Tag Archives: Freight & Salvage
Stephanie Crawford has performed at top jazz clubs in New York City and Paris, but since settling in the East Bay about 15 years ago she’s been one of the region’s best kept jazz secrets. In recent months lucky Cheese Board patrons have been privy to her vocal artistry (she’s there Thursday afternoon with pianist Joe Warner), but Crawford’s mainstay is the California Jazz Conservatory, where she returns 4:30 pm Sunday for a performance with Warner, ace bassist Ron Belcher, and versatile drummer Greg German.
It’s telling that the North Oakland resident has found a welcome embrace in venues run by vocalists. She was a regular at Anna de Leon’s lamented downtown spot Anna’s Jazz Island. And Laurie Antonioli, the supremely creative singer who runs the CJC’s jazz vocal program, has long championed Crawford, hiring her for gigs as a performer and teacher, where she contributes significant depth to the program. … Continue reading »
Sisterhood isn’t just powerful it sounds hella good. Venues around Berkeley hardly need International Women’s Day (March 8) for inspiration to feature great female musicians, but from Freight & Salvage to R. Kassman Fine Pianos and Berkeley High there are numerous women-centric concerts and events taking place in the coming days.
On 8 p.m. Sunday, the 30th Jewish Music Festival presents the great Bay Area choir Kitka at the Freight, an event that also includes the JMF’s Shofar Award ceremony honoring folk music legend Ronnie Gilbert.
The eight-women Oakland ensemble has developed a vast, breathtaking repertoire of traditional songs from the Balkans, Caucasus, and Slavic lands and new material composed for the group drawing on those Eastern European vocal traditions. For the JMF, Kitka is presenting an array of material, including pieces from last year’s album I Will Remember Everything. The album features composer Eric Banks’ settings of the long censored verse of Sophia Parnok (1885-1933), known as “Russia’s Sappho” for her emotionally charged poems to her lover, the great Russian poet Marina Tsvetaeva. … Continue reading »
As a singer/songwriter with a folky bent, Alexis Harte spent about a decade leading his own bands and taking care of all the details that entails. These days, the Berkeley-reared guitarist and vocalist has found an ideal partner in Oakland’s Damond Moodie, a soul-steeped singer/songwriter who’s also co-director of Pumpkin Seed Childcare.
They’ve effectively combined their complimentary sonic sensibilities in The Lemonhammer. The quartet celebrates the release of a new EP Made In A House 1 p.m. Sunday at Freight & Salvage on a double bill with Judea Eden Band as the opening act. The ticket price includes a copy of the EP. … Continue reading »
BHS JAZZ ALUMNI IN THE BAY AREA Alumni of Berkeley High’s renowned jazz program are returning to their native East Bay to ring in the new year at a couple different venues. Brooklyn-based Zongo Junction, an energetic Afrobeat ensemble founded by BHS grad Charles Ferguson, will play at Leo’s (5447 Telegraph in North Oakland) on Friday, Jan. 2. The $20 show is 18+ and starts at 9 p.m. Here in Berkeley on the same night, the Chase Jackson Quintet will play at the California Jazz Conservatory (formerly the Jazzschool) at 2087 Addison St. The eponymous vibraphone player, who now lives in LA, is an alum of the BHS jazz program, and is bringing to the stage with him several other young Bay Area musicians. The $12 acoustic jazz show starts at 8 p.m. … Continue reading »
The southern Mexican state of Oaxaca is a realm where indigenous culture continues to thrive in the 21st century. Rather than closing themselves off to outside currents, the Mixtecs, Zapotecs and other peoples of the region are constantly integrating new information, evolution that’s evident in Pasatono Orquesta, a fascinating nine-piece ensemble that makes its Bay Area debut at Freight & Salvage on Wednesday on a double bill with Cascada de Flores.
Championed by artists like vocalist Lila Downs, the intermittently Oaxaca-raised daughter of Mixtec cabaret singer Anita Sanchez, the band has compiled a vivid repertoire of tunes played by the Mixeteca orchestras that traveled the region in the middle decades of the 20th century. Sounds infiltrated from the north and south, and often hung around in Oaxaca long after they went out of fashion elsewhere, like the jaunty Charleston which figures in some Pasatono pieces. But Pasatono’s latest album, Maroma, is something of a departure. Drawing on the music that accompanies Oaxacan circuses, it’s an intoxicating mix of influences such as jazz, polka, chilena and cumbia. … Continue reading »
While neuroscientists are busy trying to unravel the mysterious ties between music and memory, the women in True Life Trio are conducting their own investigation. A spin off of Kitka, TLT has expanded on that innovative all-women vocal ensemble’s powerfully evocative repertoire of traditional Eastern European and Balkan songs with finely crafted arrangements of Cajun, Appalachian and even Mexican standards. Singing gorgeous three-part harmonies, Leslie Bonnett (voice, fiddle, percussion), Briget Boyle (voice, guitar, percussion) and Juliana Graffagna (voice, bass, percussion) weave together disparate cultural currents to create an improvisation-laced sound that’s raucous, soulful and achingly beautiful.
The trio presents their most ambitious work yet, Like Never and Like Always: A Memory Project, Saturday and Nov. 15 at the Rose Labyrinth in Berkeley’s Grace North Church. A collaboration with multi-instrumentalist Gari Hegedus, Like Never and Like Always is a site-specific song cycle designed to unfold as a life lived backwards. In many ways the Labyrinth itself provided a jolt of inspiration for the project. Initially conceived as a seamless sonic journey, the piece took shape when the women encountered the rose-patterned floor design in a hall ideal for presenting unamplified string music. … Continue reading »
Discussion, debate, insights, revelations, laughter and inspiration — all of these are a given at Uncharted: The Berkeley Festival of Ideas which is happening on Friday Oct. 24 and Saturday Oct. 25 in downtown Berkeley. You wouldn’t expect anything less when participants engage with speakers like these.
But Uncharted is a festival. So there is much else to enjoy. Here’s the ‘beyond ideas’ line-up:
- Vocal Rush: Exciting young a capella group out of the Oakland School of the Arts
- Roots music’s Nell Robinson with author Joyce Maynard (and a special offer for Nell’s Saturday night concert at the Freight)
- Uncharted Labs: A chance to throw your ideas in the ring
- Lexicon of Sustainability creative workshop
- Spoken word performance in the Chochenyo language by Vincent Medina Jr.
- Author reading with Erik Tarloff
- Jazz guitarist Calvin Keys
- Popup bookstore by Bookish [cont.]
You’ll rarely get an argument on the streets of Berkeley by disparaging Los Angeles. While oft-maligned as a cultural wasteland, LA actually boasts a vast, vibrant and well-entrenched cultural scene that continues to draw the East Bay’s sons and daughters, particularly standout players from Berkeley High’s vaunted jazz program. On Sunday, several recent BHS graduates return from the Southland to perform at Freight & Salvage with the UCLA Charles Mingus Ensemble under the direction of composer James Newton.
Originally created as part of a class that Newton teaches as a professor of ethnomusicology in UCLA’s Herb Alpert School of Music (he’s arguably the most celebrated jazz flutist of the past four decades and a longtime collaborator with Berkeley percussionist/bandleader Anthony Brown), the group took on an identity of its own during a tour of Macedonia and Kosovo earlier this year. … Continue reading »
Uncharted: The Berkeley Festival of Ideas is coming to downtown Berkeley on Oct. 24-25.
But what is an ideas festival? What happens there? Why should you come? Check out the snappy video above which was created to answer those questions, and more. … Continue reading »
As a young gospel singer, Richmond-raised Dorothy Morrison was used to people catching the spirit in the pews. But nothing prepared her for the lightning strike of gospel’s biggest hit ever, “Oh Happy Day,” which she recorded in 1968 with the Edwin Hawkins Singers at Berkeley’s Ephesian Church of God in Christ. These days, she’s bringing sacred music to the rough-and-ready repertoire of the Blue Broads, the powerhouse foursome that returns Freight & Salvage Thursday June 26 featuring church-proven belter Annie Sampson, blues great Tracy Nelson, and Texas tornado Angela Strehli. … Continue reading »
Asked to name four or five of the most important Bay Area venues where musicians can try out new concepts and even savvy music fans are likely to overlook Berkeley’s Cheese Board Collective. But with two acts a day Tuesday through Saturday, the informal setting has proven to be an invaluable proving ground for acts like internationally acclaimed jazz crooner Ed Reed, the versatile blues combo Kickin’ The Mule, and most recently the incandescent Latin American songsters Cascada de Flores.
Celebrating the upcoming release of a gorgeous new album, Radio Flor, the duo of vocalist Arwen Lawrence and guitarist Jorge Liceaga perform Saturday at Freight & Salvage with a bevy of close collaborators, including percussionist Brian Rice, bassist Saul Sierra-Alonso, and Marco Diaz on piano and trumpet. … Continue reading »
THE POSSIBLE CLOSING CEREMONY The closing ceremony for ‘The Possible,’ an exhibition at the Berkeley Art Museum and Pacific Film Archive, will begin this Friday, May 23, at 7:30 p.m. ‘The Possible’ re-imagines the museum as the locus of an ever-evolving artistic projects that connects the artists with the community. This final celebration of creative spirit will draw together artists from around the Bay Area. There will be music, dancing, and ceremonies honoring those who made the whole exhibition, well, possible. Tickets are $7. It should be noted that there will also be a free garden bazaar on Sunday, May 25, from 11 a.m. to 3 p.m., where the gallery will be ceremonially emptied. Berkeley Art Museum and Pacific Film Archive, 2626 Bancroft Way. (Read our review of ‘The Possible.’)