Jim Novosel, a member of the library board, wants to set politics aside and start a "healing process" by convening a task force to look at some of the library's issues.
Kriss Worthington believes the atmosphere is so toxic at the library that the only way to improve it is to remove two library trustees.
Because of mistrust, the Board of Library Trustees should resign or be replaced.
Despite a new director, many Berkeley Library employees say their workplace has become a place of discomfort and distrust.
Eve Ahmed starts her shift each day at the free community breakfast in North Berkeley at the Dorothy Day House.
Homelessness in Berkeley has been an ongoing and controversial issue for a long time. The Berkeley Public Library Homeless Task Force is hosting a panel discussion titled “Homelessness in Berkeley” on Saturday, Sept. 10, at the Central Library at 2090 Kittredge St., from 2-4 p.m.
The Board of Library Trustees is poised to hire Heidi Dolamore as the new director of the library at their Wednesday meeting, a move they hope will start to quell more than a year of turmoil.
FIGHTING DIABETES WITH POETRY Type 2 diabetes, caused by eating the wrong food and a sedentary lifestyle, is on the rise. It’s also preventable. Now Youth Speaks and the Center for Vulnerable Populations have come together to form The Bigger Picture Campaign, a novel way to get word out about the disease. Tonight, eight young poets will be premiering their poetry about the disease from 6:00 p.m. to 8:00 p.m. at The David Brower Center, 2150 Allston Way. “This is poetry of provocation, witness, and social justice. We want all like-minded health warriors to be present.” (more…)
In the home stretch of researching my latest book, I found myself consulting a 1969 issue of an anthropology publication archived in the Main Branch of the Berkeley Public Library, discovering what the people I had been writing about — the Juwasi (or San) of the Kalahari Desert — really looked like. Before leaving the library, I browsed the reference room. I came upon an atlas of women travelers of the 19th century. Whoopee, I thought. Research done, proofs corrected, I’ll come back to have a serious look. A mere five months later, I found the reference room was stripped. The shelves were nearly as bereft as a medieval monk’s tonsure. What was going on?
MARK MORRIS MAKES MAGIC Berkeley is blessed to have the Mark Morris Dance Group perform annually at Zellerbach Hall as part of Cal Performances. The group is in residence this weekend and will be performing what the New York Times says “is his luminous masterpiece L’Allegro, il Penseroso ed il Moderato, set to the Handel oratorio of the same name.” Morris’s epic returns to Cal Performances for the fifth time since it premiered in 1988. The production includes a cast of 24 dancers and the Philharmonia Baroque Orchestra and Chorus. “I find no end to the intricacies of Mr. Morris’s construction and the meanings that continually pour from them. It fills the soul with wonder; it fascinates the mind with suggestion” (The New York Times). The performances are Friday and Saturday, March 11 and 12 at 8:00 p.m. and Sunday, March 13 at 3:00 p.m. Tickets start at $40. (more…)
UBUNTU THEATER PROJECT Oakland’s Ubuntu Theater Project is coming to Berkeley with the third show in its inaugural season, the Pulitzer Prize-winning I Am My Own Wife by Doug Wright. The play opens on Saturday March 5 in a cozy, historic Berkeley home whose original ballroom has been converted into a theater space. The contemporary classic is based on Wright’s fascination with Charlotte von Mahlsdorf, a transgender person who survived Nazi Germany and Stasi surveillance in East Berlin. Von Mahlsdorf’s story is a celebration of courage, resilience and of self-preserving compromises. The play speaks to the complexity of survival when one’s most intimate home — the body — is the source of persecution. Ubuntu’s co-artistic director William Hodgson plays all 40 characters in the play. The play runs through March 20 at Haba Na Haba House, 1936 Thousand Oaks Blvd, Berkeley 94707. For tickets ($15-35 online; pay-what-you-can at the door) and information, call 510-646 1126 or visit www.ubuntutheaterproject.com. (more…)
BERKELEY BLACK HISTORY MONTH CELEBRATION Berkeley’s third annual Black History Month Celebration takes place Sunday, Feb. 28, 2-5 p.m. at the Ed Roberts Campus. The theme this year is “History Makers” and throughout the day people and events important to Berkeley’s history will be acknowledged and celebrated. The program includes a workshop at 2 p.m., “Violence in the Black Community: Cause and Strategy,” facilitated by Cal State East Bay sociology professor Benjamin Browser; and a panel presentation with Black Lives Matter members Barbara Ann White, Spencer Pritchard and Marcel Jones, discussing the rationale for the organization, operating principals, and the group’s work and activities. There is also a premiere showing of Fair Legislation: The Byron Rumford Story, a documentary about the second African-American assemblyman elected to the California State Legislature. A reception and Q&A with producers and cast members will follow the 3:30pm screening. There’s live music by Soul Progression; gospel mime group Double Portion of Praise; and six-year old singing sensation De’Or — as well as RJ Reed’s “Black Inventions Display”, created to teach children about the contributions of black American inventors. Berkeley Black History Month Celebration, Sunday Feb. 28, 2-5 p.m. Doors open at 1:30pm. Admission is free and open to the public. Ed Roberts Campus, 3075 Adeline St. (opposite Ashby BART).
SHOTGUN’S BLAST FESTIVAL Berkeley’s Shotgun Players have launched a new festival, BLAST, with the goal of “exploding the limits of possibility in theater.” The intention is for BLAST to be an annual celebration of difference — a month-long festival of new ideas and visions. “BLAST aims to explode the boundaries of the stage with performances by local and national theater artists. We think life is dynamic, changing, ephemeral, strange, and beautiful. Theater should be too,” says the theater. On Saturday and Sunday you can see My Mind is Like an Open Meadow, by Portland’s Hand2Mouth ensemble. A mixture of lighting, pre-recorded voice, music, dance and scenery, the piece is based on one year’s worth of recordings Erin Leddy made of her fascinating grandmother, actress Sarah Braveman (watch the trailer). BLAST runs through March 6 at the Ashby Stage, 1901 Ashby Ave. Free parking in the Ashby BART parking. Tickets: $15 advance/$20 door. Blast Pack tickets available for multiple performances. See full program at Shotgun Players’ website. (more…)
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