The dualities of life and art are never more apparent than they are in “Looking Intently: The James Cahill Legacy,” an intimate exhibit with boundless implications running now through December 21 at Berkeley Art Museum & Pacific Film Archive.
Thursday evening, community members turned out in droves to sign the final steel beam for Berkeley’s new art museum before it was lifted high into the air by a crane and set in place.
FOURTH OF JULY AT THE BERKELEY MARINA If you’re not going away for the long weekend and haven’t yet figured out your Fourth of July plans, consider heading down to the Berkeley Marina for a day of live entertainment, food and fireworks. The event starts at noon with musical performances by Bang Data, The Boston Boys, and others on the main stage. On the Buddy Club Stage in Shorebird Park, spectators will be treated to juggling, magic acts and Afro-Cuban drumming. Performances will go until 9:30 p.m. During this time, eventgoers can also indulge in dragon boat rowing (until 5 p.m.), massages, live pony rides, carnival rides and a fireworks show over the water at 9:35 pm. Food trucks and booths will be present as well. This year, Ben & Jerry’s Ice Cream co-founder Ben Cohen is also bringing his one-of-a-kind StampMobile to the event “to help stamp money out of politics on Independence Day.” Vehicle parking in the marina is $15 for the day and admission is free. (more…)
MARSH JAM If you’re looking for a laugh, you may want to head to the Marsh tonight, Friday, for Marsh Jam. The comedy show will feature a blend of “Spolin” style improv, stand-up, and sketch comedy for a unique theatrical experience tailored to the audience’s interests. Michael Bossier, who founded the comedy troupe Spaghetti Jam, will head the show. Past members of his troupe include Dana Carvey, Robin Williams, Whoopie Goldber and Betty Thomas. Tickets are $10 and the show starts at 8 p.m. (more…)
It seems like only yesterday that I was bemoaning the recent dearth of nun movies. And yet here I am a mere month later, once again writing about the Brides of Christ – this time of the genus a dæmonio vexatus– thanks to the recent digital restoration of Matka Joanna od aniolów (Mother Joan of the Angels), screening at 7:00 p.m. at Pacific Film Archive on Wed. June 25 as part of the series ‘Martin Scorsese Presents Masterpieces of Polish Cinema’.
Word on the street for many years has been that Wojciech Has’s 1965 feature Rekopis znaleziony w Saragossie (The Saragossa Manuscript) was musician Jerry Garcia’s favorite film. Rumor also has it that Garcia loved the film so much that he purchased a print and donated it to Pacific Film Archive, stipulating only that he could screen it there any time he liked.
THE POSSIBLE CLOSING CEREMONY The closing ceremony for ‘The Possible,’ an exhibition at the Berkeley Art Museum and Pacific Film Archive, will begin this Friday, May 23, at 7:30 p.m. ‘The Possible’ re-imagines the museum as the locus of an ever-evolving artistic projects that connects the artists with the community. This final celebration of creative spirit will draw together artists from around the Bay Area. There will be music, dancing, and ceremonies honoring those who made the whole exhibition, well, possible. Tickets are $7. It should be noted that there will also be a free garden bazaar on Sunday, May 25, from 11 a.m. to 3 p.m., where the gallery will be ceremonially emptied. Berkeley Art Museum and Pacific Film Archive, 2626 Bancroft Way. (Read our review of ‘The Possible.’)
Seven Canary Island pine trees that were cut down in order to allow construction of the new Berkeley Art Museum & Pacific Film Archive in downtown Berkeley were salvaged and will be used for several interior elements of the new museum, its director, Lawrence Rinder, revealed last week.
Ever wondered what a horror film directed by Terrence Malick might look like? The 57th San Francisco International Film Festival (continuing through May 8 at Pacific Film Archive) is here to help. Screening at the Archive at 8:45 p.m. next Wednesday, May 7, Historia del miedo (History of Fear) blends the brooding naturalism of Malick with the existential dread of Michael Haneke, the end-result a grimly fascinating examination of the discreet discomfort of the bourgeoisie.
Barbara Chase-Riboud: The Malcolm X Steles, is an exhibition not to miss. It’s inspirational, revelatory, ravishing to look at, and a dramatic contrast to The Possible: the experimental, hyper-interactive, buzzing, booming art-making project organized by local artist David Wilson that will occupy most of the Berkeley Art Museum through May 27.
CONVERGENCE One of the highlights of this year’s Jewish Music Festival will be Sunday night’s performance of Convergence by Anthony Mordechai Tzvi Russell, together with Bay Area klezmer trio Veretski Pass. “I knew no precedent of a Yiddish song organically growing out of a Negro Spiritual, but inside my own head — and I hesitate to say this, but in my heart — I felt I didn’t particularly need a precedent,” explains Russell. Convergence combines diverse strains of traditional Jewish and African-American music to explore exile, spirituality, hope and redemption. The performance includes animation work by San Francisco-based artist Meredith Leich. Tickets ($25, $22 for students, seniors and JCC East Bay members) are available from Brown Paper Tickets. 7 p.m. Sunday, March 23, JCC East Bay, 1414 Walnut St. (more…)
JOAN LA BARBARA Some say Berkeley is still stuck in the ’70s. Music fans who wish that were the case should head to the L@TE event this Friday, March 14. It’s been 38 years since experimental musician Joan La Barbara performed her “Circular Song” at BAM/PFA in 1976, and she’s back for round two. The piece is a presentation of the award-winning artist’s expansive repertoire of vocal techniques, including circular singing, glottal clicks, and split-tone multiphonics. The $7 show starts at 7:30 p.m. at 2626 Bancroft Way. (more…)
The American film industry was born on the Atlantic Seaboard. From Biograph’s lower Manhattan studio to the film factory that was Fort Lee, New Jersey (a city now infamous, of course, for an entirely different reason), the first American movies were primarily an East Coast affair.