Tag Archives: Rialto Cinemas Elmwood
By Tien-Tien Jong / Eat Drink Films
East Side Sushi, the directorial debut of Anthony Lucero, belongs to a select category of “food films” that strives to capture not only an array of photogenic dishes (in this case attractively plated sushi, nigiri, and sashimi, as well as tacos, enchiladas, and fresh mangos drizzled with Valentina), but also to convey the differences and seeming incompatibilities in the two cultural traditions, and the emotions and stories, behind those dishes.
Diana Elizabeth Torres stars as Juana, a young Mexican-American woman living in East Oakland who struggles to make ends meet for herself, her father (Rodrigo Duarte Clark), and her grade-school-aged daughter, Lydia (Kaya Jade Aguirre), by taking on a number of odd jobs, including shifts as a custodian in a gym and helping with her father’s fresh fruit cart, all with little job satisfaction and underwhelming returns.
The first shot in the film, which is playing at Rialto Cinemas Elmwood, is a close-up on Juana’s alarm clock, which begins her day at 3:50 a.m.. From there we see that Juana has a special talent for preparing food quickly and efficiently, through creative shots of fruit for her father’s cart being sliced and rolled in such a way as to evoke parallels with sushi-making. Her father stresses that Juana could excel in a taqueria, but that’s a path she’s been down before, which Juana sees as a dead end when she would prefer to keep her options open for herself and her daughter. … Continue reading »
Thursday night was the premiere of New Mo’ Cut: David Peoples’ Lost Film of Moe’s Books, produced and directed by Siciliana Trevino. Dozens of people who had backed the film on Kickstarter, worked on it, or supported it in other ways, crowded into the Rialto Cinemas Elmwood for a screening. The general public got to see it at 8 p.m. … Continue reading »
Hubert Sauper, apparently, is a man of many talents. First, he spent two years building his own ultra-light aircraft, which he then flew from France to Libya (hardly a pillar of stability, even prior to the overthrow of the Gaddafi government). Then he winged his way towards an even more dangerous destination – the nascent Republic of South Sudan.
And only then did he get around to shooting We Come as Friends, a documentary opening at Rialto Cinemas Elmwood on Friday, Aug. 28. Though his aircraft hasn’t been granted any special recognition by the International Council of the Aeronautical Sciences, his film has since gone on to win prizes at the Berlin International Film Festival, the Jihlava International Documentary Film Festival, and Sundance. … Continue reading »
For a brief period in late 2012, it was front page news from coast to coast: on ‘Black Friday’, the biggest shopping day of the year, a white man had fired ten shots at four African-American teenagers in a Florida parking lot. Before long, of course, the story was eclipsed by other tales of America’s festering racism problem – but for a little while it was unavoidable.
Now the case is reexamined in 3 ½ Minutes, 10 Bullets, a new documentary opening at Rialto Cinemas Elmwood on Friday, July 24. Directed by Marc Silver and featuring extensive courtroom footage, it’s a wrenching examination of perception, truth, and a culture steeped in frequently invisible but unavoidable discrimination and a nation awash in guns, guns, guns. … Continue reading »
It’s time once again for the San Francisco International LGBTQ Film Festival, which – in addition to screenings in Berkeley – expands its East Bay presence into Oakland this year. The festival (produced, as in years past, by Frameline) comes to both Rialto Cinemas Elmwood and Landmark Theatres Piedmont, bringing with it a wide assortment of programming – including a number of films made by local artists.
Screening at the Elmwood at 9:30 p.m. on Wed. June 24, director Laura Bispuri’s Vergine giurata (Sworn Virgin) is an Italian feature about young Albanian Hana/Mark (Alba Rohrwacher), born and raised female but now living as male. Despite taking a traditional vow of chastity that ‘allows’ the locals to recognize her as a man, Hana/Mark still finds the ultra-conservative climes of her homeland stifling and decides to up sticks for liberal Italy, where stepsister Lila (Flonja Kodheli) now lives. … Continue reading »
Fancy feeling warm, fuzzy, and feathery next time you go to the movies? Then make plans to see I Am Big Bird: The Caroll Spinney Story, a delightful piece of cinematic iconography opening at Rialto Cinemas Elmwood on Friday, May 15.
Public television’s “Sesame Street” first aired in 1969, and (with apologies to Kermit the Frog and Elmo) Big Bird soon became the show’s most popular character. Ever since, he (or is Big Bird a she?) has been played by puppeteer Caroll Spinney, who also created the eight-foot, two-inch tall vertebrate.
Now 81 years of age, Spinney remains active and continues to appear on “Sesame Street” whenever Big Bird’s presence is required, though his apprentice takes over for some of the trickier and more physically demanding scenes. When not treading the boards in his super-sized costume, Spinney also provides Oscar the Grouch with his grumpy, trash-talking persona. … Continue reading »
I wrote a brief capsule review for Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll when it played CAAMFest earlier this year. Generously received at the festival, the film now gets a general release, opening at Rialto Cinemas Elmwood on Friday, May 8.
Understandably, a mournful air hangs over filmmaker John Pirozzi’s nine-year labor of love. Cambodia suffered two doses of massive slaughter in the late 20th century: first courtesy the United States Air Force, which dropped almost 3 million tons of bombs on the tiny Southeast Asian nation, displacing 30% of the population and killing around half a million Cambodians; secondly, in the period following the 1975 ascension to power of the Khmer Rouge.
At first, many Cambodians considered the Khmer Rouge an improvement on the corrupt Lon Nol government that had preceded it. Things changed quickly, however, when Pol Pot, Ieng Sary and company implemented a massive program of social leveling designed to teach the educated classes the value (if not the dignity) of labor. … Continue reading »
The animation of Bill Plympton is definitely an acquired taste. If you spent a lot of time watching MTV in its early days, you’re probably already familiar with his work: ballpoint pen drawn and long on grotesque characterization, it’s instantly recognizable, but tends to repulse as many viewers as it attracts. Pretty it is not.
Though he’s since done great work developing couch gags for ‘The Simpsons,” by and large I’ve never been much of a Plympton fan. The arrival of a new feature-length Plymptoon (Cheatin’, opening at Rialto Cinemas Elmwood on Friday, April 17), however, provides me an opportunity to reassess his work.
Most animation incorporates exaggeration and overstatement, but few animators exaggerate or overstate as much – or as effectively – as Bill Plympton. His world is one where bodies elongate, expand, and shrink, where tears flow and fly like gigantic watery tennis balls, and where physical characteristics – breasts, waists, muscles, wrinkles – are taken to the extremest of extremes. … Continue reading »
If it’s March (and unless someone is playing cruel games with my calendar, it is), it’s time once again for the Asian American Film Festival. As in previous years, 2015’s festival includes a number of screenings at Pacific Film Archive.
This year’s festivities get underway Friday, March 13 at 7:00 p.m. with a film I was unable to watch in advance, Iran’s Tales. It’s double-billed with Vietnam’s Doat Hon (Hollow), a rather late contribution to the turn of the 21st-century Asian horror boom that relies overly on the now passé ‘long-haired ghost’ trope. If you’re a fan of the genre, you could do worse; otherwise this is a very, very average example of the style.
Far more interesting is director Dean Yamada’s Senrigan (Cicada), an endearing character study from Japan screening at the Archive on Saturday, March 14 at 8:15 p.m. What initially threatens to be one of those awful ‘multiple perspective’ storylines develops into a tight little tale about an infertile schoolteacher (Yugo Saso, good but perhaps a wee bit too old for the role), his unsuspecting fiancé (Hitomi Takimoto), and an unfortunate 4th-grade pupil (Houten Saito). It’s a lovely little film anchored by fine performances all around and writer Yu Shibuya’s slightly cheeky screenplay, which manages to blend elements sweet and sour to near perfection. … Continue reading »
The Rialto Cinemas Elmwood has been ordered not to change the movie titles on its marquee until it develops a safe way for employees to switch out the letters.
The state’s Division of Occupational Safety and Health, also known as Cal/OSHA, sent a Dec. 29 letter to the theater ordering it to stop changing the movie names on its marquee. Since then, the theater, at 2966 College Ave., has not changed its sign. Three of the four movies currently featured outside are no longer playing; only Boyhood is still screening there. … Continue reading »
Oh, I’m sorry – is my calendar off? Last week’s dabbling in the vampire genre must have got me into the seasonal mood a little late this year, because Australian thriller The Babadook is coming to Rialto Cinemas Elmwood on Friday, Dec. 12, primed to give you late October chills as the dead of winter approaches.
Director William Friedkin claimed recently that he’s “never seen a more terrifying movie” than The Babadook, and distributor IFC Films is giving that claim pride of place in its promotional material. Is it typical hyperbolic ballyhoo, or is Friedkin – whose legendary pea-soup epic The Exorcist never remotely scared me, at least not since its original TV ad campaign – on target?
Amelia (Essie Davis, who deserves an Oscar nomination – really!) is a widow taking care of her six-going-on-seven year old son Samuel (an equally fine Noah Wiseman, who can scream with the best of them) while working at a South Australia nursing home. She’s never recovered from her husband’s death, which occurred on the day Samuel was born: his birthday remains a dark spot on the family calendar, a time of mourning rather than celebration. … Continue reading »
BERKELEY DINE OUT Berkeley schools district-wide incorporate gardening and cooking into the curriculum. The idea is that the school gardens produce healthy habits and interdisciplinary lessons, along with the fruits and vegetables. But the program has lost federal funding and needs help. To support the garden-based learning program at 16 BUSD campuses, participate in Dine Out on Thursday, Nov. 13. A portion of all bills at over one dozen popular Berkeley restaurants — from Café Clem to Comal — will go directly to the program. See the full list of participating restaurants. … Continue reading »
Sometimes a one-word title doesn’t tell you much about a film, but sometimes — Todd Solondz’ 1998 feature Happiness, of course, being a prime example — that single word can be downright duplicitous. For better or worse, truth in advertising laws don’t apply to the movie business, and a one-word moniker can lead even the canniest of viewers astray.
And then, of course, there are films like Philippe Garrel’s La Jalousie (Jealousy). Opening on Friday, Sept. 26 at Rialto Cinemas Elmwood, Jealousy’s title bluntly describes exactly what you’re about to see on screen, in all its painful glory.
Jealousy begins with a heartbreaking close-up of a woman learning that her man is about to leave her. Trembling slightly, tears rolling down her cheeks, she is Clothilde (Rebecca Convenant); he, Louis (director’s son Louis Garrel) a tousle-headed stage actor with a mop of dark curls and a way with the ladies. … Continue reading »