Tag Archives: Shattuck Cinemas Landmark
This is a tale of why and how the citizens of Berkeley got scammed by voting for the 2010 Measure R, and then scammed again when they voted against the 2014 Measure R. Let’s start with “why”. Why is the 2010 Measure R really a high-rise, luxury condo development plan that won’t help Berkeley’s housing problems or the environment? The answer is found in the global condo market driven by speculators parking some of their $30 trillion in liquidity (see Jack Rasmus’ “Epic Recession”) in luxury housing. These mostly foreign speculators are inflating a bubble identical to the mortgage backed securities bubble that popped in 2008. Developers are not building housing that will relieve the housing crisis for moderate and low income workers in the bay area. Instead they are catering to high-end demand from both speculators and techies.
But you might ask, doesn’t 2010 Measure R at least demand “green” construction? And the answer is NO. There is no such thing as “green” luxury condos. It’s an oxymoron — like green yachts. They waste resources. They drive up housing prices and force people who actually work in Berkeley to live elsewhere – leading to more waste from commuting. Expensive condos rented at $3k-$4k per month will result in other landlords also raising rents forcing more people to commute from outside Berkeley. Teachers, firefighters, police, hospital workers, city workers, and small business employees – they can’t afford to live in Berkeley. The city needs to demand that all new construction requiring a zoning variance be directed toward moderate or low income housing. New development should be used for public benefit, not to maximize profits. … Continue reading »
What are the three most import things in real estate? Location, Location, Location. What are the three most important things that are wrong with the proposed complex at 2211 Harold Way? Location, Location, Location. That’s just for starters.
Location – the Shattuck Cinemas attracts 275,000 to 300,000 patrons visit every year. Box office admissions have grown 25% since 2008, according to Kimberlee West, the general manager of Shattuck Cinemas. The Shattuck Cinemas are currently showing 11 films with 43 screenings (movie times for the 11 films) on weekdays and 44 screenings on the weekend. If the same number of people went to the movies every day that is 753 to 822 people per day. On May 7, at the Landmarks Preservation Commission (LPC) meeting, Mark Rhoades, the consultant for 2211 Harold Way, declared that there would be nine theaters on three stories. But the plans, which were turned in to the LPC only show four theaters. Where are the other theaters? … Continue reading »
The Berkeley City Council took its first steps Tuesday to prioritize which community benefits it will require from developers, and affordable housing and local union jobs were the top priorities.
Council members said other priorities could include ensuring that businesses impacted by the 18-story apartment building proposed at 2211 Harold Way, particularly Habitot Children’s Museum — which says it will have to relocate — receive some sort of remuneration. They also want a better understanding of the profits developers stand to make so the city can recapture some of the increased value that comes from up-zoning land to allow for taller buildings downtown.
The council discussion came after close to 90 residents talked for three hours about their concerns and hopes for three tall buildings now proposed downtown. They include the Harold Way project, an 18-story hotel proposed at 2129 Shattuck Ave. at Center Street, and a 120-foot-high condo complex, L’Argent, proposed at Shattuck Avenue and Berkeley Way. UC Berkeley is also planning to build a 120-foot building on Berkeley Way but, as a government entity, local zoning laws do not apply. … Continue reading »
Is it better to live a life of quiet desperation and stifling stability, or roll the dice and risk coming up snake eyes in the ‘life’s a gamble’ sweepstakes? That’s the big question posed by Félix and Meira, a well-acted if underdeveloped Canadian drama opening at Landmark’s Shattuck Cinemas on Friday, May 1.
Malka (Hadas Yaron) is married to observant Hasid Shulem (Luzer Twersky); together they live in Montreal with their infant daughter Elisheva. To date, she’s only given her husband the one child – an oversight that hasn’t gone unnoticed by the other women in the city’s tightly knit Hasidic community.
That’s not the only piece of evidence suggesting our heroine is less than happy with her lot in life: Malka openly voices her disgust when the lights inconveniently turn off during Shabbat, and when Shulem leaves the house for morning prayers one day her first instinct is to put the baby down for a nap and play a forbidden record (Wendy Rene’s maudlin deep soul ballad, ‘After Laughter Comes Tears‘). … Continue reading »
Sometimes, when the choices are limited and a deadline looms, I’m compelled to review films that just don’t appeal to me. Are you a romantic comedy? Your meet cute and final reel clinch are an insult to my intelligence. A western? This town ain’t big enough for the both of us. A biopic? I’d rather read the book.
“But wait”, you say, “I remember the time you gave biopic X an excellent review!”, and it’s true: I’ve frequently enjoyed or appreciated films I didn’t expect to enjoy or appreciate. With
Dior and I (opening at Landmark’s Shattuck Cinemas on Friday, April 23), however, I got exactly what I feared I’d get: a commercial disguised as a documentary.
Haute couturier Christian Dior was, according to the film, a revolutionary, and prior to his premature death in 1957 truly did change the world of women’s fashion. Despite the film’s best efforts to convince me otherwise, however, his life simply wasn’t very interesting: while he designed some beautiful garments, there’s simply not enough (ahem) material here to sustain a feature length documentary. … Continue reading »
The Berkeley City Council has launched a public discussion on what sort of benefits are required by developers who hope to construct tall buildings downtown, with two meetings focused on the topic in the next few weeks.
The conversation about “significant community benefits” generally comes up before the city’s Zoning Adjustments Board, but that panel has struggled to determine whether tall building proposals it has reviewed meet current city guidelines. That’s because those guidelines, set out within Berkeley’s Downtown Area Plan, are more of a menu of suggestions, rather than concrete items that can be checked off a list.
Crafters of that plan have said the city wanted to offer flexibility to developers to work with the community to come up with the right mix of benefits. But, so far, the lack of specificity has made it difficult for various stakeholders to agree on what developers should bring to the table.
Last week, council took public comment on the topic at its regular Tuesday night meeting, but did not itself much discuss the issue. Mayor Tom Bates — whose office is spearheading the new talks in collaboration with council members Jesse Arreguín, Laurie Capitelli and Darryl Moore — announced a special council meeting May 5 at 7 p.m. for that discussion to take place.
Separately, Councilman Arreguín also has scheduled a workshop on the subject, from 7-9 p.m. this Wednesday, April 15, in Live Oak Park’s Fireside Room. The workshop will focus on the general framework of community benefits, not specific projects, and attendees will be asked to rank the categories of benefits that matter most to them. … Continue reading »
Put actor Simon Pegg together with director Edgar Wright, and the results are frequently excellent. Shaun of the Dead (2004) was a delightful spoof of the zombie genre, Hot Fuzz (2007) a spot-on satire of English country life and cop movie tropes, and World’s End (2013) a far better than it had any right to be bro comedy with a science fiction twist. For the purposes of this narrative, we’ll ignore 2011’s dire Paul, but hey — we can call that one the exception that proves the rule, right?
Without Wright, however, Pegg frequently stumbles – see (or preferably don’t) 2007’s Run Fatboy Run for supporting evidence. Which brings me to Kill Me Three Times, a mediocre Australian thriller opening at Landmark’s Shattuck Cinemas on Friday, April 10. Relying on a tricksy but entirely unnecessary three-part structure cribbed from the style manual of Alejandro González Iñárritu and reflecting the dire influences of Quentin Tarantino, it’s safe to call it a bit of a letdown. … Continue reading »
The view from the UC Berkeley Campanile looking west toward San Francisco Bay and the Golden Gate Bridge is iconic, but it should not be landmarked, the Landmarks Preservation Commission decided Thursday, April 2.
The 5-3 vote, with one abstention, came after almost four hours of testimony from residents who are concerned that a proposed 18-story building at 2211 Harold Way will partially block the view from campus. Those in favor of landmarking urged the LPC to preserve the view for future generations by making sure developers could not impinge on the vista.
“Campanile Way is a terribly important part of the history of the campus and the Berkeley community,” said John English, who has lived in Berkeley for more than 55 years. “It is totally obvious it deserves landmarking. Let’s recognize its importance and celebrate its 100th anniversary by landmarking Campanile Way.” … Continue reading »
I’m a dedicated cat person, but the promotional material and trailer for the decidedly dog-centric Fehér isten (White God, opening at Landmark’s Shattuck Cinemas on Friday, April 3) was more than enough to pique my interest. A massive pack of mutts running loose in the big city? Sign me up!
The result, however, is a film that – while never less than interesting — is only partially successful. Directed by Hungarian Kornél Mundruczó and based on an original screenplay, White God can’t quite decide whether it’s a literal or metaphorical representation of humankind’s innate cruelty to other species – or to its own.
Apparently inspired by Samuel Fuller’s once controversial White Dog, in which a dog trained to attack African-Americans is deprogrammed by Paul Winfield and Kristy McNichol, White God focuses on Hagen, a mixed-breed dog cared for by teenager Lili (Zsófia Psotta). The child of divorced parents, Lili finds herself in the temporary care of father Dániel (Sándor Zsótér), an ill-tempered academic working beneath his station in a slaughterhouse, when Mom departs for a conference in Australia. … Continue reading »
Berkeley is in urgent need of affordable housing. We do NOT need more market-rate and upscale rentals and condos; that need has been more than adequately served. We need housing for families and low-income people who are being pushed out of Berkeley.
The adult children of middle class families cannot find affordable housing in their hometown. If Berkeley is to retain its valued character based on economic, racial, and cultural diversity, we must slow the rapidly rising rents that encourage … Continue reading »
You don’t need me to tell you that Orson Welles was one of the cinematic and theatrical geniuses of the 20th century. You probably don’t even need Magician: The Astonishing Life and Work of Orson Welles (opening at Landmark’s Shattuck Cinemas on Friday, March 13) to tell you that: even 30 years after his death, his legacy remains intact.
A giant in all respects, Welles seems as alive today as he ever was, and it’s his avuncular presence that renders this documentary worthwhile. There’s not a great deal of value in seeing that snow globe roll out of Charles Foster Kane’s hand for the umpteenth time, but to hear the great man describe it as “a rather tawdry device” is illuminating, amusing, and rather telling. … Continue reading »
Regular readers may recall my late 2014 review of Volker Schlöndorff’s Diplomacy. As stagy as that film was, however, it’s been outdone by Gett: The Trial of Viviane Amsalem (opening at Landmark’s Shattuck Cinemas on Friday, Feb. 27). How stagy is Gett? So stagy it could just as accurately be entitled Two Rooms and a Hallway – but don’t let that put you off.
Viviane (the magnificent Ronit Elkabetz, carrying herself with the dignified aplomb of an Eleanor Bron or Irene Papas) is an Israeli woman seeking a divorce from her deeply religious husband Elisha (Casino Royale’s Simon Abkarian). Unfortunately for her, there’s no such thing as civil marriage or divorce in Israel, and their separation must be approved and legalized by a rabbinical court.
Though Iranian law is still heavily weighted in favor of men, even the Islamic Republic has civil divorce courts. Not so Israel, however, where men still hold all the cards. In Viviane’s case – and despite copious evidence of incompatibility with hubby – proceedings quickly grind to a halt when Elisha stubbornly refuses to grant her her freedom. … Continue reading »
When I was a wee lad, my grandfather would describe taking a long journey as ‘going to Timbuktu’. I had no idea where Timbuktu was – in fact, I didn’t realize it was a real place – but I can remember thinking that it was an awfully funny name. Every time Grandpa said Timbuktu, he got a chuckle out of little me.
It wasn’t until many years later, of course, that I discovered that Timbuktu was real — a city in the West African nation of Mali (or in Grandpa’s day, French Sudan). And now it has its own eponymous film: the Academy Award-nominated Timbuktu opens at Landmark’s Shattuck Cinemas on Friday, Feb. 13.
Kidane (Ibrahim Ahmed dit Pino) lives in a tent outside the city proper, where he and his family raise cattle for a living. The pride of his herd is a cow named GPS, who Kidane intends to gift to adopted son Issan (Mehdi Mohamed) when the boy reaches manhood. (The cow’s unusual name is never explained by director Abderrehmane Sissako’s screenplay – or perhaps this detail was lost during the subtitling process.) … Continue reading »