Tag Archives: Meyer Sound
The last coat of paint has been applied, the fixtures are all in place, and the hard hats have departed: it’s time to celebrate the re-opening of BAMPFA’s film programming. Yours truly managed to get a sneak peek of what’s in store for Bay Area cinéastes, and I can happily report that we’re all in for quite a treat.
Located at 2120 Oxford St. in downtown Berkeley, the new BAMPFA building is an open, airy, and naturally lit paradise for art enthusiasts and film fans. For the first time in 16 years, BAMPFA screenings will take place under the same roof — in this case, a gleaming curvaceous stainless steel roof — as the museum’s art galleries.
The new PFA features two screening rooms, with the Barbro Osher Theater serving as the Archive’s centerpiece. This 232-seat room is vastly superior to the ‘temporary’ space the Archive occupied for the last decade – and, dare I suggest, also a considerable improvement over BAMPFA’s previous ‘permanent’ home in the old Ciampi building on Bancroft Way. … Continue reading »
Black, who is probably best known for the murals adorning the front of the Ashby Theater (on Ashby and Martin Luther King Jr. Way), spelled out “SUPPORT” in huge yellow letters against a black background at the emerging UC Theatre. He interspersed the phrases “Employment,” Education,” and “Music” in between the letters.
Black is the creative force behind all the marketing material, programs and literature produced by Berkeley’s Shotgun Players who are based at Ashby Stage. (Watch a Berkeleyside video about Black made in 2011.) He paints the entire wall of the theater every time it puts on a new production — adapting a design he has devised to promote the play to fit the large expanse of the building’s façade. He is also the author of the flipbook, “Futura, L’Art d R. Black”
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By Frances Dinkelspiel and Tracey Taylor
The long-shuttered UC Theatre on University Avenue was buzzing again Wednesday as city officials and supporters gathered for an official groundbreaking ceremony to mark the start of the renovation of the former movie palace.
While David Mayeri, president of the Berkeley Music Group and the driver of the project, and others posed with gold shovels in front of the theater, the transformation of the 1917 building at 2036 University Ave. began in earnest inside with workers beginning to tear into the building’s floor with jackhammers.
Rehabilitating the theater is expected to cost $5.5 million — with a capital campaign still seeking $2 million worth of support. Mayeri and the five-strong board hope to put on their first show in the building this fall. … Continue reading »
PIETISSERIE SHOP HOLDS GRAND OPENING Oakland pie maven Jaynelle St. John held a grand opening celebration for her standalone shop in the Grand Lake district this past Saturday. PieTisserie specializes in unique pies, such as mojito custard and chocolate cream pretzel. St. John has been selling her pies for the last five years, but has moved her operation around Oakland; most recently she sold pies out of Nido, near Jack London Square, and she has also made appearances at Swan’s Marketplace in Old Oakland, and Kitchenette in San Francisco. Since parting with Nido in August 2013, St. John has been working on opening her retail space while selling her pies through her website and Munchery. PieTisserie, complete with its pie window, is at 1605 2nd Ave. (at Foothill Boulevard), Oakland. Connect with the bakery on Facebook, Twitter and Instagram. … Continue reading »
For Michael Bauer, the Chronicle’s restaurant critic, Comal, which opened in downtown Berkeley in early May, has achieved a flawless debut.
Bauer has nothing but praise for the food prepared by former Delfina chef de cuisine Matt Gandin, which he describes as being prepared with “a subtly fresh fanaticism.” He admires the impeccable service, the state-of-the-art acoustics, courtesy of Berkeley’s Meyer Sound, the “meticulously designed” interiors, and the cocktails — “some of the best in the Bay Area.”
He awards the restaurant three stars overall, and in each of the three categories considered — food, service and atmosphere, which translates as all-round “Excellent”, and concludes that, had he ever started a restaurant, it would be this one: “Comal is exactly the type of place I’d have liked to open.” … Continue reading »
On Friday, John Paluska will throw open the heavy steel doors to his ambitious new restaurant, Comal, which he hopes will become a magnet for local residents and a cultural incubator. “I see it as a big tent that I hope will become the heart of the community,” he said last week as he stood in the expansive, airy space at 2020 Shattuck Avenue, overseeing a plethora of pre-launch preparations.
Comal will be cooking up Oaxaca-inspired Mexican food — masa-based dishes such as Tetelas, memelas, and tlayudas, whole grilled fish, chickens and fresh vegetables –– much of it cooked on an Italian wood-burning range and two “comals” — large round griddles which take center stage in the restaurant’s open kitchen and, says Paluska, also serve to evoke the “hearth as gathering place” ambiance he is seeking to create there.
Chef Matt Gandin, formerly of Delfina in San Francisco, says he wants to explore the complexities of a cuisine that he feels is “waiting to be discovered”.
Sound is life at the Meyer Sound facility on San Pablo. The 32-year-old Berkeley business continues to churn out professional sound products for concert halls, churches and traveling bands from around the world.
“We’re a family-run company, privately owned still,” said Helen Meyer, executive vice president of Meyer Sound. “We’re still private to this day. That’s kind of a unique feature of our company.”
I sat down with the Meyers to discuss sound, local lifestyles and new technologies.
CEO John Meyer founded the company in 1979 after he and Helen attended an inaudible Donovan concert at the Oakland Coliseum. When they sat down to take in the performance from one of their favorite folk singers, the couple soon realized they couldn’t hear a thing.
“It was barely louder than if someone was just there without anything,” John said. “Everyone in the audience was dead quiet and we still couldn’t hear. We said, ‘there’s got to be a better way.’ ” … Continue reading »