Tag Archives: Dick Whittington
In a town known for spawning visionary organizations that insistently hew to a singular path, the Center for New Music and Audio Technologies may be the most Berkeley institution of them all. And that’s because it reflects the polymathic curiosity and probing intelligence of the late founder and director David Wessel, who died suddenly last October at the age of 72. Known by its initialism CNMAT (pronounced senn-mat), it’s a multi-disciplinary research center tucked within Cal’s Department of Music where musicians, composers and leading researchers in physics, mathematics, electrical engineering, psychology, computer science, cognitive science explore the creative interaction between music and technology.
On 4-7 p.m. Sunday, several hundred of Wessel’s friends, family and colleagues from around the world will gather at the Berkeley City Club for a series of improvisation-driven performances, a fitting celebration of his legacy. Among the artists involved are violist Nils Bultmann, Berkeley guitarist John Schott and Matthew Wright on electronics, and vocalist Thomas Buckner, saxophonist Roscoe Mitchell, Earl Howard on synthesizer, and percussionists George Marsh and Jennifer Wilsey.
“We’ll have several of his closest collaborators on stage performing,” said composer and CNMAT Director Edmund Campion, who Wessel brought to CNMAT in 1996 (he became co-director in 2008). “It could go on for days with all the musicians who will be there, so we had to put some limits on it.”
While the celebration is far more geared toward musical tributes than spoken reminiscing, Campion says that there will be no shortage of text, including abstracts from the hundreds of research projects to which Wessel contributed, “an incredible legacy of published papers, at a rate and amount that’s pretty mind boggling.” … Continue reading »
Chances to buy — or at a minimum see inside — a Bernard Maybeck designed home in Berkeley come along rarely. The Kennedy-Nixon house at 1537 Euclid Avenue in north Berkeley has just gone on the market.
The landmarked home, which was built in 1914 (and quickly rebuilt in 1923 after it burned down in the devastating Berkeley fire of that year), is priced at $1,995,000. The home has had only three owners since it was built, and it has stories to tell.
The Nixon family built it as a live-in studio for their daughter’s piano teacher, Alma Kennedy. It was designed to include a recital hall, a waiting area for students’ parents, a reception room with a small kitchen and an upstairs sleeping quarters. The recital hall, with its cathedral windows and clear-heart unfinished redwood paneling, is particularly arresting. … Continue reading »
If Berkeley had a hall of fame for musicians, pianist Dick Whittington would be inducted as part of the inaugural class. As an educator, presenter, and ebulliently swinging player, he left an indelible mark on the city’s jazz before decamping for the Monterey Peninsula in the mid-1990s.
In an all-too-rare return to Berkeley, he performs Saturday at the Jazzschool with his trio featuring bassist Robb Fisher, drummer Vince Lateano and special guest Andrew Speight on alto saxophone.
Born and raised in Los Angeles, Whittington made his first major contribution to the Bay Area scene in the late 1960s when he and trumpeter Phil Hardymon helped found the Berkeley public school system’s innovative music program. By the time he retired in 1991, he had helped initiate several generations of musical visionaries into the art of improvisation, including Peter Apfelbaum, Rodney Franklin, Steven Bernstein, Jessica Jones, Joshua Redman and Benny Green. … Continue reading »