Tag Archives: Shattuck Cinemas Landmark
Residents came out en masse Thursday night to testify before Berkeley’s Zoning Adjustments Board about possible impacts related to a large mixed-use project planned downtown on Harold Way.
The Residences at Berkeley Plaza, at Harold and Kittredge Street, would rise 18 stories and is set to include a tower reaching, all told, nearly 200 feet. It is slated to feature about 300 units, which could either be apartments or condominiums, as well as a new six-theater cinema complex, more than 10,000 square feet of ground-floor retail and restaurant space, and a 171-unit underground parking structure. … Continue reading »
2014 will go down in history as the most expensive election ever held in Berkeley, with around $3.6 million spent on two ballot items alone.
The two items — Measure D, which would levy a 1-cent-per-ounce tax on sugary drinks, and Measure R, which would substantially strengthen the environmental requirements for tall buildings in downtown Berkeley (and which critics contend would kill new construction) — drew campaign donations from all over the country. The race to replace Assemblywoman Nancy Skinner also attracted huge outside donations. … Continue reading »
The developer behind a 180-foot-tall, mixed-use project planned in downtown Berkeley at 2211 Harold Way announced a commitment this week to use 100% union labor to construct The Residences at Berkeley Plaza.
According to Mark Rhoades of Rhoades Planning Group, a project representative, it’s the first agreement of its kind in Berkeley — between a private developer and labor — in at least 17 years.
Project developer HSR Berkeley Investments signed the labor agreement several weeks ago, after more than a year of discussion and negotiation, with the Building & Construction Trades Council of Alameda County. The group represents all 28 labor unions in the county.
The agreement will mean a livable wage, along with benefits including health care and sick leave, for an estimated 300 skilled workers. They will make, on average, $65 an hour, according to project documents. Construction for Berkeley Plaza is expected to take 2-3 years, and many of the workers hired must live in Berkeley or nearby, within the East Bay Green Corridor.
Rhoades said the agreement will cover everything “from digging the hole to doing the concrete and the steel, and including the first round of retail tenant work. It will result in a much better building, a much nicer streetscape, and a building whose systems work because of the union labor that will be putting it together.” … Continue reading »
The Alameda County Registrar of Voters has sent out 27,000 postcards to Berkeley voters informing them that the date of the election printed on their mail-in ballots is wrong. The date reads Nov. 5, when of course the actual date is Nov. 4.
“This is an unfortunate error on some vote-by-mail envelopes sent to voters in Berkeley, and we deeply regret any confusion this may be causing,” Alameda County Registrar of Voters Tim Dupuis said in a press release.
A printer used by Alameda County and other California counties has accepted responsibility for the error, said Dupuis. … Continue reading »
I spent a good portion of my teens and 20s playing the World War I-set board game ‘Diplomacy’. Though marketed to the war games crowd, ‘Diplomacy’ was much more than an opportunity to play ‘armchair general’: players had to negotiate agreements with other participants (each representing one of the European powers) in order to strategize, gain the upper hand, and win the game. Designed for two to seven players, ‘Diplomacy’ was always more fun with a larger crew, and was frequently an all-day affair.
In Volker Schlöndorff’s new film Diplomatie (Diplomacy, opening at Landmark’s Shattuck Cinemas on Friday, Oct. 24) there are only two players — but that doesn’t mean it’s by any means boring or uneventful. Set in 1944 Paris, the film details a fascinating cat and mouse mind game played out between a German general and a Swedish consul. … Continue reading »
Pei-pei Cheng is a Chinese cinema legend. Born in Shanghai in 1946, Cheng began her film career in the mid ‘60s, appearing in so many wuxia films that she quickly acquired the sobriquet The Queen of Swords. She’s probably best known to western audiences for her performance as deadly assassin Jade Fox in Ang Lee’s surprise 2000 blockbuster, Crouching Tiger Hidden Dragon.
She’s kept busy since then – and in more than just martial arts movies. Her latest is Lilting (opening at Landmark’s Shattuck Cinemas on Friday, Oct. 17), a lovely if somewhat implausible chamber piece in which our heroine throws little more than cutting glances at her enemies.
Cheng plays Junn, a Cambodian-Chinese immigrant living, grumpily, in a London old folk’s home. Originally intended by son Kai (Andrew Leung) as a temporary abode until he summons up the courage to come out to Mum as gay, the home has become a prison of sorts for Junn, who speaks virtually no English and doesn’t much enjoy the day trips. … Continue reading »
I’ve never read any of Patricia Highsmith’s novels, but at some point I probably should. Highsmith’s writing has inspired a number of very fine cinematic adaptations, including Hitchcock’s Strangers on a Train (1955), René Clément’s Plein Soleil (Purple Noon, 1960) and (more recently) Anthony Minghella’s The Talented Mr. Ripley (1999). That’s an impressive track record, and it can’t all be down to the skill of the filmmakers.
Now comes The Two Faces of January, opening on Friday, Oct. 10 at Landmark’s Shattuck Cinemas. The film’s limited release pattern indicates distributor Magnolia Pictures doesn’t have a great deal of faith in the film’s box-office prospects, which is unfortunate, as it is – for the most part – a very well made little thriller. … Continue reading »
In his cheeky 1973 documentary F for Fake, Orson Welles related the words of one of the world’s foremost art counterfeiters: “Do you think I should confess? To what? Committing masterpieces?” You can see his point: the greatest counterfeiters have been able to pull the wool over the eyes of patrons and museums around the world. They must be doing something right.
Mark Landis belongs to this special class of human beings. A man who spent decades replicating artwork from the old masters to Dr. Seuss, Landis’ unusual talent is highlighted in Art and Craft, an engrossing feature opening at Landmark’s Shattuck Cinemas on Friday, Oct. 3. … Continue reading »
We all knew it wouldn’t last. My dalliance with popular comedy was truly an aberration — and as the song goes, after laughter comes tears. This week, we return to our regularly scheduled programming with The Kill Team, a grim new documentary opening at Landmark’s Shattuck Cinemas on Friday, Aug. 1.
Directed by Dan Krauss (who previously shot the Paul Krugman-focused doc Inequality for All), The Kill Team examines the moral rot affecting a platoon of American infantrymen engaged in combat in Afghanistan. Uncomfortable playing the role of school builders and well diggers, the platoon lost its collective moral compass and began indulging in a deadly sport involving the murder of innocent Afghanis. … Continue reading »
The tradition continues with Siddharth, a new drama from India opening at Landmark’s Shattuck Cinemas on Friday, July 18. Directed by Richie Mehta, the film brings the theme to the sub-continent, where a bereft and guilt-ridden father searches desperately for his missing 12-year-old son. … Continue reading »
Before viewing his new film La danza de la realidad (The Dance of Reality, opening at Landmark’s Shattuck Cinemas on Friday, May 30), I didn’t know a great deal about the legendary filmmaker Alejandro Jodorowsky. Oh sure, I’d enjoyed his bizarre, over-the-top classics El Topo, Holy Mountain, and Santa Sangre, but were those films weird for weirdness’ sake or deeply personal statements? Who was this crazy Chilean with the bushy hair, Christ-like beard, and penetrating gaze?
The curtain has at least been slightly parted by the semi-autobiographical The Dance of Reality, Jodorowsky’s first film in almost a quarter century. Finally earning a stateside release after premiering to a rapturous reception at Cannes last year, the film stars the director as himself, a living octogenarian ghost stalking the fading memories of his own South American childhood. … Continue reading »
It was my fourth favorite film of 2013. Now, thanks to the miracle of modern technology – okay, more likely thanks to the erratic release pattern afforded British comedies in the U.S. these days — Alan Partridge (originally titled, somewhat cryptically, Alan Partridge: Alpha Papa) finally appears stateside, opening on Friday, April 18 at Landmark’s Shattuck Cinemas.
For those unfamiliar with the character, Alan Partridge is a massively egotistical radio and television personality plowing a rather small furrow in the backwaters of BBC Norfolk. The subject of several wildly popular UK mockumentary series (including ’Knowing Me, Knowing You with Alan Partridge’ and ‘I’m Alan Partridge’) that somehow never made it to the States, Partridge went into semi-retirement in 2002, but his rabid fan base clamored for a comeback. This is it. … Continue reading »
Remember that awful film version of the board game ‘Clue’ that came out in 1985? No? Despite featuring a solid cast (including Martin Mull as Colonel Mustard and Christopher Lloyd as Professor Plum!), Clue (the movie) really was pretty forgettable – but for some reason I couldn’t get it out of my mind while watching The Galapagos Affair: Satan Came to Eden, a gripping documentary about small-island intrigue opening at Landmark’s Shattuck Cinemas on Friday, April 11.
We last visited the Galapagos Islands during teen sailor Laura Dekker’s brief stopover in Maidentrip. The Galapagos in this film, however, seem quite different: seen almost exclusively in black and white via thoroughly remarkable (and almost too good to be true) footage shot during the early 1930s, the islands project an aura of bleak, ominous majesty – hardly a welcoming rest spot for ambitious young sailors. … Continue reading »