As stylistically different from last week’s feature as chalk is from cheese, La Calle de la Amargura (Bleak Street, opening at Landmark’s Shattuck Cinemas on Friday, March 11) shares one thing in common with The Incident – its Mexican origins. Coupled with the ongoing success of Alejandro González Iñárritu, it seems Mexican cinema is experiencing a minor renaissance of late – if not a new Golden Age – and there is more on the way.
The very first GLAS Animation Festival opens this week in Berkeley. With screenings and related events happening at multiple sites, including Landmark’s Shattuck Cinemas, the David Brower Center, Berkeley Art Center and the Firehouse Art Collective, the inaugural festival runs March 3-6.
Regular readers of this column may recall my summer 2013 review of a Danish film entitled Kapringen (A Hijacking). Directed by Tobias Lindholm, that film starred red-bearded Pilou Asbæk as a morally conflicted merchant seaman battling pirates off the coast of Somalia. I noted that the film was well made but on shaky socio-political ground, its Somali characters even more cartoonishly drawn than those in Paul Greengrass’s contemporaneous Captain Phillips.
Call it a rite of mid-winter: it’s time once again for my annual (and usually futile) effort to guess which short subjects will win gongs at the forthcoming Academy Awards ceremony. And you can play, too, as all the films – Animated and Live Action – will be screening at Landmark’s Shattuck Cinemas beginning on Friday, Jan. 29.
Update: This story was updated Jan. 15 to add another lawsuit. Scroll to the bottom of the story for details.
After three years and 37 public meetings, the Berkeley City Council on Tuesday night approved plans to build an 18-story, 302-unit mixed-use complex in Berkeley’s downtown.
There have been more than 35 public hearings over the 180-foot-high 302-unit building proposed for 2211 Harold Way and at most of those meetings a dedicated group of people has objected to its construction.
In 1966, François Truffaut published a book about the work of his fellow director, Alfred Hitchcock. Simply entitled “Hitchcock/Truffaut,” it went on to become one of the most famous of all film tomes, one considered indispensable by many cinéastes (though to my eternal shame, I’ve yet to read it myself).
Chilean filmmaker Patricio Guzman prefers pondering the big questions. In his 2011 feature Nostalgia for the Light, he combined rumination on the legacy of Augusto Pinochet with the sciences of archaeology and radio-astronomy, creating a thought-provoking cinematic stew set amid the driest place on Earth, the Atacama Desert.
A number of different groups – including the developer himself – have filed appeals asking the Berkeley City Council to overturn various permit approvals for 2211 Harold Way in downtown Berkeley.
Long time readers are familiar with my biopic rant by now. Regardless of the occasional exception (I’m still looking at you, Hannah Arendt), Seal’s First Law of Cinema states emphatically that biopics turn the lives of the most remarkable people into the most unremarkable films.