We talk art, the role of art museums and what the future holds with the director and chief curator of the UC Berkeley-owned Berkeley Art Museum and Pacific Film Archive.
The purchase of film critic Pauline Kael's former home at 2419 Oregon St. means that the murals painted she hired the artist Jess to paint will be preserved. The new owner has promised to keep them intact for 10 years.
BAMPFA’s new building is an absolute winner. The 82,000-square-foot home catapults Berkeley’s visual art scene into prominence — comparable to many larger, richer and better established West Coast institutions. It handsomely repurposes the former 1930s WPA UC printing plant building. Affixed to it is a brightly clad steel tube-like section that houses the new 232-seat Barbro Osher Theater, where films from its impressive archive of over 300,000 items will be regularly screened. There is also a 33-seat screening room and two film viewing booths available by appointment.
The countdown is nearly over. The new home of the Berkeley Art Museum and Pacific Film Archive, plum in the heart of downtown Berkeley, will throw open its doors to the public with a big open house on Sunday, Jan. 31, starting at 11 a.m.
Many readers have been in touch with Berkeleyside asking about the strange big “structure” being erected on UC Berkeley property at Oxford Street.
Downtown Berkeley Association is hanging 85 colorful double banners from downtown Berkeley’s lampposts to launch a new branding campaign, “Meet Me Downtown.” The campaign is being led by the DBA with five partners, the new Berkeley Art Museum and Pacific Film Archive, the new UC Theatre, Berkeley Rep, Freight & Salvage and Visit Berkeley.
The staff moved in to their offices in September, planning for its inaugural exhibition is well underway, and construction is almost complete on the new Berkeley Art Museum and Pacific Film Archive (BAMPFA), which is set to open in January 2016.
Last year, when Alla Efimova stepped down as the Jacques and Esther Reutlinger Director of UC Berkeley’s Magnes Collection of Jewish Art and Life after ten years at its helm, she left the institution a magnificent parting gift.
On Sunday, hundreds of people swarmed through every nook and cranny, every cantilevered balcony and ramp, within the concrete hulk of the Berkeley Art Museum at 2626 Bancroft Way. They came to say goodbye to a building that has hosted innumerable highly regarded exhibitions over four decades, as well as art installations, fashionable events, and parties.
Thursday evening, community members turned out in droves to sign the final steel beam for Berkeley’s new art museum before it was lifted high into the air by a crane and set in place.
Seven Canary Island pine trees that were cut down in order to allow construction of the new Berkeley Art Museum & Pacific Film Archive in downtown Berkeley were salvaged and will be used for several interior elements of the new museum, its director, Lawrence Rinder, revealed last week.
Over the next four months the Berkeley Art Museum & Pacific Film Archive is the site of a grand experiment optimistically titled The Possible. Rather than showcasing finished objects and artifacts, the building is hosting a series of interdisciplinary encounters involving nearly 100 artists and museumgoers organized by Oakland illustrator and renegade impresario David Wilson.
“It’s been a long hard road. Standing here today I feel both relief and excitement,” Lawrence Rinder, Director of the Berkeley Art Museum and Pacific Film Archive said, speaking on Tuesday in the shell of a building that will one day be a gleaming new cultural center in the heart of downtown Berkeley.