- 12/04/2014 - Half the Sky's NICHOLAS KRISTOF / A Path Appears
- 11/25/2014 - 'Read and Share' Book Club
- 11/18/2014 - UC Berkeley Department of Theater, Dance and Performance Studies presents REGENTS' LECTURE: LUIS VALDEZ
- 11/13/2014 - Presidential Inaugural Poet RICHARD BLANCO / The Prince of Los Cocuyos
- 11/10/2014 - London's School of Life's ROMAN KRZNARIC / Empathy
Tag Archives: Jean Gabin
Apparently, there’s something about Le Havre. In 2011, I reviewed Aki Kaurismaki’s Le Havre, a quirky and colorful drama set in the aforementioned French port city, and last year I wrote about Jean Renoir’s La Bête Humaine, a tragedy in which murder is committed on a train bound for the very same burg.
Now it’s 2013, and – entirely by coincidence – it’s time once again to pay a cinematic visit to this foggy coastal town. Our tour guides this time are director Marcel Carné and screenwriter (and poet) Jacques Prévert; the vehicle, their 1938 feature Port of Shadows (Le Quai des Brumes), screening at Pacific Film Archive at 6:30 p.m. on Sat., July 6 as part of the current series “A Theater Near You.” … Continue reading »
French director Jean Renoir is rightfully considered one of the greatest filmmakers of all time. He’s responsible, after all, for both 1937’s La Grande Illusion and 1939’s La Règle du Jeu (The Rules of the Game) – two films that have featured prominently on countless ‘best of’ lists for decades.
In between churning out those classics, Renoir also found time to direct two films in 1938: La Marseillaise, a re-enactment of the French Revolution that I’ve never seen, and La Bête Humaine. The latter feature, every bit the equal of Renoir’s acknowledged classics, screens at 2:00 PM on Sunday, November 4th at Pacific Film Archive as part of the series ‘Grand Illusions: French Cinema Classics, 1928–1960’.
Adapted from Emile Zola’s 1890 novel of the same name, La Bête Humaine stars French matinee idol Jean Gabin as Jacques Lantier, an engineer on the Paris-Le Havre railway. Stricken by a mysterious chronic illness and burdened by a family history of alcoholism, Lantier prefers the reliable company of his engine, La Lison, to that of fickle humans. … Continue reading »