Tag Archives: Berkeley Rep
Berkeley Rep becomes first dramatic theater to install Meyer Sound Constellation (Stage Directions)
Berkeley Playhouse presents world musical premiere of Bridges (Broadway World)
FBI now accepting complaints about Premier Cru (Mercury News)
Michael Lewis: The scourge of Wall Street (The Guardian)
Women authors seek to inspire at annual festival (IBA)
Monterey Jazz Fest band heads to Berkeley (Mercury News)
Legal tech startup Everlaw raises $8.1M (Venture Beat)
Get ready for BAMPFA (Daily Planet)
Tall order for Berkeley (Manteca Bulletin)
Haste Street building catches fire (Daily Cal)
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BCCO 50TH The Berkeley Community Chorus and Orchestra celebrates its golden anniversary this weekend with three concerts at UC Berkeley’s Hertz Hall. The program from the non-auditioned community chorus includes the first performances of “I Think I Shall Praise It,” composed by Napa-based Kurt Erickson for the BCCO 50th celebration, two movements from Brahms’ German Requiem, selections from Handel’s Messiah, Sibelius’ Finlandia and Leonard Bernstein’s Chichester Psalms. In addition to the concerts, the BCCO has built a special website for the 50th birthday, filled with stories about the group’s first half century. Performances are free, but donations are welcome. Friday, Jan. 8, 8 p.m., Saturday, Jan. 9 and Sunday, Jan. 10, 3 p.m., Hertz Hall. … Continue reading »
Thirty-six years after Berkeley Rep opened its first permanent home on Addison Street in downtown, the theater company will, on Saturday, unveil a comprehensive overhaul of its original stage. (See below for details of the Grand Opening event for the public.)
Those who show up to see the renamed Peet’s Theatre will not necessarily notice any major differences to what used to be known as the Thrust Stage, however. As Artistic Director Tony Taccone put it at a media and donors’ launch event Thursday: “It’s a bit like inviting people over to your home when you’ve put in a new foundation.” Much of the $7.5 million renovation work is invisible.
Arguably the most impressive new feature at the theatre will be heard rather than seen. A state-of-the-art “constellation acoustic system,” installed by Berkeley’s Meyer Sound, provides a much improved sonic environment for the audience, as well as better clarity for actors and more tools for sound designers to play with, according to the Rep’s Managing Director, Susie Medak. … Continue reading »
Downtown Berkeley Association is hanging 85 colorful double banners from downtown Berkeley’s lampposts to launch a new branding campaign, “Meet Me Downtown.” The campaign is being led by the DBA with five partners, the new Berkeley Art Museum and Pacific Film Archive, the new UC Theatre, Berkeley Rep, Freight & Salvage and Visit Berkeley.
“This marks the beginning of the revitalization of the downtown that we’ve been building towards over the last few years,” said John Caner, CEO of the DBA. “The museum is the biggest thing that has happened downtown since the opening of BART, and the UC Theatre is a major venue. It’s the beginning of a fundamental shift.” … Continue reading »
The exceptional and intense Pulitzer prize-winning drama, Disgraced, is a timely and unflinching exposition into the power and perils of race and ethnicity in America. Talented novelist (American Dervish) and playwright Ayad Akhtar elegantly communicates these multifaceted concepts using only four main characters, whose lives change over the course of a social dinner.
Amir Kapoor (Bernard White), a Pakistani American corporate lawyer, is hoping to make partner at his predominantly Jewish New York law firm. He claims to be Indian (and therefore Hindu), hoping to hide his less acceptable Muslim background. After all, he has rejected his religion, calling the Koran, “one very long hate mail letter to humanity.”
Living a sophisticated American life is far more significant to Amir than looking backwards at his religion and race. But, as much as he wants to escape his heritage, like a dark enveloping shadow, it hauntingly reappears. As my mother was fond of saying, “If you try to escape your background, people will be glad to remind you of it.” … Continue reading »
The Hypocrites, an ebullient, talented young musical troupe from Chicago is storming the beaches of Berkeley Rep (and Penzance) in their loving send-up of Gilbert and Sullivan’s Pirates of Penzance. These performers are so gifted in both voice and acting that they could probably perform the operetta Pirates of Penzance as written by Gilbert and Sullivan in 1879. Instead, director and adapter Sean Graney with co-adapter Kevin O’Donnell have spoofed, shortened (to 80 minutes) and transformed it into a modern musical version, using many of the melodies and lyrics of the original songs.
Upon entering the Rep’s new Osher Studio on Center Street, one is immersed in the joyous, colorful, tuneful, noisy world of the Hypocrites. Each member of the cast wears a silly costume, and sings, jumps, grins, claps, throws beach balls, engages the audience and plays an instrument (including banjos, guitars, clarinet and a saw). If you have booked “promenade seating,” you may be sitting on a bench or in the kiddie pools with the yellow rubber duckies. And be alert, you may be asked to move out of the way when the players need your seat during the performance. All part of the fun. … Continue reading »
EATS BEATS & BREWS The Eats Beats & Brews salsa party returns to downtown Berkeley on Sunday, Sept. 20, noon to 6 p.m., with a packed program of fun events for all ages. Rumbaché will shake up the warm afternoon with live music and dancing, there’s an outdoor beer garden from Drakes Brewing, food from local restaurants, and fun games for all ages. Center Street’s Restaurant Row will showcase over 15 different international cuisines with special deals just for the event and combos perfect for al fresco eating. Games of Berkeley will be taking over part of the street for a Locally Grown Games Day where everyone can come meet game developers, try out new games and celebrate modern gaming. … Continue reading »
The new musical Amélie is an absolutely charming musical achievement, with an outstanding cast, an inventive story, melodic tunes, a great band, complex stage craft, and a happy ending. Please keep this sentence in mind, when I write that Amélie may still be in its ingénue phase and could benefit from a bit of tightening here and there before it’s absolutely ready for New York, where it is likely heading.
The story, based on the 2001 critical and audience French film favorite, Amélie, is about a shy young waitress at a tiny Montmartre café who secretly devotes herself to helping others find happiness, and perhaps herself as well. Directed and co-written by Jean-Pierre Jeunet, and starring the gamine Audrey Tautou, the film was filled with close-ups of the adorable Tautou, and long-shots of romantic Paris. But no one sang. Although, after seeing the Berkeley Rep version, it seems obvious that music is a natural accompaniment to the whimsical plot and magical mood of the film. … Continue reading »
We often wonder why tragedies occur, particularly when they affect good people. It’s a question as old as the story of Job or Jesus’s cry, “My God, my God, why hast thou forsaken me?” In Head of Passes, playwright Tarell Alvin McCraney, a 2013 MacArthur “genius” grantee, presents us with the deeply religious widow Shelah, who, when faced with personal tragedy, prays, pleads, and confronts her God with a biblical fervor worthy of Job.
Shelah (great performance by Cheryl Lynn Bruce) lives in a remote marshy area of Louisiana where the Mississippi River divides and meets the Gulf of Mexico, known as the Head of Passes. Before the play begins, we see a man (Sullivan Jones) in a tuxedo sitting on the stage. From the cast list, we glean that he may be the Angel. He didn’t add much to the drama, except perhaps a misplaced sense of the supernatural. … Continue reading »
Berkeley Rep, and the talented actor, writer and director Steven Epp, have been enjoying a 20-year love fest, resulting in productions including “The Green Bird” (2000), Molière’s “The Miser” (2006) and “A Doctor in Spite of Himself” (2012), and “Accidental Death of an Anarchist” (2014).
In the latest work in the collaboration, Molière’s “Tartuffe,” director Dominique Serrand presents a serious take on the moral tale of the wealthy Orgon (Luverne Seifert), who falls under the sway of the counterfeit man of God, Tartuffe (gifted Steven Epp). First presented in 1664 at the Palace of Versailles, “Tartuffe” was found so offensive to religion that the Archbishop of Paris threatened excommunication for anyone who watched, acted or even read the play. And it still packs an anti-religious punch.
TARTUFFE AT THE REP Molière’s Tartuffe, a satirical attack on religious hypocrisy, still has its sting after 350 years. Berkeley Rep’s production, adapted by David Ball and directed by Dominique Serrand, was acclaimed as “revelatory” by the Chronicle. Actor Steven Epp stars in the title role. If you go on Friday, March 27 (as in tonight!), you can also enjoy the “last call” reception after the play, sponsored by Berkeleyside. Tartuffe is in repertory at the Berkeley Rep through Apr. 12. Tickets from $41 at Berkeley Rep, 2025 Addison St. … Continue reading »
PALLADE MUSICA A young early music quartet from Montreal will have its West Coast debut in a series of concerts by the San Francisco Early Music Society this weekend. Pallade Musica will play instrumental works from the 17th century, including compositions by Sweelinck, Castaldi and Buxtehude. The program “journeys from the beginnings of the Stile Moderno in the breathtaking sonatas of Dario Castello to the pinnacle of the Stylus Phantasticus with Heinrich Ignaz Franz Biber’s ‘Mystery Sonatas’ for violin.” Pallade Musica will perform at St. John’s Presbyterian Church, 2727 College Ave., at 7:30 p.m. Saturday, Jan. 17. Call the box office for ticket availability on 510-528-1725. … Continue reading »
Molly Ivins (1944-2007) was a beloved Texas newspaper columnist, political commentator, author and humorist. And her perspicacious wit comes through loud and clear, despite Kathleen Turner’s somewhat mixed performance in this one-woman show at the Berkeley Rep.
Ivins was famous for her bright and brash personality, her acerbic sharpness, her liberal leanings, and her continued amazement and amusement with the folly and foolhardiness of Republican politicians in general, and Texas Republican politicians in particular. She was the first to call our 43rd president, George W. Bush, “shrub.”
Early in her career, Ivins was hired by the New York Times (1976-1982), when it sought a writer who was not as staid and dull as its normal hires. Her two claims to fame there were her 1977 obituary of Elvis Presley, and her article about a “community chicken-killing festival” in New Mexico, which she referred to as a “gang-pluck.” … Continue reading »