Tag Archives: Peter Selz
‘Saved by the Bay’ at The Magnes Collection of Jewish Art and Life explores lives of academic refugees
Saved by the Bay: The Intellectual Migration from Fascist Europe to UC Berkeley, the exhibition currently on view at The Magnes Collection of Jewish Art and Life in Berkeley through June 27, may be a bellwether of that institution’s recent metamorphosis.
The new, reconfigured Magnes is no longer a privately funded museum housed in a mansion on a suburban Berkeley street. In the past three years it has moved to a distinctly urban location on Allston Way in downtown Berkeley and is now a part of UC Berkeley.
Under the aegis of Cal’s Bancroft Library, the Magnes’ remarkable collections of Judaica, art, and archival materials documenting the history and culture of Jewish communities in the American West — 15,000 items in all — are dispersed among various libraries on campus and in orderly climate-controlled storage areas in the new Magnes. … Continue reading »
In our wired era of ubiquitous information and perpetual image bombardment, all of human history, cultural production included, is online and available for plunder: to sample, remix, recycle and repurpose. This embarrassment of riches has not been lost on artists. In music, film, TV, literature, performance, visual art, you name it, today’s artists steal voraciously from everywhere.
But when everything is up for grabs 24/7, it’s a rare artist who can exploit this vast archive to make distinctive works that speak eloquently to our contemporary condition. Maybe it takes an artist who’s a cultural hybrid him- or herself, who inhabits disparate communities and has a polyglot sensibility, to craft unexpected and compelling forms from the multifarious influences we are bathed in from birth.
Berkeley is currently hosting two exhibitions by contemporary visual artists who meet, even exceed, the requirements for inspired appropriation: “Freedom of Expression: The Work of Enrique Chagoya” at Kala Art Institute through July 6, and Nicole Eisenman/MATRIX 248 at the Berkeley Art Museum and Pacific Film Archive through July 14. … Continue reading »
When Peter Selz arrived in Berkeley in 1965, the university only had a small art gallery to display its modest collection of art. Selz had been recruited from the Museum of Modern Art in New York City to oversee the construction of a new, contemporary museum, the Berkeley Art Museum on Bancroft Way.
He did that and more. With Selz at the helm, the Berkeley Art Museum redefined many aspects of modern art and brought overdue attention to California artists.
Selz was already “something of a star,” when he arrived in Berkeley, according to Paul J. Karlstrom, whose new book, Peter Selz: Sketches of a Life, has just been released by UC Press. He had been one of the first curators to trumpet the work of Mark Rothko. His star grew even brighter in Berkeley after he put on groundbreaking shows such as “Directions in Kinetic Sculpture,” an exhibition of the Surrealist René Magritte, and Funk!, which showcased ceramicist Peter Voulkos, Bruce Conner, and other California artists. Selz, who had fled Germany during the Nazi regime, also created the Pacific Film Archive. … Continue reading »
On Saturday at 4 p.m., Selz will moderate a panel with several of the artists featured in Abstract Visions, including Gary Edward Blum, Donna Brookman, Bruce Hasson, Kevan Jenson, Naomie Kremer, Keiko Nelson, and Gloria Tanchelev. After the panel, each of the artists will … Continue reading »