Tag Archives: Cal Performances
A world premiere of a Mark Morris work, the first fully staged performance of an opera in 270 years, a restaging of a groundbreaking collaboration between John Adams, Lucinda Childs and Frank Gehry, a residency by London’s Philharmonia Orchestra, a choral festival, and a complete cycle of Beethoven string quartets are among the highlights of the 2016-17 season of Cal Performances.
At the core of the 111th Cal Performances season are what executive and artistic director Matías Tarnopolsky calls “three strands of artistic exploration”: inclusion, innovation and immersion. The inclusion theme kicks off with the season opening world premiere of Mark Morris Dance Group’s “Layla and Majnun,” with music performed by The Silk Road Ensemble with the voices of Azerbaijan’s Alim Qasimov and Fargana Qasimova, with sets and costumes by British artist Howard Hodgkin. … Continue reading »
On a recent Tuesday Lower Sproul Plaza teemed with grade school children wearing Mardi Gras beads, buzzing, twirling and blinking in the sunlight after a Cal Performances matinee SchoolTime concert by Haitian star Emeline Michel. Inside of Zellerbach, Michel seemed equally energized after the show, a preview of the music she’ll be performing 8 p.m. Saturday as part of globalFEST: Creole Carnival, a Cal Performances triple bill with the great Rio samba band Casuarina and Jamaican guitar master Brushy One String.
“The kids don’t hold anything back,” says Michel, who last performed in the Bay Area at Stern Grove in 2007, opening for Andy Palacio and the Garifuna Collective. “These are some of the most fun events that I do.”
Often described as the Joni Mitchell of Haiti, Michel is a singer/songwriter, dancer, producer and activist who has come to embody her homeland’s vital culture and resilient spirit. Combining folkloric Haitian rhythms and contemporary styles like topical compas and celebratory rara with jazz, samba and bossa nova, she’s a captivating performer who divides her time between Port Au Prince and New York City (when she’s not touring internationally). … Continue reading »
TAKACS QUARTET One of the world’s great string quartets, Sunday’s Cal Performances concert by the Takács Quartet includes works by Haydn, Brahms and the 30-year-old, California-born, Brooklyn-based Timo Andres. The program opens with Haydn’s G minor, Op. 74, No. 3, “The Rider,” one of his most popular quartets. Andres’ “String Language” was composed for the Takács, who premiered it last November in Baltimore. The program closes with Brahms’ third and final quartet (although written mid-career), the B-flat major, Op. 67. 3 p.m., Sunday, Feb. 21, Hertz Hall. Tickets starting at $64 from Cal Performances. … Continue reading »
IRA GLASS If you’re a fan of This American Life (and if you’re not, you should start listening), you know host Ira Glass’s steady, deadpan tone. Cal Performances brings Glass together with choreographer Monica Bill Barnes and dancer Anna Bass for an unusual combination of “live talking and dancing and radio snippets.” Barnes, “the Tina Fey of dance,” according to the Washington Post, combines elements of vaudeville and dance to pair with Glass’s “signature wit and charm.” Three Acts, Two Dancers, One Radio Host will be performed Saturday, Dec. 12 at 8 p.m. and Sunday, Dec. 13 at 3 p.m. in Zellerbach Hall. Tickets available from Cal Performances. … Continue reading »
The big bang of 20th-century ballet was detonated by the Ballet Russe de Monte Carlo, a generative explosion that sent creative waves sweeping across the Americas, all the way to Berkeley. With Twyla Tharp in town for a Cal Performances residency to celebrate her fiftieth year as a choreographer on Oct. 16-18, Berkeley’s deep dance history is embodied Ramona Kelley (who connects with Ballet Russe by about three degrees of separation).
The daughter of esteemed Bay Area dance teacher Wendy Diamond, whose numerous teaching positions include an almost three-decade tenure at North Oakland’s Shawl-Anderson Dance Center, Kelley grew up in Berkeley attending Oxford Elementary, King Middle School and Berkeley High, where she studied dance with Linda Carr (who’s still teaching dance there with Naomi Diouf Washington.) “Students had a lot of opportunities to choreograph,” Kelley says. “It’s a great program.” … Continue reading »
SOLANO STROLL The forecast is for a break in the heatwave this weekend, so it should be pleasant to amble down Solano Avenue with tens of thousands of others on Sunday at the annual Solano Stroll. As always, Berkeleyside is a media sponsor of the Stroll, and we’ll be there with our booth — conveniently located in front of iScream ice-cream shop at 1819 Solano Ave. Come by and say hello! In addition to Berkeleyside, you can enjoy the parade (which kicks it all off at 10 a.m.), plenty of live music, mechanical rides, juried hand-crafters, food and drink, and hundreds of local organizations in over 1 mile of free family fun. Sunday, Sept. 13, 10 a.m. to 6 p.m. … Continue reading »
A gala outdoors performance of Beethoven’s Ninth Symphony, a novel mixture of Olivier Messaien and Berkeley photographer Deborah O’Grady, a rare visit from Paris’ Ensemble Intercontemporain, and Twyla Tharp’s 50th anniversary tour are among the highlights for Cal Performances 2015-16 season, which was announced this week.
The season marks the launch of Berkeley RADICAL (Research and Development Initiative in Creativity, Arts, Learning), a new framework in which artists will engage with Cal Performances through commissioning, creation, presentation, documentation and dissemination; with the university’s community of scholars and students; and with the Bay Area public.
Gustavo Dudamel and the Simón Bolivar Symphony Orchestra of Venezuela kick off Berkeley RADICAL with a week-long residency centered around performances of Beethoven’s final three symphonies. The Ninth Symphony will be performed at a gala performance at the Greek Theatre on Friday, Sept. 25.
“I can’t think of a better way to launch Berkeley RADICAL than with this music, this conductor and this orchestra,” said Matías Tarnopolsky, executive and artistic director of Cal Performances. … Continue reading »
EARTH DAY The Brower Center is hosting its first-ever Earth Day Festival, on Saturday, April 18 from noon to 6 p.m. There will be hands-on workshops, live music, family arts activities and organic food tastings, all focused on “protecting and honoring the planet we call home.” Three panels during the afternoon look at carbon farming, climate-friendly consumption and fighting climate change at the neighborhood level. The Ecology Center hosts workshops to show how to reuse common household items and there will be screenings of film shorts on carbon farming. The full schedule is here. Berkeleyside is a media sponsor of the Earth Day Festival. Admission free ($10 suggested donation), The Brower Center, 2150 Allston Way. … Continue reading »
TARTUFFE AT THE REP Molière’s Tartuffe, a satirical attack on religious hypocrisy, still has its sting after 350 years. Berkeley Rep’s production, adapted by David Ball and directed by Dominique Serrand, was acclaimed as “revelatory” by the Chronicle. Actor Steven Epp stars in the title role. If you go on Friday, March 27 (as in tonight!), you can also enjoy the “last call” reception after the play, sponsored by Berkeleyside. Tartuffe is in repertory at the Berkeley Rep through Apr. 12. Tickets from $41 at Berkeley Rep, 2025 Addison St. … Continue reading »
SPRING EQUINOX AT CESAR CHAVEZ PARK Gather this evening at the Chavez Memorial Solar Calendar to celebrate the official arrival of spring. The event, led by Lori Lambertson of the Exploratorium Teacher Institute, will include a discussion about the “reasons for the seasons,” the Chavez virtue of HOPE, and other global spring equinox celebrations. Dress warmly: the weather is part of the experience. Friday, March 20, 6:30 p.m. to 7:30 p.m., sunset is at 7:15 p.m. Cesar Chavez Park, 11 Spinnaker Way, Berkeley. … Continue reading »
GERSHWIN PROJECT Pianist Peter Nero, a two-time Grammy winner, “romps through” George Gershwin’s music with bassist Michael Barnett and vocalist Katherine Strohmaier on Sunday, Feb. 8 at Zellerbach Hall, as part of Cal Performances’ jazz series. Nero’s trio will perform songs from musicals and films like “Strike Up the Band,” “Porgy and Bess,” “Funny Face,” “Girl Crazy,” and “Shall We Dance,” as well as standards from the Great American Songbook. Zellerbach Hall, 7 p.m., Sunday, Feb. 8. Tickets available from Cal Performances. … Continue reading »
PALLADE MUSICA A young early music quartet from Montreal will have its West Coast debut in a series of concerts by the San Francisco Early Music Society this weekend. Pallade Musica will play instrumental works from the 17th century, including compositions by Sweelinck, Castaldi and Buxtehude. The program “journeys from the beginnings of the Stile Moderno in the breathtaking sonatas of Dario Castello to the pinnacle of the Stylus Phantasticus with Heinrich Ignaz Franz Biber’s ‘Mystery Sonatas’ for violin.” Pallade Musica will perform at St. John’s Presbyterian Church, 2727 College Ave., at 7:30 p.m. Saturday, Jan. 17. Call the box office for ticket availability on 510-528-1725. … Continue reading »
There’s something irresistible about experiencing a composition at its premiere, about the possibility of witnessing an imaginative leap into unexpected musical realms. On Friday, East Bay trumpeter Ian Carey reprises his new work Interview Music: A Suite for Quintet + 1 at the Hillside Club, where he’ll be recording the suite with his talent-laden ensemble. And on Sunday, the San Francisco Contemporary Music Players (SFCMP) launch Project TenFourteen at Hertz Hall, an unprecedented season-long collaboration with Cal Performances featuring 10 newly commissioned works premiering over the course of four concerts.
Sunday’s inaugural program looks auspicious indeed, with Mexican composer Gabriela Ortiz’s commission “Corpórea” for an orchestral nonet with a balance of strings and winds, and Elena Ruehr’s “It’s About Time” for a string oriented sextet. The program’s defining presence is 85-year-old éminence grise George Crumb, who’s represented by three works, including two premieres. The latest of his many settings of poetry by Federico García Lorca, “The Yellow Moon of Andalusia” features mezzo soprano Tony Arnold, Kate Campbell on amplified piano, and percussionists William Winant and Nick Woodbury, while “Yesteryear” is a radically reworked piece for Arnold and pianist Kate Campbell. … Continue reading »