Tag Archives: Peter Selz
On Sunday, hundreds of people swarmed through every nook and cranny, every cantilevered balcony and ramp, within the concrete hulk of the Berkeley Art Museum at 2626 Bancroft Way. They came to say goodbye to a building that has hosted innumerable highly regarded exhibitions over four decades, as well as art installations, fashionable events, and parties.
Built in 1970, and designed by architect Mario Ciampi during the brief reign of Brutalist architecture, the UC Berkeley-owned museum has as many detractors as fans. In his closing speech, BAM/PFA director Lawrence Rinder expressed both his fondness for the building and the occasional frustration of dealing with its constraints. The building has been deemed seismically unsound, and a brand new museum is being built in its stead. The new BAM/PFA, designed by New York’s Diller Scofidio + Renfro, is set to open in January 2016 on the site of a former Cal printing press in downtown Berkeley. … Continue reading »
Gabrielle Selz’s ‘Unstill Life’ provides peek into the modern art world with its glamour, ambition, heartbreak
When Gabrielle Selz was growing up in New York in the 1960s, her house was filled with artists who have become icons of the time: Mark Rothko, Willem de Kooning, Helen Frankenthaler, and Alberto Giacometti.
Selz’s father was Peter Selz – then a curator of painting and sculpture at the Museum of Modern Art, a man whom the New York Times dubbed “Mr. Modern Art.” Peter Selz moved to Berkeley in 1965 to become the founding director of the Berkeley Art Museum, a position that allowed him to showcase West Coast artists. He highlighted Funk, film, and ceramicists like Peter Voulkos and Robert Arneson who were not even considered true artists at the time. Peter Selz later became project director for Christo’s Running Fence, the 24.5-mile long billowing fabric fence that ran over the Marin County hills in 1976. … Continue reading »
‘Saved by the Bay’ at The Magnes Collection of Jewish Art and Life explores lives of academic refugees
Saved by the Bay: The Intellectual Migration from Fascist Europe to UC Berkeley, the exhibition currently on view at The Magnes Collection of Jewish Art and Life in Berkeley through June 27, may be a bellwether of that institution’s recent metamorphosis.
The new, reconfigured Magnes is no longer a privately funded museum housed in a mansion on a suburban Berkeley street. In the past three years it has moved to a distinctly urban location on Allston Way in downtown Berkeley and is now a part of UC Berkeley.
Under the aegis of Cal’s Bancroft Library, the Magnes’ remarkable collections of Judaica, art, and archival materials documenting the history and culture of Jewish communities in the American West — 15,000 items in all — are dispersed among various libraries on campus and in orderly climate-controlled storage areas in the new Magnes. … Continue reading »
In our wired era of ubiquitous information and perpetual image bombardment, all of human history, cultural production included, is online and available for plunder: to sample, remix, recycle and repurpose. This embarrassment of riches has not been lost on artists. In music, film, TV, literature, performance, visual art, you name it, today’s artists steal voraciously from everywhere.
But when everything is up for grabs 24/7, it’s a rare artist who can exploit this vast archive to make distinctive works that speak eloquently to our contemporary condition. Maybe it takes an artist who’s a cultural hybrid him- or herself, who inhabits disparate communities and has a polyglot sensibility, to craft unexpected and compelling forms from the multifarious influences we are bathed in from birth.
Berkeley is currently hosting two exhibitions by contemporary visual artists who meet, even exceed, the requirements for inspired appropriation: “Freedom of Expression: The Work of Enrique Chagoya” at Kala Art Institute through July 6, and Nicole Eisenman/MATRIX 248 at the Berkeley Art Museum and Pacific Film Archive through July 14. … Continue reading »
When Peter Selz arrived in Berkeley in 1965, the university only had a small art gallery to display its modest collection of art. Selz had been recruited from the Museum of Modern Art in New York City to oversee the construction of a new, contemporary museum, the Berkeley Art Museum on Bancroft Way.
He did that and more. With Selz at the helm, the Berkeley Art Museum redefined many aspects of modern art and brought overdue attention to California artists.
Selz was already “something of a star,” when he arrived in Berkeley, according to Paul J. Karlstrom, whose new book, Peter Selz: Sketches of a Life, has just been released by UC Press. He had been one of the first curators to trumpet the work of Mark Rothko. His star grew even brighter in Berkeley after he put on groundbreaking shows such as “Directions in Kinetic Sculpture,” an exhibition of the Surrealist René Magritte, and Funk!, which showcased ceramicist Peter Voulkos, Bruce Conner, and other California artists. Selz, who had fled Germany during the Nazi regime, also created the Pacific Film Archive. … Continue reading »
On Saturday at 4 p.m., Selz will moderate a panel with several of the artists featured in Abstract Visions, including Gary Edward Blum, Donna Brookman, Bruce Hasson, Kevan Jenson, Naomie Kremer, Keiko Nelson, and Gloria Tanchelev. After the panel, each of the artists will … Continue reading »