GERSHWIN PROJECT Pianist Peter Nero, a two-time Grammy winner, “romps through” George Gershwin’s music with bassist Michael Barnett and vocalist Katherine Strohmaier on Sunday, Feb. 8 at Zellerbach Hall, as part of Cal Performances’ jazz series. Nero’s trio will perform songs from musicals and films like “Strike Up the Band,” “Porgy and Bess,” “Funny Face,” “Girl Crazy,” and “Shall We Dance,” as well as standards from the Great American Songbook. Zellerbach Hall, 7 p.m., Sunday, Feb. 8. Tickets available from Cal Performances. (more…)
PALLADE MUSICA A young early music quartet from Montreal will have its West Coast debut in a series of concerts by the San Francisco Early Music Society this weekend. Pallade Musica will play instrumental works from the 17th century, including compositions by Sweelinck, Castaldi and Buxtehude. The program “journeys from the beginnings of the Stile Moderno in the breathtaking sonatas of Dario Castello to the pinnacle of the Stylus Phantasticus with Heinrich Ignaz Franz Biber’s ‘Mystery Sonatas’ for violin.” Pallade Musica will perform at St. John’s Presbyterian Church, 2727 College Ave., at 7:30 p.m. Saturday, Jan. 17. Call the box office for ticket availability on 510-528-1725. (more…)
There’s something irresistible about experiencing a composition at its premiere, about the possibility of witnessing an imaginative leap into unexpected musical realms. On Friday, East Bay trumpeter Ian Carey reprises his new work Interview Music: A Suite for Quintet + 1 at the Hillside Club, where he’ll be recording the suite with his talent-laden ensemble. And on Sunday, the San Francisco Contemporary Music Players (SFCMP) launch Project TenFourteen at Hertz Hall, an unprecedented season-long collaboration with Cal Performances featuring 10 newly commissioned works premiering over the course of four concerts.
If ballet is a matrix, Swan Lake is the matriarch of all matrixes.
As a griot, Mali’s Bassekou Kouyaté traces his musical lineage back to Sundiata Keita’s expansive 13th century empire, a wealthy polity that encompassed a huge swath of West Africa. His ancestors entertained the royal court and every note he plays on the ngoni, a plucked string ancestor of the banjo, embodies a tradition handed down for generations by word of mouth. But Kouyaté is not beholden to the past. Ngoni Ba, the band he brings to Zellerbach Hall on Saturday for a Cal Performances double bill with Ethiopia’s Krar Collective, represents a radical evolution.
Storm large and Storm Large: the words serve double duty at this week’s Cal Performances Ojai North Music Festival, running June 19-21 on the Berkeley campus.
Duke Ellington was riding high in 1957 when he released the album Such Sweet Thunder, a suite of tunes composed with Billy Strayhorn loosely inspired by the sonnets and plays of William Shakespeare. After a long stretch in the wilderness, when it seemed that Ellington’s mighty orchestra might go the way of all the other great swing era big bands, he roared back into the limelight with the triumphant 1956 performance at the Newport Jazz Festival. The concert rejuvenated Ellington, spawned a hit live album, and returned him to his singular status as America’s nonpareil composer and bandleader, prompting the maestro to proclaim frequently thereafter, “I was born at Newport.”
Cal Performances this week announced its 2014-15 season, which includes cellist Yo Yo Ma performing Bach solo cello suites, Robert Wilson’s production of Daniil Kharms’ The Old Woman, with Mikhail Baryshnikov and Willem Dafoe, a residency with the Czech Philharmonic Orchestra, the Australian Ballet’s Swan Lake (which includes the love triangle of Prince Charles, Princess Diana and Camilla Parker-Bowles), and Project TenFourteen, where the San Francisco Contemporary Music Players perform ten world premiers.
Musical morsels become masterpieces in the hands of composers like George Frideric Handel and Wolfgang Amadeus Mozart. Spring forward 200-plus-odd years and find dance and design have their modern day monument builders as well.
Is the juice worth the squeeze?
Dance is primarily show, don’t tell. Radio is tell, can’t show. Put them together, you get the magical, misfit marriage that is “Three Acts, Two Dancers, One Radio Host,” coming to Zellerbach Hall on Saturday, Mar. 29, presented by Cal Performances.
Sometimes, “goodbye” is also “hello.”