acted drama, Breakfast with Mugabe.
British author Fraser Grace based his riveting play, first produced by the Royal Shakespeare Company in 2005, and then off-Broadway in 2013, on news reports that a white psychiatrist had been called to treat a severely depressed President Mugabe, to cure him of being haunting by the malicious spirit of a rival who died under dubious circumstances. Set right before the 2002 Zimbabwean elections, the tense sessions between the two men illuminate the racial, political, historical and emotional divide between blacks and the white landowners in Zimbabwe and, for that matter, in all of formerly colonial Africa. … Continue reading »
Jean-Jacques Rousseau … Betty Friedan … Phyllis Schlafly … Dr. Phil … feminists and anti-feminists are all fodder for amusing academic banter in Gina Gionfriddo’s engaging and entertaining Rapture, Blister, Burn now at Berkeley’s Aurora Theatre Company through Oct. 5.
A finalist for the 2013 Pulitzer Prize, Rapture reunites a graduate school triangle after 12 years of separation — Catherine (Marilee Talkington), now a single, feminist scholar and author-cum TV talking-head in stiletto heels; Catherine’s former roommate, Gwen (Rebecca Schweitzer) a graduate school dropout, now a self-righteous, priggish wife and mother of two; and Gwen’s husband, who she snatched from Catherine while Catherine studied abroad, Don (Gabriel Marin), now a pothead, porn-watching, disciplinary college dean. … Continue reading »
David Mamet’s searing 1975 masterpiece about a botched robbery by three Chicago low-lifes fizzled rather than sizzled through its opening night at Berkeley’s Aurora Theatre. Not that the play isn’t worth seeing — it is. But this production of American Buffalo seems to lack drama and tension and is instead milked for laughs.
American Buffalo follows three small-time crooks for one day as they talk about robbing a neighbor whom they believe owns a valuable coin collection. One can’t describe their action as “planning a robbery” because they lack the brainpower and skill that actual planning requires. … Continue reading »
Known in local theater circles as a deep-thinking actor’s actor—and by fans of the DIY Network as host of the ever-practical Home Transformations—Michael Ray Wisely has built himself a DIY career.
Wisely is inaugurating the Aurora Theatre Company’s new second stage performance space, Harry’s UpStage, as the predatory “Director” in a fully staged production of John W. Lowell’s The Letters, which opened on April 17 and runs through June 1.
The 51-year-old veteran of stage, film and television has always gravitated to grand dramas on everyday life stages.
Wisely’s first theatrical platform was the town he grew up in: Fuquay-Varina, North Carolina, a deep South tobacco and bible-belt town of barely 4,000 people. His hometown’s fancy French name labeled a rural location named after a white man who co-opted native American Indian land and bewitchingly adopted a local woman’s nickname to complete the hyphenated moniker. “We weren’t very poor, but we were close,” Wisely said in an interview. … Continue reading »
Gidion’s Knot, Johnna Adams’ astonishing two-character play rivets the audience as it explores vital societal issues — children’s free expression and its limits, cyber-bullying and parental versus society’s rights.
As you enter the theatre, you find yourself in a typical 5th grade classroom, complete in every detail, thanks to set designer Nina Ball, including the school desks, the fluorescent light fixtures and the clock on the wall that continues to work throughout the play’s eighty minutes. Heather, a teacher with two years of experience, sits at her desk with her head down, grading papers and checking her cellphone.
After several minutes, Corryn enters the classroom for a scheduled parent-teacher conference to discuss why her son, Gidion, has been suspended from school. Yet Heather is shocked that Corryn has kept the appointment. … Continue reading »
In the edgy and provocative “A Bright New Boise,” Idahoan author and winner of the 2011 Obie Award for Playwriting, Samuel D. Hunter, examines familial relations, forgiveness, religion and corporate culture.
Protagonist Will (accomplished Robert Parsons) left his rural Idaho town for Boise after a headline-making tragedy blows apart his nondenominational evangelical church. Will applies for minimal wage work at the Hobby Lobby, a craft-supply big box store (see more about the real Hobby Lobby below), with the hope of reconnecting with Alex, the gloomy teenager he had given up for adoption.
Alex (well-acted by Daniel Petzold) and Alex’s also adopted brother, Leroy (Patrick Russell shines) work at the Hobby Lobby, as does the profit-seeking, loudmouth manager Pauline, (funny Gwen Loeb) and the anxious depressed Anna (excellent Megan Trout). Will completes this blue-collar quintet, all sharing dead-end jobs. Most of the play’s action occurs in the Hobby Lobby’s stark break room, with only a few scenes outside the store. Hobby Lobby is their world. In fact, Will and Anna both choose to spend evenings in the break room. … Continue reading »
Aurora Theatre Company’s insightful, humorous and moving production of Amy Herzog’s, After The Revolution concerns a subject that will resonate with Berkeleyans: the leftist movement and the Communist Party of the 1940s and ’50s. The play is also about a family whose interactions are based on secrets and lies, as well as love.
Emma Joseph (great acting by Jessica Bates), the protagonist, lives in blind admiration of her deceased grandfather Joe, who bravely didn’t “name names” at Senator McCarthy’s House on Un-American Activities Committee (HUAC) hearings. Emma has dedicated her life to her grandfather, by establishing and leading the Joe Joseph Foundation to further the cause of principled and color-blind justice.
In the early 1950s, Senator McCarthy became the public face of those who feared that Cold War Communists were infiltrating the United States. McCarthy also asserted he had “lists of members of a spy ring” who worked in the U.S. State Department. He ruined the lives of those refusing to testify before the Committee about other supposed American Communist Party members and sympathizers, by placing their names on his “blacklist.” Once on the list, the blacklisted were ostracized and unemployable. … Continue reading »
Aurora Theatre’s final production of the season is also its finest of the season. Provocative playwright and screenwriter Neil LaBute (Fat Pig, Reasons to be Pretty, In the Company of Men), presents us with an outstanding dark comedy in which nothing is quite what it seems. Even after the play ends, the audience is left to wonder where the truth lies. And that’s just one of the many attributes of this taut 2005 play that has already fascinated audiences in New York and London, among others.
This is How It Goes is a three-character piece about the blond, stay-at-home mother and former cheerleader, Belinda Phipps (fantastic Carrie Paff), her black, athletic, successful and driven husband, Cody Phipps (terrific Aldo Billingslea) and the unnamed smart-ass male narrator, “Man” (exceptional Gabriel Marin) who returns to their Midwestern hometown, rents a studio apartment above the Phipps’ garage and turns their three lives upside down. … Continue reading »
Barbara Oliver, the founding Artistic Director of Berkeley’s Aurora Theatre and an instrumental figure in Bay Area theatre for more than 40 years, passed away peacefully from complications of a stroke on Monday at her Berkeley home. Her family was with her, as they have been throughout the duration of her recent illness. She was 85.
A veteran actress and director, Oliver co-founded Aurora Theatre Company in 1992 and was its Artistic Director until stepping down in 2004.
“Like many people in the Bay Area, my life has been irrevocably changed for the better by having met Barbara Oliver,” said Aurora Theatre Company Artistic Director Tom Ross. “Little did I know that our initial meeting, a job interview 22 years ago, would take me, and hundreds of Aurora Theatre artists, staff, Board members, and patrons, on such a long and significant journey, one that will no doubt continue for many years to come. Trying to distill the legacy that Barbara left as founding Artistic Director is difficult, as she created such a vast foundation, but ultimately, I think that she instilled the belief that we should move forward and grow steadily with absolute integrity, and to show unequivocal fairness to all. Barbara not only preached these messages but personified them. It goes without saying that she was a talented actor, director, and teacher as well. Her passion was endless and she could inspire nearly anyone.” … Continue reading »