Is there anything that chocolate can’t do? An offering to the Mayan gods, a source of joy for children around the world, and an abiding bond between two great jazz musicians who perform 8 p.m. Saturday at the California Jazz Conservatory.
The unassuming apartment complex at Seventh and Allston doesn’t look much like the cradle of a creative movement, but for spoken-word artist Raymond Nat Turner the West Berkeley locale provided everything he needed to launch UpSurge!
For Tony Corman, Five Play is all about second chances. The guitarist and composer co-leads the quintet with his wife, pianist/composer Laura Klein, and the band’s impressive track record speaks to his cussed refusal to let his body betray his passion for music. Featuring reed expert Dave Tidball on saxophones and clarinet, veteran bassist Paul Smith, and drum maestro Alan Hall, Five Play performs 8 p.m. Saturday at the California Jazz Conservatory with special guest Ron Horton, a brilliant New York trumpeter who rarely gets to the Bay Area.
Fresh out of Berkeley High in the summer of 1979, Dan Wilensky had to make a fateful decision. The prestigious Eastman School of Music was offering a full scholarship at the same time that the Ray Charles Orchestra came calling for the young saxophonist. Wilensky chose Charles, and the gig turned into a six-month bandstand education that launched a gloriously diverse and insistently creative career. He returns to town next week for a series of gigs, making his first Berkeley appearances as a leader since heading to New York in 1980. Appropriately, he kicks off the run at 8 p.m. Wednesday at Freight & Salvage, performing as a special guest with the Berkeley High Jazz Ensemble and Berkeley High Combo A (which just earned top honors at the Monterey Jazz Festival’s 2015 Next Generation Jazz Festival).
Stephanie Crawford has performed at top jazz clubs in New York City and Paris, but since settling in the East Bay about 15 years ago she’s been one of the region’s best kept jazz secrets. In recent months lucky Cheese Board patrons have been privy to her vocal artistry (she’s there Thursday afternoon with pianist Joe Warner), but Crawford’s mainstay is the California Jazz Conservatory, where she returns 4:30 pm Sunday for a performance with Warner, ace bassist Ron Belcher, and versatile drummer Greg German.
Paul Hanson has spent much of his life taking the bassoon into realms where the horn has never before traveled. From world jazz and klezmer to funk and rock, the Berkeley native refuses to be bounded by the irascible double-reed’s traditional symphonic role. Based in American Canyon since the end of a four-year stint with Cirque du Soleil in Japan, he returns to town for a California Jazz Conservatory performance at 8 p.m. Friday with the duo Oon featuring the inventive electric bassist Ariane Cap.
Some three years after the death of the beloved San Francisco drum maestro Eddie Marshall the loss still stings. Whether serving as a sideman or leading his own inventive combo, Marshall made the trap set purr and roar, generating tremendous swing with a minimum of fuss. His presence in the Bay Area felt particularly felicitous as he moved west after establishing himself as a top-shelf New York player, known for his work with Toshiko Akiyoshi, Stan Getz, and Sam Rivers. As the house drummer at Keystone Korner in North Beach, he provided impeccable rhythmic support to steady rotation of masters, while generously mentoring several generations of young Bay Area musicians.
BHS JAZZ ALUMNI IN THE BAY AREA Alumni of Berkeley High’s renowned jazz program are returning to their native East Bay to ring in the new year at a couple different venues. Brooklyn-based Zongo Junction, an energetic Afrobeat ensemble founded by BHS grad Charles Ferguson, will play at Leo’s (5447 Telegraph in North Oakland) on Friday, Jan. 2. The $20 show is 18+ and starts at 9 p.m. Here in Berkeley on the same night, the Chase Jackson Quintet will play at the California Jazz Conservatory (formerly the Jazzschool) at 2087 Addison St. The eponymous vibraphone player, who now lives in LA, is an alum of the BHS jazz program, and is bringing to the stage with him several other young Bay Area musicians. The $12 acoustic jazz show starts at 8 p.m. (more…)
The music of Venezuela is one of the great cultural treasures of the Americas, a fabulously verdant tradition in which the intermingling of indigenous, European and African influences has yielded a vivid array of musical forms. No-one has done more to spread awareness of these riches than Jackeline Rago, a percussion expert and master of the diminutive four-string cuatro, Venezuela’s national instrument. Her longtime band, the VNote Ensemble, celebrates the release of a beautiful new album Urbano at the California Jazz Conservatory on Friday.
There’s something irresistible about experiencing a composition at its premiere, about the possibility of witnessing an imaginative leap into unexpected musical realms. On Friday, East Bay trumpeter Ian Carey reprises his new work Interview Music: A Suite for Quintet + 1 at the Hillside Club, where he’ll be recording the suite with his talent-laden ensemble. And on Sunday, the San Francisco Contemporary Music Players (SFCMP) launch Project TenFourteen at Hertz Hall, an unprecedented season-long collaboration with Cal Performances featuring 10 newly commissioned works premiering over the course of four concerts.
On her 40th birthday Audrey Martin decided to sing. As a marriage and family therapist, she had spent years helping other people work through traumas, resolve deep-seated conflicts, and discover their true selves. Along the way she had set aside her adolescent ambition for a life in music, a sublimated dream that resurfaced with her midlife milestone. Martin’s long and winding creative journey resulted in the captivating debut album Living Room (full disclosure: I wrote the liner notes). She celebrates the CD’s release Sunday afternoon at Berkeley’s California Jazz Conservatory, which played an essential role in her musical education.
Art Lande makes no apologies for being old school. A brilliant pianist, efficient drummer and influential composer, he’s played a particularly important role as a teacher who treats every classroom and bandstand encounter as an opportunity for passing on jazz’s essential oral tradition.
You’ll rarely get an argument on the streets of Berkeley by disparaging Los Angeles. While oft-maligned as a cultural wasteland, LA actually boasts a vast, vibrant and well-entrenched cultural scene that continues to draw the East Bay’s sons and daughters, particularly standout players from Berkeley High’s vaunted jazz program. On Sunday, several recent BHS graduates return from the Southland to perform at Freight & Salvage with the UCLA Charles Mingus Ensemble under the direction of composer James Newton.