Tag Archives: Shattuck Cinemas Landmark
After over 30 meetings since an initial application in December 2012, the 18-story multi-use Berkeley Plaza project at 2211 Harold Way received its use permit from the Zoning Adjustments Board on Wednesday night.
The approval, with a 6-3 vote of the board, came with significant amendments to the developer’s proposed community benefits plan that allocate $4.5 million to affordable housing, in addition to the $6 million required by the housing mitigation fee.
“We’ve got to appeal it. We can’t live with those numbers,” said Mark Rhoades of Rhoades Planning Group, a project representative, to one of the union supporters at the meeting. A few minutes later, speaking to Berkeleyside, Rhoades said, “We believe that’s outside our reach.” But he said his group would decide on any action in the coming days. Any appeal would be heard by the Berkeley City Council.
Read more about tall building projects in Berkeley.
The use permit approval came at the end of a nearly five-hour meeting, with over 80 commenters from the public. The 18-story building in downtown Berkeley is set to include 302 residential units, 177 underground parking spots and more than 10,000 square feet of commercial space, including a 10-screen movie theater to replace Shattuck Cinemas. Unusually, given the heated criticism the project has attracted at previous ZAB meetings, as well as hearings at the Design Review Committee, Landmarks Preservation Commission and council, public comment was fairly evenly divided between opponents and proponents of the project. … Continue reading »
Next year marks the 50th anniversary of the founding of the Black Panther Party in Oakland, and it’s probably safe to say the party is as contentious today as it was in 1966. Were the Panthers revolutionaries or reformists? Insurrectionists, or social workers working within the system to improve the lot of African-Americans? Focused primarily on self-defense, or intent on overthrowing the government of the United States?
These questions are confronted from the off in The Black Panthers: Vanguard of the Revolution (opening at Landmark’s Shattuck Cinemas on Friday, Oct. 2). The parable of the three blind men – and how each of their impressions of an elephant differ radically – is related by former Panther Ericka Huggins, who states “It wasn’t nice and clean. It wasn’t easy. It was…complex.” … Continue reading »
The city process for the project at 2211 Harold Way is closing in on three years. In December 2012 the first application was submitted and the project is currently scheduled for another Zoning Board hearing on September 30, 2015.
I love Berkeley. I love its quirky charms and I love the passion that older generations have for their community. But enough is enough. The endless delays are amounting to a housing status quo that not only affects the ability of Berkeley to grow with the extant flood of talent and innovation, but is also a de facto barrier to cultural and economic diversity. I find it jarring that a community so proud of its history of fighting for rights of all people would then continue to obstruct the very instrument that will allow for population growth, new economic opportunities and increased community diversity.
During this three-year period the project has had in excess of 30 meetings, including many design review committee hearings where the project design was changed in order to accommodate requests and concerns of the City and the public. This includes the addition of new theaters, which was not a part of the original design. The fact remains that the reason theaters were not included in the original design is because the revenue received from the theaters does not compensate for the construction costs. The theaters will never be able to compensate the owner at a market rate. This point is even clearer when you consider the letter dated April 15, 2013 from Landmark Theaters that clearly states that the current theaters’ model is not financially viable. … Continue reading »
Philanthropy has a way of softening our opinions about people we otherwise might thoroughly dislike. The robber barons of the late 19th and early 20th century were certainly capitalist pigs of the first order, and they knew it, but it’s hard not to be thankful for the bucket-loads of cash they donated to build hospitals and museums, support worthy causes, and (of course) cement their legacy.
It’s unlikely, however, that there was much to dislike about Sears, Roebuck bigwig Julius Rosenwald in the first place — at least judging from Aviva Kempner’s documentary Rosenwald, opening at Landmark’s Shattuck Cinemas on Friday, Sept.11. If ever there were a righteous rich man, Julius Rosenwald was he.
Born of Jewish immigrant parents in Springfield, Illinois in 1862, Rosenwald began his working life in the family clothing store. After dropping out of high school at 16 he apprenticed to his uncle in New York City, then moved to Chicago, where he opened his own shop. He would spend the rest of his life in the Windy City, eventually becoming rich beyond imagining after buying into Sears, Roebuck when Alvah Roebuck decided he’d had enough of the volatile retail trade. … Continue reading »
In real life, the well-to-do have servants to help them count their money, weigh gold bullion, and keep the other servants in line. In the movies, the rich also have domestic help – but in films like The Servant (1963) and La Nana (The Maid, 2009), the ‘help’ quite often turns out to as much hindrance as anything else. Such is also the case in Que Horas Ela Volta? (The Second Mother), a Brazilian drama (albeit, with faint comedic overtones) opening at Landmark’s Shattuck Cinemas on Friday, Sept. 4.
Val (Regina Casé) serves as the live-in maid for trend-setting São Paulo stylist Bárbara (Karine Teles). While Bárbara is the one getting the television interviews and magazine spreads, her low-key husband Dr. Carlos (Lourenço Mutarelli) is the real power behind the throne, having inherited an impressive sum from his late father. What Carlos wants, he gets – sometimes much to Bárbara’s chagrin. … Continue reading »
Why would a 2015 audience want to see a documentary about televised political debates between Gore Vidal and William F. Buckley that occurred almost 50 years ago?
Because Best of Enemies brilliantly recreates the fascinating, edgy 1968 TV dialogues between two intelligent giants — articulate men with strongly held opposing political views. Their ideas still profoundly influence political discourse today.
Best of Enemies, which is showing at Landmark’s California Theatre in downtown Berkeley, is also an incisive snapshot of 1968, that iconic year in America, when the Vietnam War brought our political scene to its boiling point. TV footage of the Democratic convention in Chicago and the associated riots and police brutality made the public’s division about the Vietnam War impossible to be ignored. … Continue reading »
A controversial mixed-use project proposed in downtown Berkeley won an important permit Thursday night after a 6-3 vote from Berkeley’s Landmarks Preservation Commission.
The commission had been tasked with deciding whether to grant 2211 Harold Way a structural alteration permit, which it needs to carry out excavations on the project site. The 18-story building is set to include 302 residential units, 177 underground parking spots and more than 10,000 square feet of commercial space.
More than 60 people turned out to Thursday night’s meeting, including more than 50 local residents who spoke forcefully against the project, and about six who spoke in favor. Many project opponents made their disapproval known by hissing and jeering at the handful of speakers who said Berkeley needs more housing, and that Harold Way will be a good project for the city. Commission Chair Christopher Linvill repeatedly had to ask the crowd to quiet down and give the project supporters their chance to speak. The public comment period lasted roughly three hours. … Continue reading »
The developer of 2211 Harold Way and Landmark Theatres are nearing a deal to increase the number of movie theaters in the 302-unit building in downtown Berkeley to 10 — but detractors say the changes do not go far enough.
After discussions with Ted Mundorf, the CEO of Landmark, Joseph Penner of HSR Berkeley Investments has submitted a new set of plans with the 10 theaters. Previously, the number of theaters proposed had ranged from zero to nine.
The current plan, which still needs city approval, would place the box office by the sidewalk on Shattuck Avenue, much like it currently is. There would be four theaters on the street level. Patrons would take an escalator, stairs or an elevator one flight down to the six other theaters. There would also be bathrooms, a bar, a lounge and a snack bar on the bottom level. … Continue reading »
Seven of these buildings were approved when Berkeley residents voted in favor of the city’s Downtown Area Plan in 2010, but the type of significant community benefits required of those projects was left vague to allow flexibility during the permitting process.
Since then, city zoning board commissioners have expressed frustration about that ambiguity, and asked for more direction from council. In April, council launched a series of public discussions to clarify the requirements.
In late June, city officials voted in favor of a proposal from council members Lori Droste and Darryl Moore designed to help guide the process going forward. They described their proposition as a compromise meant to combine the best elements of earlier proposals that had been introduced by Councilman Jesse Arreguín and, separately, Mayor Tom Bates and Councilman Laurie Capitelli.
Council ratified that vote Tuesday night. The four-part resolution will now be shared with the city’s Zoning Adjustments Board to help it determine whether projects that come before it meet the city’s requirements. The resolution is meant to offer guidance to the zoning board about the council’s policy as it relates to significant community benefits. The resolution could, however, potentially be challenged by a referendum from local residents who disagree with the approach. … Continue reading »
There are very, very few films I consider ‘perfect’ — if perfection can ever truly be achieved in the field of cinema. Any discussion of ‘perfect films’, however, surely must include The Third Man (1949), a suspense classic coming to Landmark’s Shattuck Cinemas for a short run beginning Friday, July 3 in a newly remastered print.
Directed by Carol Reed, The Third Man stars Joseph Cotten as Holly Martins, an American traveling to Austria for a job offered him by old friend Harry Lime. Arriving in Vienna, Martins is told that Lime has been killed in a horrific traffic accident — but the truth of the matter is that Lime has staged his own ‘death’ in order to escape responsibility for selling deadly black-market penicillin.
Reed’s film magnificently blends suspense and noir sensibilities, as Holly pursues Harry’s ghost until a third act ‘reveal’ in which Lime finally steps into the spotlight. That he’s played by Orson Welles somehow seems oh so appropriate: scarred, rejected, and hated by the studio system, Welles’ was about to embark upon a life in the cinema shadows. His demeanor in The Third Man suggests he was well aware of the fact. … Continue reading »
Proponents of downtown development in Berkeley won two victories Thursday night after city leaders and commissioners approved a proposal for community benefits related to tall buildings and, in a separate meeting, certified the environmental impact analysis related to the first tall building in the pipeline, at 2211 Harold Way.
The Berkeley City Council held a special meeting at 5 p.m. at Longfellow Middle School to tackle the thorny subject of what significant community benefits should be required of developers who wish to construct tall buildings downtown. Seven tall buildings were approved when local residents voted in favor of the city’s Downtown Area Plan, but the type of significant community benefits required of those projects was left vague to allow flexibility during the entitlements process.
In recent years, city zoning board commissioners have expressed frustration about that ambiguity, and asked for more direction from council. Earlier this year, council launched a series of discussions aimed to clarify the requirements. Thursday night, city officials voted in favor of a compromise proposal from council members Lori Droste and Darryl Moore that will help guide the process going forward.
From its very first shot – the interior of a phone booth amid a torrential downpour – it’s clear that Tsai Ming-Liang’s Qing shao nian nuo zha (Rebels of the Neon God, which opened at Landmark’s Shattuck Cinemas on Friday, June 26) is going to be a damp affair. Produced in 1992, the film is only now getting a general release in the United States, serving as a prime (if extremely moist) example of Taiwanese New Wave Cinema.
Ah Ping (Chang-bin Jen) and Ah Tze (Chao-jung Chen) are a pair of early twenties ne’e’r do wells who make a living prying open cash boxes and stealing electronic equipment. When they’re not engaging in dirty deeds, the lads are either riding around on motorcycles or spending time in their dingy (and in Ah Tze’s case, frequently flooded) apartments. … Continue reading »
What happens when you sequester yourself in a Lower East Side apartment for the better part of 20 years and raise your family of seven (six sons, one daughter) on a steady diet of home schooling, movies and rock music? Why, you get The Wolfpack, of course, an amazing documentary opening at Landmark’s Shattuck Cinemas on Friday, June 19.
Brought up by parents who found themselves living in a Manhattan housing project when they probably would have preferred a commune or a kibbutz, the Angulo siblings spent their formative years indoors. Some years, they might leave home once or twice – under strict supervision, of course. Some years, they never left at all.
So what did they do when Mom Susanne wasn’t teaching them reading, writing, and arithmetic? Why, spent their time watching lots and lots of movies — and, later on, spent copious time recreating those movies. So intense was their love affair with film that the boys would literally write down every word of dialogue, memorize this unofficial ‘script’, and reenact the story (complete with costumes and props), all within the narrow confines of their apartment. … Continue reading »