Tag Archives: Freight & Salvage
As a young artist coming of age in Czechoslovakia during the dark years of communist rule, Iva Bittová faced an array of stark options. She could challenge the despotic state directly and face censure and prison, or flee to the west and make her way as an exile. Instead, she choose a different path, mapping her interior landscape and the vagaries of the human heart. With her haunting, darkly sensual vocals and plangently evocative violin, she’s honed a powerful body of work that combines folkloric sources, conservatory technique and avant garde practices.
Singing about life as a series of mysterious encounters grounded in commonplace detail, Bittová makes a rare Bay Area appearance Saturday, Nov. 2, at Freight & Salvage as part of a brief North American tour in conjunction with the release of an eponymous album for ECM (a tour that culminates in New York City at the Metropolitan Museum of Art, where she joins the Calder Quartet for performances of Béla Bartók’s 2nd and 6th string quartets). … Continue reading »
From a late blooming jazz musician to a versatile flutist besotted with Brazilian music, here are two tales of very different, but equally intense creative sojourns.
Describing Oakland’s Lorin Benedict as a scat singer is kind of like calling Sherlock Holmes a detective. It’s accurate as far as it goes, but doesn’t begin to capture the singular nature of his achievement. Over the past decade, Benedict has crafted an uncanny vocal style employing words and phrases that can easily be mistaken for English, but in fact are entirely of his own invention. At first encounter, he often inspires double takes, followed by slack-jawed amazement at the exuberant but rigorous musicality of his performance.
Benedict performs two shows on Sunday, playing an afternoon Jazzschool gig with the long-running collective trio The Holly Martins featuring saxophonist Kasey Knudsen and Berkeley guitarist Eric Vogler, and an evening Berkeley Arts Festival show introducing a new collective trio with Knudsen and Berkeley clarinet master Ben Goldberg. … Continue reading »
UnderCover Presents has refined a simple and winning concept. Select a savvy Bay Area musician as guest curator, choose an iconic album, and hire a stylistically diverse cross-section of artists to perform and record each reinvented track. Working with Faultline Studios over the past three years UnderCover has honed its mission with a series of sold-out concerts at various venues exploring six different albums, including The Velvet Underground & Nico, Nick Drake’s Pink Moon, and Joni Mitchell’s Blue.
On Thursday and Friday, UnderCover returns to Freight & Salvage, where they reprised the beautiful Blue production in January, to re-imagine Bob Dylan’s epochal 1965 record Highway 61 Revisited under the direction of Berkeley-raised vocalist Karina Denike (a tremendously gifted and prolific singer who is just starting to come into her own as a songwriter and bandleader). Highway 61 concludes Sunday at the Contemporary Jewish Museum in San Francisco.
In an unusual move for UnderCover, the Jewish Museum played a pivotal role in selecting the artist and the album, though Denike says she’d been considering Dylan since getting tapped as guest music director. The museum had been talking with UnderCover executive director Lyz Luke about collaborating for a while, and its exhibition Beat Memories: The Photographs of Allen Ginsberg, which closes on Sunday, made Dylan a natural choice. … Continue reading »
If one measure of a music scene’s vitality is the involvement of young musicians committed to making their own mark, the Bay Area is looking hale and hearty. In many cases, an artistic inclination is a family affair, and over the next week Freight & Salvage hosts an array of stellar young players reared in musical households.
On Monday, trombonist, vocalist and songwriter Natalie Cressman performs with a quartet celebrating the release of her beautiful Joni Mitchell-inflected album Turn the Sea. And on Saturday, Aug. 24, the Freight marks its 45th anniversary with Generations, a quadruple bill assembled by Berkeley fiddler/vocalist Suzy Thompson, who performs with her husband, guitar great Eric Thompson, and daughter Allegra, a bassist and vocalist who’s making a name for herself on the old-time scene with the Drifter Sisters. … Continue reading »
There’s a secret green side to Berkeley, one that is not visible from the sidewalk.
They are Berkeley’s roof gardens — oases of calm amidst a city of concrete. Some were created to provide food, others to make buildings more energy-friendly. Whatever the reason, they remain mostly unseen.
Over the past few weeks, Berkeleyside has located several living roofs around Berkeley. Of course, journalists can’t fly, so we likely did not find every rooftop garden. By contacting architects, squinting at Google Maps, and combing through past exposés on green living, we found four living roofs scattered around the city. If you know of any roofs that we missed, please let us know in the comments. … Continue reading »
Klezmer violinist Daniel Hoffman moved to Israel with ambitious plans to reintroduce the Jewish state to its Eastern European roots, but instead he’s the one who’s been transformed with an infusion of Greek and Turkish soul.
Based in Berkeley before he moved to Tel Aviv in 2005 with his wife, actress Korine Koret, Hoffman was a creative force on the Bay Area Jewish music scene for many years, leading the innovative quartet Davka, which reunites for a performance tonight at 8pm at the Freight & Salvage, and Klez-X (formerly the San Francisco Klezmer Experience), which performs Saturday at St. Cyprian’s Church in San Francisco as part of the Noe Valley Music series.
In struggling to make a living in Israel, a country with a surfeit of accomplished violinists, Hoffman has found himself engaged for a steady flow of Turkish music and Greek rembétika, a raucous style anchored by the percussive strains of the bouzouki. He’s still committed to klezmer, but playing the music in Israel means he’s swimming determinately against the cultural current. … Continue reading »
In a technologically driven society hurtling toward omnipresent connectivity, embracing a traditional art form can be downright countercultural. For the extraordinary siblings Tristan and Tashina Clarridge, who have won six Grand National Fiddle Championships between them, creating a communal gathering where some of the world’s finest bluegrass, Celtic, jazz and old-time players share hard-won musical wisdom is an extension of an itinerant upbringing that included roughing it in a teepee.
“We were privileged to grow up in an unusual way, which prepared us for the way this event unfolds,” says Tristan, 27, who along with Tashina, 32, presents the rousing conclusion to their Mt. Shasta Music Summit on Saturday at Freight & Salvage. The Shasta String Celebration showcases the dazzling array of talent attracted to the fiddle camp to teach and study, including Indian violin master Kala Ramnath, Grammy-winning Berkeley fiddler and singer/songwriter Laurie Lewis, Appalachian fiddle star Brittany Haas, Nickel Creek bassist Mark Schatz, Scottish fiddle champion Jeremy Kittel, the Clarridges’ innovative chambergrass ensemble The Bee Eaters, and many others. … Continue reading »
A great film score doesn’t just highlight the action on screen. It can set the scene, amplify the mood, juice the rhythmic flow, and add psychological depth to characters. At its best, movie music can stand apart from the images for which it was conceived, and for almost two decades Orchestra Nostalgico has dedicated itself to celebrating the work of masters such as Nino Rota, Ennio Morricone, and Bernard Herrmann.
After a long hiatus, Nostalgico is getting ready to record again, and in preparation for the studio the nine-piece ensemble performs Sunday at the Berkeley Art Festival performance space on University. Featuring some of the finest musicians in the region, including woodwind experts Phillip Greenlief and Sheldon Brown, trumpeter Chris Grady, and violinist Catharine Clune, the band is delving into Herrman’s scores for Vertigo and Psycho, Ennio Morricone’s Once Upon A Time In the West, and a suite of John Berry themes for James Bond films. … Continue reading »
As a musician, Berkeley’s Hilary Perkins may be a late bloomer, but she’s on the cusp of earning a well-deserved spot on the national stage. A singer-songwriter steeped in bluegrass, country and old-time songs, she performs and records as Nell Robinson, a moniker adopted in honor of her Alabama-raised grandmother. In just a few years, she’s released three critically hailed albums and patiently honed an arresting musical production exploring the stateside costs of American military engagements.
Perkins returns to Freight & Salvage on Saturday with the latest incarnation of the show, formerly known as Soldier Stories and now rechristened as The Rose Of No Man’s Land, with a glittering cast of collaborators including Ramblin’ Jack Elliott, John Doe, Maxine Hong Kingston, and guitarist Jim Nunally (Perkins’ steady musical partner). Perkins is donating proceeds from the concert to support hiring a full-time chaplain for the Berkeley Food and Housing Project. … Continue reading »
FINAL COUNTDOWN Classical music concerts often have some programmatic idea: works that influenced each other, or pieces that provide an interesting tonal contrast. But The Opus Project has a particularly audacious notion: its Saturday night concert features 21 Opus 5 pieces by composers ranging from Stravinsky to Cage to Britten (it’s the centennial of Stravinsky’s Rite of Spring — an Opus 5!). The multi-media Opus 5 follows on, unsurprisingly, from Opera 1 through 4 (pedantic, moi?). The earliest work on Saturday will be a movement from Schoenberg’s Peleas und Melisande; the most recent Rabbits Frolicking Through the Meadow by 20-year old Anthony Ragus, composed this year. Opus 5 is at 8 p.m. on Saturday, May 25, at Berkeley Arts Festival, 2133 University Avenue. Tickets are from $10. … Continue reading »
Oakland percussion master John Santos has spent the past three decades introducing Bay Area audiences to Caribbean musical treasures, but he’s got something unprecedented in store for Berkeley this weekend.
Havana’s Ernesto Oviedo, the 77-year-old maestro of boleros, makes his U.S. debut under his own name at an intimate sit-down concert Sunday at La Casa de Cultura Brazilian, 1901 San Pablo Ave., accompanied by a top-shelf Bay Area ensemble featuring Santos, Marco Diaz on piano and trumpet, bassist Saul Sierra, guitarist Jose Roberto, saxophonist/flutist Melecio Magdaluyo, and percussionist Javier Navarrette.
Santos featured Oviedo last month at a sold-out SFJAZZ Center performance by his Filosofía Caribeña project, an unexpected addition to a program already brimming with brilliant artists. Although unknown to the vast majority of the audience, he earned a rapturous standing ovation with his soul-bearing renditions of the Latin American standards “Alma Mia” and “Convergencia” (performed as a duo with Diaz). … Continue reading »
Molly Holm has lived a lifetime in between starting to record her debut CD Permission and its release last February. The Berkeley jazz singer, an esteemed educator and important collaborator with Bobby McFerrin and Terry Riley, lost both her parents, ended a relationship, and married her husband in the decade or so it took to bring the project to fruition.
Concerts marking the release of a CD are often billed as celebrations, but in Holm’s case Sunday’s performance at Freight & Salvage is almost a liberation. She’s performing with a superlative cast distilled from her collaborators on the album, including pianist/producer Frank Martin, bass master Jeff Chambers, drummer Deszon Claiborne, Antonio Minnecola on Hindustani vocal percussion, trombonist Wayne Wallace, and reed expert Melecio Magdaluyo. … Continue reading »
The Blondies are five teenage boys from Berkeley and Oakland, ages 14 to 17. They are the youngest band to be named Gibson artists and recognized by BAM magazine for their incredible performance energy and original songs. Their harmonies and instrumental prowess are way beyond their years. The band consists of Simon Lunche (lead vocals and guitar), Frank Klopotowski (bass and vocals), Zak Meghrouni-Brown (lead guitar and vocals), Paul Davis (drums and vocals), and Jerry Feist (keyboards and vocals). They attend Berkeley High, Oakland Tech, and Head Royce.
They did a recent Q&A for Berkeleyside:
How did you meet and start your band?
We met through Bandworks, a band camp in Oakland, about six years ago. At that time we had a different bassist. After playing together for about six months, we took a short break and when we got back together our bassist decided not to continue. That’s when we brought Frank in, who Simon also knew from Bandworks. Some of us were already taking guitar lessons from Chris Solberg, formerly of Santana, so we decided to have Chris coach us. … Continue reading »