Tag Archives: Shattuck Cinemas Landmark
When I was a wee lad, my grandfather would describe taking a long journey as ‘going to Timbuktu’. I had no idea where Timbuktu was – in fact, I didn’t realize it was a real place – but I can remember thinking that it was an awfully funny name. Every time Grandpa said Timbuktu, he got a chuckle out of little me.
It wasn’t until many years later, of course, that I discovered that Timbuktu was real — a city in the West African nation of Mali (or in Grandpa’s day, French Sudan). And now it has its own eponymous film: the Academy Award-nominated Timbuktu opens at Landmark’s Shattuck Cinemas on Friday, Feb. 13.
Kidane (Ibrahim Ahmed dit Pino) lives in a tent outside the city proper, where he and his family raise cattle for a living. The pride of his herd is a cow named GPS, who Kidane intends to gift to adopted son Issan (Mehdi Mohamed) when the boy reaches manhood. (The cow’s unusual name is never explained by director Abderrehmane Sissako’s screenplay – or perhaps this detail was lost during the subtitling process.) … Continue reading »
Mansplaining: it’s something us guys do, sometimes completely unawares – heck, though I’m still not entirely clear on what it is, I’m probably doing it right now. So at the risk of mansplaining something to female readers that they already understand, I do declare that She’s Beautiful When She’s Angry (opening at Landmark’s Shattuck Cinemas on Friday, February 6th) is a pretty decent documentary about the history of the modern feminist movement.
Directed by Mary Dore, She’s Beautiful begins with the publication of Betty Friedan’s revolutionary ‘The Feminine Mystique’ in 1963. Friedan’s book sparked the rebirth of a women’s movement that had, by and large, been dormant since the days of the suffragettes, and its impact on modern feminism can’t be overstated. … Continue reading »
It’s time once again for me to thoroughly embarrass myself by incorrectly handicapping this year’s short subject Academy Awards, which open this Friday, Jan. 30 at Landmark’s Shattuck Cinemas. I think I have a perfect record over the last few years – let’s see if I ruin it by actually picking a winner for a change!
I’ll start with the most clear-cut category, and by clear-cut I mean ‘most likely to make me look daft when they open the envelope’. I’m talking about the animated shorts, and I have to believe that Disney’s Feast, a cute tale of a hungry pup attached to last year’s animated feature Big Hero 6 (itself a feature nominee), will win.
That’s despite the fact that it’s by no means the best of the five nominated films. In a perfect world, the barely two minutes long A Single Life would win for its delightful take on time travel via turntablism, but its brevity will prove its undoing: Academy voters don’t like short subjects which are, well, too short. … Continue reading »
Because of a seemingly never ending litany of technical problems, I almost gave up on watching a screener of The Duke of Burgundy (opening at Landmark’s Opera Plaza Cinemas in San Francisco on Friday, Jan. 23). For whatever reason, though, I stuck with it – and I’m glad I did.
Bearing a title perhaps more appropriate to a Francophone frock flick starring Isabelle Adjani, The Duke of Burgundy takes its title from a species of butterfly. Insects – and especially Lepidoptera – are front and center in this film, though their actual bearing on the plot is minimal.
The film details an unusual relationship between two women. Cynthia (Mifune and After the Wedding’s Sidse Babett Knudsen) is an imperious, middle-aged writer and amateur entomologist, while Evelyn (Chiarra D’Anna) is a younger woman who at first appears to be Cynthia’s simpering maid – a helpmeet who just can’t seem to wash madam’s underwear properly. … Continue reading »
As Berkeley officials grappled with what the concept of “community benefits” actually means, the developer of the 18-story high rise at 2211 Harold Way announced at a Jan. 8 meeting of the Zoning Adjustments Board that he is willing to financially assist both the Habitot Children’s Museum and Boss, (Building Opportunities for Self Sufficiency) as well as other organizations who must relocate when the building is constructed.
Joseph Penner, head of Hill Street Investments of Los Angeles, also announced that Landmark Theaters had redesigned its plans for new theaters in the complex. There will now be nine theaters instead of the six theaters previously announced. Landmark has decided it will no longer include stadium seating in the theaters, which frees up room for additional theaters. (There are currently 11 theaters in the Shattuck Cinema complex.) … Continue reading »
Is A Girl Walks Home Alone at Night (opening at Landmark’s Shattuck Cinemas on Friday, Dec. 5) truly ‘the first Iranian vampire western’, as its promotional material claims? Sadly, no – but that doesn’t mean it’s not worth seeing, assuming you can forgive the untruthful tagline.
First, however, let’s take a brief moment to dissect that impressive piece of ballyhoo. A Girl Walks Home Alone at Night is actually an American film, not an Iranian one, and it is not a western, though it was filmed in Bakersfield. Thankfully, there is a vampire… but this is no ordinary bloodsucking saga, and anyone anticipating a routine horror movie is in for further disappointment. … Continue reading »
Are you an admirer of Terrence Malick? If so, you’ll definitely want to make time for The Better Angels, a black-and-white tone poem reflecting the best and worst of the director’s style opening at Landmark’s Shattuck Cinemas on Friday, Nov. 21. If, on the other hand, you don’t have much time for his frequently meandering efforts, you can probably give it a miss.
Written and directed by A.J. Edwards (who got his start working with Malick on both The New World (2005) and The Tree of Life (2011), The Better Angels was produced by Malick. It takes place in the woods of Indiana circa 1817, where a young boy is being raised in treacherous frontier conditions.
Spoiler alert: the young boy is Abraham Lincoln, though the film doesn’t name him until the final credit crawl. A brilliant young lad (Braydon Denney) who’s the apple of mother Nancy’s (the excellent Brit Marling) eye (she proclaims early on that her son “has a gift…he asks questions I can’t answer”), Abe doesn’t always get along quite as well with rough-edged farmer dad Tom (Aussie expat Jason Clarke). … Continue reading »
Residents came out en masse Thursday night to testify before Berkeley’s Zoning Adjustments Board about possible impacts related to a large mixed-use project planned downtown on Harold Way.
The Residences at Berkeley Plaza, at Harold and Kittredge Street, would rise 18 stories and is set to include a tower reaching, all told, nearly 200 feet. It is slated to feature about 300 units, which could either be apartments or condominiums, as well as a new six-theater cinema complex, more than 10,000 square feet of ground-floor retail and restaurant space, and a 171-unit underground parking structure. … Continue reading »
2014 will go down in history as the most expensive election ever held in Berkeley, with around $3.6 million spent on two ballot items alone.
The two items — Measure D, which would levy a 1-cent-per-ounce tax on sugary drinks, and Measure R, which would substantially strengthen the environmental requirements for tall buildings in downtown Berkeley (and which critics contend would kill new construction) — drew campaign donations from all over the country. The race to replace Assemblywoman Nancy Skinner also attracted huge outside donations. … Continue reading »
The developer behind a 180-foot-tall, mixed-use project planned in downtown Berkeley at 2211 Harold Way announced a commitment this week to use 100% union labor to construct The Residences at Berkeley Plaza.
According to Mark Rhoades of Rhoades Planning Group, a project representative, it’s the first agreement of its kind in Berkeley — between a private developer and labor — in at least 17 years.
Project developer HSR Berkeley Investments signed the labor agreement several weeks ago, after more than a year of discussion and negotiation, with the Building & Construction Trades Council of Alameda County. The group represents all 28 labor unions in the county.
The agreement will mean a livable wage, along with benefits including health care and sick leave, for an estimated 300 skilled workers. They will make, on average, $65 an hour, according to project documents. Construction for Berkeley Plaza is expected to take 2-3 years, and many of the workers hired must live in Berkeley or nearby, within the East Bay Green Corridor.
Rhoades said the agreement will cover everything “from digging the hole to doing the concrete and the steel, and including the first round of retail tenant work. It will result in a much better building, a much nicer streetscape, and a building whose systems work because of the union labor that will be putting it together.” … Continue reading »
The Alameda County Registrar of Voters has sent out 27,000 postcards to Berkeley voters informing them that the date of the election printed on their mail-in ballots is wrong. The date reads Nov. 5, when of course the actual date is Nov. 4.
“This is an unfortunate error on some vote-by-mail envelopes sent to voters in Berkeley, and we deeply regret any confusion this may be causing,” Alameda County Registrar of Voters Tim Dupuis said in a press release.
A printer used by Alameda County and other California counties has accepted responsibility for the error, said Dupuis. … Continue reading »
I spent a good portion of my teens and 20s playing the World War I-set board game ‘Diplomacy’. Though marketed to the war games crowd, ‘Diplomacy’ was much more than an opportunity to play ‘armchair general’: players had to negotiate agreements with other participants (each representing one of the European powers) in order to strategize, gain the upper hand, and win the game. Designed for two to seven players, ‘Diplomacy’ was always more fun with a larger crew, and was frequently an all-day affair.
In Volker Schlöndorff’s new film Diplomatie (Diplomacy, opening at Landmark’s Shattuck Cinemas on Friday, Oct. 24) there are only two players — but that doesn’t mean it’s by any means boring or uneventful. Set in 1944 Paris, the film details a fascinating cat and mouse mind game played out between a German general and a Swedish consul. … Continue reading »
Pei-pei Cheng is a Chinese cinema legend. Born in Shanghai in 1946, Cheng began her film career in the mid ‘60s, appearing in so many wuxia films that she quickly acquired the sobriquet The Queen of Swords. She’s probably best known to western audiences for her performance as deadly assassin Jade Fox in Ang Lee’s surprise 2000 blockbuster, Crouching Tiger Hidden Dragon.
She’s kept busy since then – and in more than just martial arts movies. Her latest is Lilting (opening at Landmark’s Shattuck Cinemas on Friday, Oct. 17), a lovely if somewhat implausible chamber piece in which our heroine throws little more than cutting glances at her enemies.
Cheng plays Junn, a Cambodian-Chinese immigrant living, grumpily, in a London old folk’s home. Originally intended by son Kai (Andrew Leung) as a temporary abode until he summons up the courage to come out to Mum as gay, the home has become a prison of sorts for Junn, who speaks virtually no English and doesn’t much enjoy the day trips. … Continue reading »