Some of the musicians featured at the recently launched Bands at Brower series approached the performance like any other gig, presenting their usual material. But for Rob Reich the David Brower Center’s ecological mission is a feature not a bug, and he’s designed an immersive multimedia event that explores the way music and natural settings can alter our consciousness.
Drawn to documenting the burgeoning protest movement in the late 1960s, Ken Light came to photojournalism as an extension of his anti-war activism. He started by shooting marches and demonstrations, but it wasn’t until the Nixon administration’s secret bombing of Cambodia came to light in late April 1970, and campuses exploded, that he truly found his calling. Hitchhiking from Ohio State in Athens to the flagship Ohio State campus in Columbus, he captured clashes between students and the National Guard shortly before four students were killed at Kent State in similar demonstrations. Arrested despite his press credentials, Light retrieved his undeveloped film when he got out of jail, and “those photos were published in newspapers and magazines all over the world,” he says. “I was struck, you can really have a voice. I could look around at my generation and tell stories about what’s happening.”
Human rights organizations often depend on the media’s megaphone, calling malefactors to account by publicizing their misdeeds. So it’s something of a paradox that Berkeley’s most influential and visionary NGO dedicated to the international struggle for human rights, the Human Rights Center at UC Berkeley School of Law, tends to operate under the radar. In marking the center’s 20th anniversary, the HRC is presenting an alternately breathtaking and hair-raising photo exhibition, Envisioning Human Rights, part of a new effort to raise public awareness about the organization’s vital work. (more…)
The most mind-blowing fact about Vivian Maier isn’t that she managed to shoot more than 120,000 photos while supporting herself a nanny. Or that the families for which she worked had little clue about her double life. Or even that she often took her charges into rough Chicago neighborhoods while she captured intimate images of life on the street. What’s hardest to comprehend is that she acquired such an exquisite sense of composition while never seeing most of her shots, which were discovered as undeveloped negatives shortly before her death in 2009 at the age of 83.