Tag Archives: Jupiter
New York City pianist Caili O’Doherty has found cool blue waters in the Bay Area, while Berkeley clarinetist Ben Goldberg has plunged into the roiling New York rapids. What these two very different musicians share is a commitment to making their own gigs happen.
At 24, O’Doherty is already a familiar face in the Bay Area. Following the release of Padme, her heralded 2015 debut album, she performed widely around the region last year, making a powerful impression with her lyrically charged original compositions. She returns this week with a lustrous body of new music for her New York City trio featuring drummer Cory Cox and Israeli-born bassist Tamir Shmerling.
“I always like the idea of creating your own opportunities,” says O’Doherty, who plays Jupiter on Friday, Webster Haven Presents house concert in Berkeley on Saturday, (email email@example.com or call 510-849-1969), and a Sunday afternoon California Jazz Conservatory concert with special guest Steven Lugerner on alto saxophone and bass clarinet (she also gives a workshop Sunday at the CJC 11:30 a.m.-1:30 p.m. on “Using Language as a tool for Improvising”). … Continue reading »
For the average patron the music at Jupiter might seem like an afterthought. Most people show up to dine and drink with no foreknowledge of who’ll be performing underneath the towering redwood at the back of the patio. But the restaurant’s longtime music policy provides an essential anchor for many East Bay musicians, giving them a friendly and easily accessible forum at home. Jupiter’s gravitational pull can even attract artists from far beyond the local constellation, like Planet Loop, who return to the patio on Saturday night.
The band’s sound has evolved considerably since the first Jupiter gig in 2008 as a duo featuring Michael Schaller on bass and Carrie Jahde on drums. Based in Boston and looking to move to the West Coast, the couple cold-called Alain Grissette, who has booked the venue since 1993, and he gave them a shot.
“I always like to get touring bands a date if I can make it happen,” Grissette says. “I think I dug the sound they were able to produce as a duo, which wasn’t the typical coffee-shop jazz.” … Continue reading »
Chicago-reared George Cotsirilos arrived in Berkeley in 1969 as an aspiring young guitarist deeply under the sway of the three blues Kings (B.B., Albert, and Freddie). In the midst of his undergrad studies at Cal he took some time off to play with a blues band in Ann Arbor, and when he re-enrolled to continue his sociology studies he came under the sway of legendary East Bay guitar teacher Warren Nunes, who turned his attention to jazz and “opened up other vistas,” Cotsirilos says.
These days the long-time Berkeley resident is one of most tasteful and dependably swinging jazz guitarists on the Bay Area scene, and the leader of a lithe and quietly dramatic trio with bassist Robb Fisher and drummer Ron Marabuto. The group performs at Jupiter on Wednesday night. … Continue reading »
To paraphrase Gertrude Stein, song is a song is a song is a song. The Oakland-raised writer’s elliptical verse serves as the source of inspiration for the latest project by Ramon and Jessica, the singer/songwriter duo of Dina Maccabee and Jesse Olsen Bay. They present Roses are Blue, a suite for vocal ensemble inspired by Stein’s 1938 children’s book The World is Round, Friday at Berkeley’s Subterranean Arthouse and Saturday at San Francisco’s Red Poppy Art House.
“We don’t conceive it that way, but a lot of friends say their kids love our music,” says Maccabee, who spent a decade as a creative force on the Bay Area music scene before recently completing a masters program in composition at Wesleyan University. … Continue reading »
Howard Alden makes a powerful impression, even when you can’t see him. In Woody Allen’s great 1999 film Sweet and Lowdown the veteran jazz guitarist supplied the beautiful fretwork delivered by Sean Penn’s fictional Emmet Ray, a tormented musician who describes himself as “the second greatest guitarist in the world” (topped only by the very real guitar legend Django Reinhardt). At the time, Alden wasn’t particularly associated with Reinhardt’s Gypsy swing sound, but he’s a highly versatile player who thrives in just about any setting.
In the next two weeks, Alden plays numerous gigs around the region, including a solo recital tonight at Schoenberg Guitars in Tiburon, and Tuesday at St. Albans Episcopal Church in Albany with members of the Berkeley Choro Ensemble and Grupo Falso Baiano (namely flutist Jane Lenoir, clarinetist Harvey Wainapel, guitarist Brian Moran, and percussionist Ami Molinelli Hart). … Continue reading »
Alive! wasn’t the first top-flight all-women combo in jazz. Going back to at least the 1940s, when the International Sweethearts of Rhythm earned the respect of their male peers and discerning audiences, excellent female musicians have come together to swing and improvise. But the women in Alive!, who mark the 40th anniversary of the band’s founding with a reunion concert Sunday at Freight & Salvage, boldly trod onto new territory when they came together in the mid-1970s.
Featuring vocalist Rhiannon, percussionist Carolyn Brandy, bassist/cellist Susanne DiVincenza, drummer Barbara Borden and the late pianist Janet Small (who passed away in 2010), Alive! captured jazz’s zeitgeist with a repertoire focusing on original compositions. Inspired by Brandy’s rapidly accelerating passion for Afro-Cuban rituals and rhythms, the band incorporated Cuban grooves at a time when more jazz musicians were exploring Caribbean cultural currents. The inimitable Tammy Hall, who can often be found accompanying the region’s best jazz singers, is the band’s new pianist. … Continue reading »
SF Beer Week, which kicks off on Friday, is a monster of an event, with countless happenings hosted across the Bay Area over the course of ten days. Its online schedule is almost impossibly long, even when it filters out events outside of the East Bay. But don’t be discouraged — we’ve done the hard work for you and picked out our best bets for the week, including three Pliny the Younger sightings and an array of sweet (and less-so) events for Valentine’s Day.
TAP TAKEOVERS AND TASTINGS
“Lost in the Woods” at The Good Hop This New Belgium-sponsored tasting is your only opportunity to taste the 2015 La Foile, a Flanders-style sour brown ale, and the 2015 Transatlantique Kriek, a lambic produced in collaboration with Belgium’s Oud Beersel. They’ll also be pouring a third New Belgium barrel-aged sour one-off and will hold a web-toast with the different brewers. The $40 event includes three 5-ounce tastings, food pairings, a globe glass and one 22-ounce bottle of La Folie or Transatlantique Kriek to take home. Those not wishing to pay the ticket price can still taste the beers on their own, but they will be served at full price.
Saturday Feb. 7, 5 to 8 p.m. Tickets are available at Brown Paper Tickets. The Good Hop, 2421 Telegraph Ave., Oakland. … Continue reading »
On her 40th birthday Audrey Martin decided to sing. As a marriage and family therapist, she had spent years helping other people work through traumas, resolve deep-seated conflicts, and discover their true selves. Along the way she had set aside her adolescent ambition for a life in music, a sublimated dream that resurfaced with her midlife milestone. Martin’s long and winding creative journey resulted in the captivating debut album Living Room (full disclosure: I wrote the liner notes). She celebrates the CD’s release Sunday afternoon at Berkeley’s California Jazz Conservatory, which played an essential role in her musical education.
“This is the culmination of 17 years of planning and effort at learning the art of jazz and bringing together music that I‘ve wanted to perform and record,” says Martin, a Berkeley resident since 1998. “It also represents an integration of my musical self and my life as a psychotherapist.” … Continue reading »
Berkeley fans of the Hammond B-3 organ don’t get many opportunities to experience the mighty instrument close to home. It’s a sad state of affairs for funk and soul jazz aficionados, especially considering that Wil Blades, the Bay Area’s most prodigious mid-career B-3 player, has long called Berkeley home. He returns to Jupiter on Friday with Oakland drum maestro Scott Amendola.
After a considerable hiatus their long-running duo Amendola Vs. Blades is swinging back into action with a series of gigs, playing two nights at Duende Oct. 23-24 on a round-robin triple bill with Hammond organist Joe Doria’s McTuff, and Jacob Fred Jazz Odyssey where all three bands will be rotating seamlessly every song, and Oct. 25 at the Red Poppy Art House in San Francisco. Pushing the limits of the duo format to the very edge, Blades and Amendola have honed an ambitious repertoire, including a full-scale interpretation of The Far East Suite, a late-career masterpiece by Duke Ellington and Billy Strayhorn. … Continue reading »
California is catching up with France: dogs will be allowed on restaurant patios and in other outdoor dining areas when a new law goes into effect January 1.
The change may be unnoticeable in Berkeley, where many restaurants have allowed dogs to join diners outdoors for years. The little-known prohibition was rarely enforced.
“We don’t get a lot of complaints, maybe three to five a year, so we would respond to those to enforce the state law if it was violated,” said Manuel Ramirez, director of Berkeley’s Environmental Health Division. … Continue reading »
What started as a one-off fundraiser for the people of northern Japan stricken by the devastating earthquake and tsunami of March 11, 2011 has turned into a musical mission of healing and remembrance. When drummer Akira Tana, bassist Ken Okada and flutist/saxophonist Masaru Koga first came together in the summer of 2011 at Fairfax’s Elsewhere Gallery, they brought in jazz arrangements of traditional Japanese songs, some dating back centuries. The music was so powerful that they ended up presenting it to stricken communities in Japan last year, and Sunday afternoon’s California Jazz Conservatory performance will raise funds for the trio’s return trip in July.
“We played in communities that aren’t there any more, at temporary shopping centers and housing units,” says the Palo Alto-raised Tana, whose father Daisho Tana led the Berkeley Buddhist Temple at 2121 Channing Way in the 1930s. “These songs hit home. You realize what a healing force for the spirit music can be, and it reminds me of why we got into doing this stuff.” … Continue reading »
Downtown Berkeley has seen a major revival in recent years, with a profusion of new restaurants and extensive development planned. Not everyone is happy with the changes, and the future of downtown continues to be a controversial topic.
On a lark, Berkeleyside asked readers to share some of their favorite downtown spots on Facebook. And, given the penchant in this town to offer criticism or complaints as a means toward progress, it was a bit of a shock to see the immediate outpouring of excitement about places locals love downtown.
Within a few hours, we had nearly 50 comments. Ideas — totaling about 80 recommendations — continued to come in for days. By no means is this intended to be scientific or exhaustive, but our question certainly hit a nerve.
We’ve included all the suggestions, along with some highlights provided by readers, in the map below. Click the markers to learn more. … Continue reading »
There’s nothing quite like having children to put your own upbringing in perspective. Looking back, saxophonist Joshi Marshall realizes that growing up in west Berkeley in the 1970s and 80s with two prominent musicians for parents provided a fabulously rich creative environment, albeit one with little of the structure that he provides for his two kids.
“There was no nighttime routine,” Marshall recalls. “There were real artists over playing music all the time and everything was about music and art. It was like, you sleep here and you sleep there, and you have to be part of our trip. It was such an unorthodox way of raising kids. But I wouldn’t trade it for anything, there was so much love.”
Best known as a founding member of Mingus Amungus, the pioneering jazz/hip hop combo directed by bassist and fellow Berkeley High alum Miles Perkins, Marshall has been a scarce presence on Bay Area stages in recent years as he’s thrown himself into teaching music. He makes two rare hometown appearances in the next few weeks, playing Friday at Jupiter with drummer Bryan Bowman and Lorenzo Farrell on Hammond B-3 organ, and Valentine’s Day at Chez Panisse.
The Jupiter combo is a new project that’s taken shape as bassist Lorenzo Farrell, a longtime member of the popular blues band Rick Estrin and the Night Cats, has increasingly concentrated on the organ. A Berkeley High grad who went on to earn a philosophy degree from Cal, Farrell brings his deep knowledge of the low end to the B-3, laying down supple bass lines with the instrument’s pedals. … Continue reading »