GLENGARRY GLEN ROSS This weekend is your last chance to see Theatre First’s production of Glengarry Glen Ross at Live Oak Theatre, as its run has its final day on Sunday. David Mamet’s Pulitzer Prize-winning comedy about working-class real-estate salesmen trying to eke out a living in the fast-paced economy of the 1980s and claim their piece of the American Dream became an instant classic of American theatre and is regarded as one of the playwright’s best plays. For details and to buy tickets, visit Theatre First’s website or phone 510-981 8150. (more…)
PrōVen Management, a national engineering construction company that specializes in large-scale infrastructure projects, is moving its operations from San Francisco’s Jackson Square area to West Berkeley, and is turning the old Flint Ink factory into its new headquarters.
Want to know what a world-famous chef peruses in the comfort of her own home? If so, rush down to the Friends of the Berkeley Public Library’s store on Channing for its annual cookbook sale. Mollie Katzen, who shot to fame with her “Moosewood Cookbook,” and who has since written almost a dozen others, including 2013’s “The Heart of the Plate: Vegetarian Recipes for a New Generation,” donated about 400 books for the sale. They are cookbooks for which Katzen has written a foreward, has reviewed, and maybe, just maybe cooked from. There are even some of her own cookbooks. And, as usual, the prices are “ridiculously low.” The Friends of the Library store is at 2433 Channing Way and is open Tuesday to Saturday 10 a.m. to 4 p.m. (There is also a Friends store in the Central Branch but it does not have Katzen’s books) (more…)
On Sunday, hundreds of people swarmed through every nook and cranny, every cantilevered balcony and ramp, within the concrete hulk of the Berkeley Art Museum at 2626 Bancroft Way. They came to say goodbye to a building that has hosted innumerable highly regarded exhibitions over four decades, as well as art installations, fashionable events, and parties.
GOODBYE TO THE OLD BERKELEY ART MUSEUM For 44 years, the Berkeley Art Museum at 2626 Bancroft Ave. has been a galvanizing force for culture in Berkeley and beyond. Many of the world’s greatest artists have performed or displayed their work there. But the Brutalist building designed by Mario Ciampi, and opened in 1970, is not seismically safe. It will close at the end of 2014 as BAM prepares for its move in early 2016 into a new 82,000-square foot home on Center Street designed by Diller Scofidio + Renfro. To celebrate the transition, BAM/PFA is throwing itself a goodbye party on Sunday called Let’s Go! A Farewell Revel. Starting at 11 a.m. and lasting until 5 p.m., the free celebration includes a create-your-own-museum art workshop, a dance battle by TURFinc, “vibrant vocals” from the women’s group, Kitka, a performance by pianist/composer Sarah Cahill of Gyorgy Ligeti’s 1962 composition “Poème symphonique” for 100 metronomes, and more. (Be sure to check out the Kickstarter campaign in progress to record the acoustics of the building.) The day will end with a procession from the Bancroft building through the campus to the new structure at 2155 Center St. Luckily, the forecast calls for a mix of sun and clouds. During the year it is closed, BAM/PFA will put on mobile exhibits around town. The PFA will continue to show films at its current site on Bancroft, across the street from the art museum. (more…)
Five years ago BAM/PFA launched L@TE, a music series curated by Berkeley pianist Sarah Cahill that transformed the gallery space into a reverberant concert hall. Given Cahill’s commitment to performing and presenting new music in various forms and permutations it’s not surprising that she booked minimalist pioneer Terry Riley as the opening act. In a neat feat of closure, the pianist will be on hand again Friday for the final L@TE event as BAM/PFA makes its slow transition into its new building at Oxford and Center (which is slated to open in early 2016).
This one’s a genuine find, a priceless rediscovery, and a locally sourced treasure. Screening at Pacific Film Archive on Thursday, Oct. 30 at 7 p.m. as part of the series “Activate Yourself: The Free Speech Movement at 50,” The Activist could just as easily have been featured in one of my occasional ‘Locally Grown Produce’ columns if not for the fact that, until very recently, I’d never heard of it before.
SUNDAY STREETS Sunday Streets is back for a third year on Oct. 12, and it’s certainly the biggest event of the weekend, taking over Shattuck Avenue from Haste to Rose from 11 am to 5 pm. It’s a chance to see the city in automobile-free mode as tens of thousands of people walk, bike, skate, discover, dance, and play along a car-free Shattuck Avenue. Businesses along the route host musicians and artists, restaurants and eateries offer outdoor seating and special menus. Don’t miss the Vine St. Block Party, with a wine and beer garden by Vintage Berkeley, eats by The Local Butcher Shop and Juicebar, live music, ACCI artist vendors, A Priori’s open house, and Twig & Fig’s annual paper sale. For a list of all the activities and festivities along the route, visit the Sunday Streets website. (more…)
JENNIFER KOH Violinist Jennifer Koh is no stranger to Berkeley, although Berkeley audiences may know her as Einstein, a role she undertook when she played in Einstein on the Beach at Cal Performances. This time she plays as herself — a powerful soloist — when she performs Sibelius’ Violin Concerto with the Berkeley Symphony tonight, Thursday Oct. 2, at 7 p.m. Also on the program are Elgar’s Enigma Variations and Oscar Bettison’s Sea Shaped in its world premiere. Tickets for the Zellerbach Hall show cost $15-$74. (more…)
When Gabrielle Selz was growing up in New York in the 1960s, her house was filled with artists who have become icons of the time: Mark Rothko, Willem de Kooning, Helen Frankenthaler, and Alberto Giacometti.
Human rights organizations often depend on the media’s megaphone, calling malefactors to account by publicizing their misdeeds. So it’s something of a paradox that Berkeley’s most influential and visionary NGO dedicated to the international struggle for human rights, the Human Rights Center at UC Berkeley School of Law, tends to operate under the radar. In marking the center’s 20th anniversary, the HRC is presenting an alternately breathtaking and hair-raising photo exhibition, Envisioning Human Rights, part of a new effort to raise public awareness about the organization’s vital work. (more…)
MIME TROUPE Each year the San Francisco Mime Troupe unleashes its Bay Area brand of political satire on the issues du jour. This year’s are no surprise: out-of-this-world rents, techie transplants, Silicon Valley, and surveillance. The 55th annual production, “Ripple Effect,” finds members of San Francisco’s various rival factions all stuck on a boat together in the middle of the Bay. The show makes its third and final Berkeley stop this weekend, at Willard Park (2730 Hillegass) at 2 p.m. Saturday and Sunday. Music starts a bit earlier and the whole thing’s free. (more…)
The dualities of life and art are never more apparent than they are in “Looking Intently: The James Cahill Legacy,” an intimate exhibit with boundless implications running now through December 21 at Berkeley Art Museum & Pacific Film Archive.