Tag Archives: Jazzschool
Normally, lightning striking twice in the Berkeley Hills would be a cause for concern, but when trumpeter Erik Jekabson is the force responsible for the conflagration, it’s an invitation to let the good times roll.
The Berkeley High alum wasn’t expecting to record a live album when he brought his talent-laden quintet featuring percussion star John Santos to the Hillside Club back in 2011. Thrilled at the opportunity to collaborate with Santos, he wrote and arranged a passel of new music, and when he listened to the recording of the concert months later he was so pleased that decided to make it available on the CD Live at the Hillside Club.
Featuring bassist John Wiitala, drummer Smith Dobson V, and pianist Grant Levin, Jekabson’s quintet returns to the intimate venue Saturday to celebrate the new album’s release (the group also plays the Jazzschool on April 18).
A grant from San Francisco Friends of Chamber Music helped Jekabson pay the musicians a recording session rate, but he hails the Hillside Club’s music director Bruce Koball with making the CD possible by putting in many hours of post-production work. … Continue reading »
By aesthetic, academic and cultural inclination, Kim Nalley is ideally suited for presenting “Freedom Songs,” a program at the Jazzschool on Sunday afternoon tracing the role of music in the long African-American struggle for liberty and human rights. A supremely soulful jazz singer who’s equally versed in the blues, Nalley is also a doctoral student in history at U.C. Berkeley focusing on American ex-pat musicians in post-war West Germany.
As landmark anniversaries of events in Civil Rights movement arise, she’s often been asked to offer musical insight, like at the Martin Luther King, Jr. Research and Education Institute’s commemoration of the 1963 March on Washington last year, where she also served as musical director. For Sunday’s Jazzschool program, Nalley is taking an encompassing view, drawing connections between familiar Civil Rights anthems and earlier resistance movements. … Continue reading »
As a vocalist and composer who has forged an intoxicating jazz-steeped sound that draws on R&B, pop and Brazilian music, Peter Eldridge is best known for keeping company with other singers.
A founding member of the vocal quartet New York Voices, he’s also a part of the all-star vocal ensemble Moss, which features Luciana Souza, Kate McGarry, Theo Bleckmann, and Lauren Kinhan (a fellow New York Voice). For his performance Saturday at 8 p.m. at the Jazzschool, Eldridge changes gears, performing in a stripped down duo Foolish Hearts with bassist Matt Aronoff that couldn’t be more different from his cooperative vocal ventures.
“That’s one of the reasons I’m enjoying this so much.” Eldridge says. “In Moss and New York Voices you get to be a kid in a candy store with all these people offering all these colors. What’s fun about the duo is how intimate it is. It’s all about seeing how little you can get away with and still have the music be transcendent, having all that space and seeing how effective that can be.” … Continue reading »
From a late blooming jazz musician to a versatile flutist besotted with Brazilian music, here are two tales of very different, but equally intense creative sojourns.
Describing Oakland’s Lorin Benedict as a scat singer is kind of like calling Sherlock Holmes a detective. It’s accurate as far as it goes, but doesn’t begin to capture the singular nature of his achievement. Over the past decade, Benedict has crafted an uncanny vocal style employing words and phrases that can easily be mistaken for English, but in fact are entirely of his own invention. At first encounter, he often inspires double takes, followed by slack-jawed amazement at the exuberant but rigorous musicality of his performance.
Benedict performs two shows on Sunday, playing an afternoon Jazzschool gig with the long-running collective trio The Holly Martins featuring saxophonist Kasey Knudsen and Berkeley guitarist Eric Vogler, and an evening Berkeley Arts Festival show introducing a new collective trio with Knudsen and Berkeley clarinet master Ben Goldberg. … Continue reading »
For much of his career, Oakland saxophonist Steve Heckman has worshipped at the altar of John Coltrane, with every gig a veritable quest to attain the spiritually charged intensity that defined Trane’s epochal recordings of the early 1960s. He left no doubt about his mission with first two albums, 2003’s With John In Mind and 2005’s Live at Yoshi’s. But his new CD, Born To Be Blue, finds Heckman in a more lyrical state of mind, focusing on American Songbook standards like Berlin’s “How Deep Is the Ocean,” Van Heusen’s “I Thought About You,” and Schwartz’s “Alone Together.”
He celebrates the album’s release Saturday at the Jazzschool with a stellar Bay Area band featuring guitarist Terrence Brewer, bassist Aaron Germain, drummer Bryan Bowman, and tenor saxophonist Rob Roth. Heckman credits his new direction on Born To Be Blue to his collaboration with guitar ace Howard Alden, which evolved out of a casual evening of jamming after a dinner party at a friend’s house in New York. When Alden came through the Bay Area several months later for a series of gigs they cemented the budding friendship at Fantasy Studios, with the guitarist’s beautifully calibrated phrasing inspiring a more lithe and relaxed sound from Heckman. … Continue reading »