Tag Archives: Shattuck Cinemas Landmark
Put actor Simon Pegg together with director Edgar Wright, and the results are frequently excellent. Shaun of the Dead (2004) was a delightful spoof of the zombie genre, Hot Fuzz (2007) a spot-on satire of English country life and cop movie tropes, and World’s End (2013) a far better than it had any right to be bro comedy with a science fiction twist. For the purposes of this narrative, we’ll ignore 2011’s dire Paul, but hey — we can call that one the exception that proves the rule, right?
Without Wright, however, Pegg frequently stumbles – see (or preferably don’t) 2007’s Run Fatboy Run for supporting evidence. Which brings me to Kill Me Three Times, a mediocre Australian thriller opening at Landmark’s Shattuck Cinemas on Friday, April 10. Relying on a tricksy but entirely unnecessary three-part structure cribbed from the style manual of Alejandro González Iñárritu and reflecting the dire influences of Quentin Tarantino, it’s safe to call it a bit of a letdown. … Continue reading »
I’m a dedicated cat person, but the promotional material and trailer for the decidedly dog-centric Fehér isten (White God, opening at Landmark’s Shattuck Cinemas on Friday, April 3) was more than enough to pique my interest. A massive pack of mutts running loose in the big city? Sign me up!
The result, however, is a film that – while never less than interesting — is only partially successful. Directed by Hungarian Kornél Mundruczó and based on an original screenplay, White God can’t quite decide whether it’s a literal or metaphorical representation of humankind’s innate cruelty to other species – or to its own.
Apparently inspired by Samuel Fuller’s once controversial White Dog, in which a dog trained to attack African-Americans is deprogrammed by Paul Winfield and Kristy McNichol, White God focuses on Hagen, a mixed-breed dog cared for by teenager Lili (Zsófia Psotta). The child of divorced parents, Lili finds herself in the temporary care of father Dániel (Sándor Zsótér), an ill-tempered academic working beneath his station in a slaughterhouse, when Mom departs for a conference in Australia. … Continue reading »
You don’t need me to tell you that Orson Welles was one of the cinematic and theatrical geniuses of the 20th century. You probably don’t even need Magician: The Astonishing Life and Work of Orson Welles (opening at Landmark’s Shattuck Cinemas on Friday, March 13) to tell you that: even 30 years after his death, his legacy remains intact.
A giant in all respects, Welles seems as alive today as he ever was, and it’s his avuncular presence that renders this documentary worthwhile. There’s not a great deal of value in seeing that snow globe roll out of Charles Foster Kane’s hand for the umpteenth time, but to hear the great man describe it as “a rather tawdry device” is illuminating, amusing, and rather telling. … Continue reading »
Regular readers may recall my late 2014 review of Volker Schlöndorff’s Diplomacy. As stagy as that film was, however, it’s been outdone by Gett: The Trial of Viviane Amsalem (opening at Landmark’s Shattuck Cinemas on Friday, Feb. 27). How stagy is Gett? So stagy it could just as accurately be entitled Two Rooms and a Hallway – but don’t let that put you off.
Viviane (the magnificent Ronit Elkabetz, carrying herself with the dignified aplomb of an Eleanor Bron or Irene Papas) is an Israeli woman seeking a divorce from her deeply religious husband Elisha (Casino Royale’s Simon Abkarian). Unfortunately for her, there’s no such thing as civil marriage or divorce in Israel, and their separation must be approved and legalized by a rabbinical court.
Though Iranian law is still heavily weighted in favor of men, even the Islamic Republic has civil divorce courts. Not so Israel, however, where men still hold all the cards. In Viviane’s case – and despite copious evidence of incompatibility with hubby – proceedings quickly grind to a halt when Elisha stubbornly refuses to grant her her freedom. … Continue reading »
When I was a wee lad, my grandfather would describe taking a long journey as ‘going to Timbuktu’. I had no idea where Timbuktu was – in fact, I didn’t realize it was a real place – but I can remember thinking that it was an awfully funny name. Every time Grandpa said Timbuktu, he got a chuckle out of little me.
It wasn’t until many years later, of course, that I discovered that Timbuktu was real — a city in the West African nation of Mali (or in Grandpa’s day, French Sudan). And now it has its own eponymous film: the Academy Award-nominated Timbuktu opens at Landmark’s Shattuck Cinemas on Friday, Feb. 13.
Kidane (Ibrahim Ahmed dit Pino) lives in a tent outside the city proper, where he and his family raise cattle for a living. The pride of his herd is a cow named GPS, who Kidane intends to gift to adopted son Issan (Mehdi Mohamed) when the boy reaches manhood. (The cow’s unusual name is never explained by director Abderrehmane Sissako’s screenplay – or perhaps this detail was lost during the subtitling process.) … Continue reading »
Mansplaining: it’s something us guys do, sometimes completely unawares – heck, though I’m still not entirely clear on what it is, I’m probably doing it right now. So at the risk of mansplaining something to female readers that they already understand, I do declare that She’s Beautiful When She’s Angry (opening at Landmark’s Shattuck Cinemas on Friday, February 6th) is a pretty decent documentary about the history of the modern feminist movement.
Directed by Mary Dore, She’s Beautiful begins with the publication of Betty Friedan’s revolutionary ‘The Feminine Mystique’ in 1963. Friedan’s book sparked the rebirth of a women’s movement that had, by and large, been dormant since the days of the suffragettes, and its impact on modern feminism can’t be overstated. … Continue reading »
It’s time once again for me to thoroughly embarrass myself by incorrectly handicapping this year’s short subject Academy Awards, which open this Friday, Jan. 30 at Landmark’s Shattuck Cinemas. I think I have a perfect record over the last few years – let’s see if I ruin it by actually picking a winner for a change!
I’ll start with the most clear-cut category, and by clear-cut I mean ‘most likely to make me look daft when they open the envelope’. I’m talking about the animated shorts, and I have to believe that Disney’s Feast, a cute tale of a hungry pup attached to last year’s animated feature Big Hero 6 (itself a feature nominee), will win.
That’s despite the fact that it’s by no means the best of the five nominated films. In a perfect world, the barely two minutes long A Single Life would win for its delightful take on time travel via turntablism, but its brevity will prove its undoing: Academy voters don’t like short subjects which are, well, too short. … Continue reading »
Because of a seemingly never ending litany of technical problems, I almost gave up on watching a screener of The Duke of Burgundy (opening at Landmark’s Opera Plaza Cinemas in San Francisco on Friday, Jan. 23). For whatever reason, though, I stuck with it – and I’m glad I did.
Bearing a title perhaps more appropriate to a Francophone frock flick starring Isabelle Adjani, The Duke of Burgundy takes its title from a species of butterfly. Insects – and especially Lepidoptera – are front and center in this film, though their actual bearing on the plot is minimal.
The film details an unusual relationship between two women. Cynthia (Mifune and After the Wedding’s Sidse Babett Knudsen) is an imperious, middle-aged writer and amateur entomologist, while Evelyn (Chiarra D’Anna) is a younger woman who at first appears to be Cynthia’s simpering maid – a helpmeet who just can’t seem to wash madam’s underwear properly. … Continue reading »
Is A Girl Walks Home Alone at Night (opening at Landmark’s Shattuck Cinemas on Friday, Dec. 5) truly ‘the first Iranian vampire western’, as its promotional material claims? Sadly, no – but that doesn’t mean it’s not worth seeing, assuming you can forgive the untruthful tagline.
First, however, let’s take a brief moment to dissect that impressive piece of ballyhoo. A Girl Walks Home Alone at Night is actually an American film, not an Iranian one, and it is not a western, though it was filmed in Bakersfield. Thankfully, there is a vampire… but this is no ordinary bloodsucking saga, and anyone anticipating a routine horror movie is in for further disappointment. … Continue reading »
Are you an admirer of Terrence Malick? If so, you’ll definitely want to make time for The Better Angels, a black-and-white tone poem reflecting the best and worst of the director’s style opening at Landmark’s Shattuck Cinemas on Friday, Nov. 21. If, on the other hand, you don’t have much time for his frequently meandering efforts, you can probably give it a miss.
Written and directed by A.J. Edwards (who got his start working with Malick on both The New World (2005) and The Tree of Life (2011), The Better Angels was produced by Malick. It takes place in the woods of Indiana circa 1817, where a young boy is being raised in treacherous frontier conditions.
Spoiler alert: the young boy is Abraham Lincoln, though the film doesn’t name him until the final credit crawl. A brilliant young lad (Braydon Denney) who’s the apple of mother Nancy’s (the excellent Brit Marling) eye (she proclaims early on that her son “has a gift…he asks questions I can’t answer”), Abe doesn’t always get along quite as well with rough-edged farmer dad Tom (Aussie expat Jason Clarke). … Continue reading »
Residents came out en masse Thursday night to testify before Berkeley’s Zoning Adjustments Board about possible impacts related to a large mixed-use project planned downtown on Harold Way.
The Residences at Berkeley Plaza, at Harold and Kittredge Street, would rise 18 stories and is set to include a tower reaching, all told, nearly 200 feet. It is slated to feature about 300 units, which could either be apartments or condominiums, as well as a new six-theater cinema complex, more than 10,000 square feet of ground-floor retail and restaurant space, and a 171-unit underground parking structure. … Continue reading »
2014 will go down in history as the most expensive election ever held in Berkeley, with around $3.6 million spent on two ballot items alone.
The two items — Measure D, which would levy a 1-cent-per-ounce tax on sugary drinks, and Measure R, which would substantially strengthen the environmental requirements for tall buildings in downtown Berkeley (and which critics contend would kill new construction) — drew campaign donations from all over the country. The race to replace Assemblywoman Nancy Skinner also attracted huge outside donations. … Continue reading »
The developer behind a 180-foot-tall, mixed-use project planned in downtown Berkeley at 2211 Harold Way announced a commitment this week to use 100% union labor to construct The Residences at Berkeley Plaza.
According to Mark Rhoades of Rhoades Planning Group, a project representative, it’s the first agreement of its kind in Berkeley — between a private developer and labor — in at least 17 years.
Project developer HSR Berkeley Investments signed the labor agreement several weeks ago, after more than a year of discussion and negotiation, with the Building & Construction Trades Council of Alameda County. The group represents all 28 labor unions in the county.
The agreement will mean a livable wage, along with benefits including health care and sick leave, for an estimated 300 skilled workers. They will make, on average, $65 an hour, according to project documents. Construction for Berkeley Plaza is expected to take 2-3 years, and many of the workers hired must live in Berkeley or nearby, within the East Bay Green Corridor.
Rhoades said the agreement will cover everything “from digging the hole to doing the concrete and the steel, and including the first round of retail tenant work. It will result in a much better building, a much nicer streetscape, and a building whose systems work because of the union labor that will be putting it together.” … Continue reading »