- 08/28/2013 - Free Outdoor Screening in the BAM/PFA Sculpture Garden
- 08/27/2013 - MARK EPSTEIN / The Trauma of Everyday Life
- 08/24/2013 - The goat Rodeo Sessions
- 08/03/2013 - Book Signing and Discussion with Dave Kehr, followed by The Lawless Breed
- 06/24/2013 - BERKELEY PRIDE 365! First Comes Love, Then Comes Marriageâ€¦
Tag Archives: Shattuck Cinemas
Over the years I’ve reviewed more than my fair share of ‘right-on’ left-wing documentaries, so it’s only fair that every now and then I spend a little time with one from across the tracks. Of course, Pandora’s Promise (opening at Landmark’s Shattuck Cinemas on Friday, June 14) relies almost exclusively on liberal talking heads to make its conservative point—so perhaps I’m cheating ever so slightly.
It takes some major cojones to make a pro-nuclear power film only two years after the Fukushima Daiichi disaster, but that’s precisely what director Robert Stone (whose excellent Radio Bikini earned an Oscar nomination in 1988) has done. A love letter to atomic energy, Pandora’s Promise will provoke considerable controversy in tree-hugging circles. … Continue reading »
My fellow westerners: If you’ve ever been tempted to take a trip to an exotic locale in a far away land, don’t. Though foreign resorts want your tourist dollars, you’re still likely to offend the locals with your strange foreign ways, refusal to learn their language, penchant for hard drinking and ridiculous dancing, ostentatious camera equipment, and hideous Bermuda shorts. We’re simply more trouble than we’re worth.
If you insist on going, though, you’re likely to come a cropper – and you won’t recognize your mistake until it’s much, much too late. How do I know? I’ve been to the movies. Time and again, world travelers out for a little fun in the tropical sun get into big trouble as soon as they pass through Hollywood’s customs and immigration checkpoints. … Continue reading »
Middle-class Americans have the luxurious Winnebago. The English, of course, must make do with something a little smaller, but just as representative of their economic aspirations – the humble caravan. Hauled from campsite to campsite by a fleet of Austin Montegos and Vauxhall Vectras, these cramped homes away from home are as common a summer sight on Britain’s motorways and B roads as flattened badgers.
Behind the laced curtains, however, lurks something much more sinister than a quilted duvet or Union Jack tea cosy. “I’ve known a lot of people who’ve had very bad experiences in caravans,” presciently observes a character in Sightseers, a British comedy of darkest hue opening at Landmark’s Shattuck Cinemas today. And so it shall prove to be. … Continue reading »
It seems I’ve become obsessed with French animation. Over the last few years I’ve reviewed The Rabbi’s Cat, A Cat in Paris, The Illusionist, and A Town Called Panic, which is actually Belgian but (with apologies to my Flemish and Walloon readers) may as well be French. Admittedly, there was that time I raved about Toy Story 3, but surely that’s the exception that proves the rule, right?
Opening at Landmark’s Shattuck Cinemas on Friday, May 24, The Painting (Le Tableau) is the latest in this lengthening list of Francophone features. Written and directed by Jean-François Laguionie, it’s a little less droll and a wee bit darker than the aforementioned films, but will still appeal to inquisitive youngsters and parents desperate to avoid another fart-joke-infested kids’ movie. … Continue reading »
I was too young to be aware of the political ferment of the late 1960s and early 1970s. Blissfully ignorant, I’d walk to school each morning in my English schoolboy’s uniform (cap, tie and shorts, regardless of the weather), and return home each afternoon to watch Blue Peter, Crackerjack (“It’s Friday! It’s 5 to 5! It’s CRACKERJACK!”), or Doctor Who. Why worry about Daniel Cohn-Bendit when Patrick Troughton and Jon Pertwee were being threatened by Cybermen and Daleks?
Meanwhile, on the other side of the English Channel, French students were on the verge of toppling their country’s government. The fallout of this fraught moment in history is the subject of Olivier Assayas’ new film Something in the Air (more appropriately titled Après mai in France, in reference to the fateful month when De Gaulle’s government almost fell), opening at Landmark’s Shattuck Cinemas on Friday, May 17. … Continue reading »
Britain has changed a great deal in the last 50 years. Afternoon tea, colliery bands and swinging like a pendulum do are all relics of the past, while the sun set on the British Empire sometime after 1971, the year the UK withdrew most of its military forces from East of Suez. One thing, however, hasn’t changed: the primacy of the ‘kitchen sink drama’ in British filmmaking.
From Andrea Arnold to Ken Loach, British directors are as enamored today with cinematic representations of working-class life as they’ve ever been – and judging from newcomer Sally Al-Hoseini’s new film My Brother the Devil (opening at Landmark’s Shattuck Cinemas on Friday, April 12) the kitchen sink isn’t about to be drained any time soon.
Set among the tower blocks of Hackney, My Brother the Devil tells the story of Mo (Fady Elsayed) and Rash (James Floyd), sons of first-generation Egyptian immigrants. Mo’s a studious young man looking ahead to university while Rash is a ‘jack-the-lad’ deeply involved with what he calls ‘big boy stuff’ – otherwise known as selling dope — as part of a local gang known as DMG (Drugs, Money, Guns). … Continue reading »