Tag Archives: Rialto Cinemas Elmwood
Sometimes a one-word title doesn’t tell you much about a film, but sometimes — Todd Solondz’ 1998 feature Happiness, of course, being a prime example — that single word can be downright duplicitous. For better or worse, truth in advertising laws don’t apply to the movie business, and a one-word moniker can lead even the canniest of viewers astray.
And then, of course, there are films like Philippe Garrel’s La Jalousie (Jealousy). Opening on Friday, Sept. 26 at Rialto Cinemas Elmwood, Jealousy’s title bluntly describes exactly what you’re about to see on screen, in all its painful glory.
Jealousy begins with a heartbreaking close-up of a woman learning that her man is about to leave her. Trembling slightly, tears rolling down her cheeks, she is Clothilde (Rebecca Convenant); he, Louis (director’s son Louis Garrel) a tousle-headed stage actor with a mop of dark curls and a way with the ladies. … Continue reading »
The very first new release I ever reviewed for Berkeleyside was Terry Gilliam’s The Imaginarium of Dr. Parnassus. Released in January 2010, it was Gilliam’s best effort in a while – and now, four years later, he’s finally completed a feature follow-up, which (while not quite being up to Imaginarium’s standards) will still satisfy the director’s many rabid fans.
Opening at Rialto Cinemas Elmwood on Friday, Sept. 19, The Zero Theorem once again allows viewers to explore Gilliam’s decidedly twisted brain, a cavernous place resembling a slightly surreal dystopia of the near future, or, perhaps, a parallel universe of the now. It’s also a place not so very far from the one seen in the director’s 1985 classic Brazil. … Continue reading »
Two years ago I penned an all too brief single paragraph recommendation for The Waiting Room, an outstanding documentary about the emergency room at Oakland’s Highland Hospital, the East Bay’s primary trauma center and public health care facility. The film deservedly ended up being shortlisted in 2013 by the Academy of Motion Picture Arts and Sciences for Best Documentary, but ultimately didn’t make the final cut.
If you were as impressed as I was by The Waiting Room, you’ll get similar mileage from Code Black, a new medical documentary opening at Rialto Cinema’s Elmwood next week, on Friday, July 18. Shot in and around Los Angeles County Hospital – like Highland, a publicly funded facility — the film details the work done by doctors, nurses and interns in one of the country’s busiest emergency rooms. … Continue reading »
As Lao Tzu’s well-worn bromide goes, ‘every journey of a thousand miles begins with a single step.’ In the case of Maidentrip (opening at Rialto Cinemas Elmwood on Friday, March 21), however, a lengthy trip can also begin with as little as a gentle breath of wind.
Dutch teenager Laura Dekker made international headlines in 2009 when, at only 13 years of age, she announced her intention to become the youngest person to circumnavigate the globe. The daughter of a Dutch father and German mother who themselves had previously sailed around the world, the New Zealand-born Dekker spent the first four or five years of her life at sea and clearly never became comfortable on land. … Continue reading »
VIENNA PHILHARMONIC The three-day residency of the Vienna Philharmonic Orchestra at Cal Performances this weekend focuses on the centennial of the outbreak of World War I, with three concerts, a symposium bringing together scholars from both Berkeley and Vienna, and pre- and post-concert talks. Friday night’s concert, conducted by Lorin Maazel, features Schubert’s Unfinished Symphony and Mahler’s Fourth. Saturday night, conducted by Andris Nelsons, has Haydn’s 90th, Brahms’ Third and Brahms’ Variations on a Theme of Haydn. Sunday afternoon, Franz Welser-Most conducts the orchestra in Mozart’s 28th and Bruckner’s 6th, as well as a new composition by Viennese composer Johannes Maria Staud. The symposium, The Vienna Philharmonic 100 years after the outbreak of World War I, examines the intermingling of arts and politics, and in particular the role an arts institution can play in the course of history. The symposium and other residency events (but not the concerts) are free: RSVP to reserve your place, seating is first come, first served. Tickets for the concerts at Zellerbach Hall are available from Cal Performances. … Continue reading »
We’ve been awash recently in reminders that 2014 marks the 50th anniversary of The Beatles’ momentous first trip to the United States. As a confirmed Beatlemaniac of long standing, I have no quarrel with celebrating the Fabs – does anyone have a black and gold-label first pressing of Please, Please Me they’d like to sell? — but let’s not forget that February 2014 is also the 50th anniversary of another significant event, the first Cassius Clay vs. Sonny Liston bout in Miami Beach.
By 1964, Clay — soon to change his name to Muhammad Ali — was already an African-American hero: the smooth-moving, fast-talking Kentuckian had rocketed to fame at the 1960 Rome Olympics, where he clobbered his way to the light heavyweight gold medal. His Miami Beach opponent, on the other hand, was a strong silent type with deep connections to organized crime. Despite his criminal past, Sonny Liston most definitely wasn’t Muhammad Ali — which meant he had most of white America in his corner. … Continue reading »
[Editor's note: This story was updated at 1:15 p.m. with additional information from Councilman Laurie Capitelli.]
A local consortium’s attempts to come to an agreement to use North Berkeley’s Oaks Theatre on Solano Avenue and convert it into a community arts performance space have thus far been unsuccessful, reports Councilman Laurie Capitelli, who has spearheaded those efforts.
Capitelli provided an update to his constituents via email Friday. He thanked those who had expressed support for the venture, which kicked off last fall.
Last year, Capitelli, along with the Youth Musical Theater Company, formed a task force — the Oaks Theater Consortium — to spearhead the campaign to renovate the auditorium to remove the wall that separates the two theaters, take out several hundred seats from the balcony, and rebuild the main stage as a single performance space. The idea would be to bring together a group of anchor tenants from a range of arts organizations, and also potentially to offer simulcast viewings of special events like the Academy Awards or the Super Bowl, as well as host film festivals or smaller symposiums or panels. … Continue reading »
The Federal Reserve Bank is a favorite whipping boy for both left- and right-wing conspiracy theorists, its role in manipulating currency — and (by extension) managing the economy — the source of endless controversy. Calls to ‘audit the Fed’ have been heard from both the Ron Paul libertarian right and the Alan Grayson liberal left, but such an audit would still be unlikely to assuage the frenzied palpitations of Alex Jones and others convinced that America’s central bank is nothing more than a tool the New World Order uses (alongside fluoridation, vaccinations, and chemtrails) to maintain its control over us.
Consequently, I anticipated Money for Nothing: Inside the Federal Reserve (a new documentary screening at Rialto Cinemas Elmwood at 7:00 p.m. on Wednesday Dec. 4) with some trepidation. Watching the film until the end, I kept waiting for the penny to drop: when would narrator Liev Schreiber reveal the awful truth about our reptilian overlords inventing one fiat currency to rule them all? … Continue reading »
According to the Internet Movie Database, 1897’s Death of Nancy Sykes — a long lost production based on a single scene from Oliver Twist — was the first screen adaptation of Charles Dickens’ work. Since then, of course, the adaptations have flowed virtually non-stop, with well over 300 different Dickens features hitting screens big and small in the intervening century and a bit. And still they keep coming: IMDb lists four more features as currently “in development”.
The latest to hit cinemas, director Mike Newell’s take on Great Expectations, has some particularly big shoes to fill. Opening at Rialto Cinema’s Elmwood on Friday, Nov. 8, this Great Expectations will be endlessly (and perhaps unfairly) compared to David Lean’s near perfect 1946 version – and, sure enough, it does pale in comparison. That said, it’s far from a complete waste of your time. … Continue reading »
The possible transformation into a performance space of the shuttered Oaks Theatre on Solano Avenue remains uncertain, but the final word on the deal could come sometime in November, according to several people involved with the transaction.
In the meantime, local real estate agent and council member Laurie Capitelli has been raising awareness, surveying the public and drumming up pledges of financial support to the tune of more than $120,000. … Continue reading »
Where were you on November 22nd, 1963? For many years most American adults could answer that question in their sleep, but November 22nd has since been eclipsed by September 11th on the roll-call of infamous historical dates. No longer American collective memory’s gold standard, the anniversary of John F. Kennedy’s assassination passes quietly most years.
This year, though, will be different: the 50th anniversary of the assassination has temporarily revived interest in all things JFK, with a new made-for-television movie, Killing Kennedy, airing on the National Geographic Channel on Nov. 10. If you can’t wait that long for your Kennedy fix, however, consider Parkland (opening at Rialto Cinemas Elmwood on Friday, Oct. 4), a small but handsomely mounted recreation of the events that rang down the curtain on Camelot.
Produced by Tom Hanks (and burdened with a portentous, Saving Private Ryan-style score from James Newton Howard), Parkland takes its title from the hospital in which both President Kennedy and his accused assassin, Lee Harvey Oswald, were declared dead. Dallas’ primary public hospital, Parkland remains open today, its place in history acknowledged by a memorial plaque in the radiology department. … Continue reading »
What is a C.O.G.? That question is at the heart of the unimaginatively titled C.O.G. (opening at Rialto Cinema’s Elmwood on Friday, September 20), director Kyle Patrick Alvarez’s (Easier with Practice) sophomore effort. The answer isn’t terribly surprising, but turns out to be one of the more predictable aspects of what is otherwise a fine example of character-driven, American indie filmmaking.
Set in Oregon, C.O.G. stars Glee regular Jonathan Groff as ‘Samuel’, a Yale graduate (legal name: David) who’s abandoned his cell phone and comfortable Connecticut home for an opportunity to get his hands dirty and experience a ‘Grapes of Wrath’-style slice of working-class life. Arriving in the middle of nowhere after a Greydog ride from Hell, Samuel anticipates being joined in a few days by girlfriend Jennifer (Troian Bellisario) for an idyllic summer spent picking apples and reading Willa Cather together.
Instead, Samuel finds himself hired by unforgiving apple magnate Hobbs (Dean Stockwell, making the most of a small but meaty role), who expects him to – shock! – work just as hard as the Mexican migrant workers he employs. Taking a break to enjoy ‘Walden’ is strictly verboten, and to make matters worse, when Jennifer arrives, her new boyfriend has come along for the ride. The summer is not going to be as idyllic as Samuel imagined. … Continue reading »