Tag Archives: Richard Nagler
The Wall Street Journal couldn’t resist joining in the fun after it read about a note written by local businessman and photographer Richard Nagler to a thief who had deprived him — on and off for ten years — of his subscription to the newspaper.
Yesterday, two people, working on behalf of the Journal, posted two notes outside Nagler’s Skylight & Sun store, in the same place as Nagler’s now celebrated note to the newspaper thief. (See the notes below.)
Both notes are signed by Gerard Baker, editor-in-chief of the Wall Street Journal. One is addressed to Nagler and offers him a free iPad with the WSJ app “to make up for your loss.” The other is addressed to “the Berkeley man who took Richard Nagler’s paper over so many years,” and it offers him a subscription to the paper for $12 for the first twelve weeks. (He simply needs to click on wsj.com/subscribedontsteal). … Continue reading »
After we published the story of a novel note to a newspaper thief earlier today, things began to fall into place.
We now know that the note, signed “Richard” and placed outside Skylight & Sun on Blake Street in Berkeley, was written by the owner of that business, Richard Nagler, who also happens to be an accomplished photographer whose work has been featured on Berkeleyside.
Nagler tells us the carefully crafted note — which has drawn widespread admiration from both passers-by on Blake and those who saw it on Berkeleyside — has, in fact, had an impact.
Nagler’s copy of the Wall Street Journal has been on his doorstep ever since the thief read the note.
How do we know he read the note? Because, just as Nagler’s surveillance video captured the thief taking the newspaper ever since he installed it March 9, it also caught him looking at the note.
“The perp read the note carefully (we have him on video) but I’m afraid he has yet to take me up on my proposal,” said Nagler on Thursday — referring to his offer to let the man take the paper and read it, on condition he returned it in “a relatively crisp state with no coffee stains.”
“I have gotten the WSJ every day since the note went up,” Nagler said.
It turns out Nagler hasn’t been seeing much of his subscription copy of the Wall Street Journal for more than a decade — yes, that long. … Continue reading »
For his new collection of images, Berkeley photographer Richard Nagler spent a lot of time in museums. He also spent a lot of time waiting. Stationed in front of a work of art, he would wait for someone to come along and complete it. The serendipitous, unposed results come from both Nagler’s creative eye as well as his patience.
Looking at Art, The Art of Looking, published by Berkeley’s Heyday Press, and launching tomorrow night at Mrs Dalloway’s bookstore in Berkeley, is the culmination of all those hours spent at major art museums around the world. … Continue reading »
When Peter Selz arrived in Berkeley in 1965, the university only had a small art gallery to display its modest collection of art. Selz had been recruited from the Museum of Modern Art in New York City to oversee the construction of a new, contemporary museum, the Berkeley Art Museum on Bancroft Way.
He did that and more. With Selz at the helm, the Berkeley Art Museum redefined many aspects of modern art and brought overdue attention to California artists.
Selz was already “something of a star,” when he arrived in Berkeley, according to Paul J. Karlstrom, whose new book, Peter Selz: Sketches of a Life, has just been released by UC Press. He had been one of the first curators to trumpet the work of Mark Rothko. His star grew even brighter in Berkeley after he put on groundbreaking shows such as “Directions in Kinetic Sculpture,” an exhibition of the Surrealist René Magritte, and Funk!, which showcased ceramicist Peter Voulkos, Bruce Conner, and other California artists. Selz, who had fled Germany during the Nazi regime, also created the Pacific Film Archive. … Continue reading »
Richard Nagler was a painter until he decided to be a photographer. “Paintings are about the painter,” he told a rapt audience at UC Berkeley’s Center for Photography at the Graduate School of Journalism on the evening of November 30th. “Photography is about ‘the other’, about what you see. It’s not about yourself. That’s why, emotionally, photography spoke to me.”