Tag Archives: The Beatles
Growing up in the belly of the Hollywood film industry, Prudence Farrow learned early on that meeting stars in the flesh usually led to disappointment. But her fateful encounter with the Beatles at the Maharishi Mahesh Yogi’s Rishikesh ashram in early 1968 left her pleasantly surprised. It also left John Lennon with a song that ended up as the White Album’s second track “Dear Prudence,” which he wrote to coax her out of the room where she retreated for endless hours while seeking solitude and transcendence.
Prudence Farrow Bruns returns to Berkeley, where she spent years studying at Cal, and eventually earned a PhD in South Asian Studies, to talk about her recent memoir Tuesday at Northbrae Community Church at 7 p.m. Titled (what else?) Dear Prudence: The Story Behind the Song, the self-published book details how and why she ended up in India at the height of the tumultuous ‘60s, starting with her family life as the fifth of seven children by Irish-born MGM star Maureen O’Sullivan and Australian-born film director John Farrow.
“At seven I was crazy about Mario Lanza and had all of his records,” says Bruns, 67, her voice a dead ringer for her older sister, Mia Farrow. “My mother took me to spend a whole day with him and his family and he was a drinker. Starting from that day, I never wanted to meet anyone I admired. So I was not looking forward to meeting the Beatles, and I was pleasantly surprised.” … Continue reading »
Payback, it is sometimes said indelicately, can be a bitch. Jennifer Baichal’s new documentary Payback, opening this Friday, May 18 at Landmark’s Shattuck Cinemas (and most definitely not to be confused with the 1999 Mel Gibson thriller of the same name), takes a more contemplative approach to the term: payback, it turns out, can also be a restorative in the right hands.
Inspired by Canadian author Margaret Atwood’s book “Payback: Debt and the Shadow Side of Wealth”, the film takes a decidedly broad approach to its topic. Traveling around the world, Baichal examines the interrelatedness of payback, debt, reparations, and revenge, with especial attention paid to debts of the non-monetary variety.
The film begins in Albania, where the question emerges — how do you keep them down on the farm once they’ve seen Tirana? The not so obvious answer is to invoke Kanun, an ancient, quasi-legal code of honor developed hundreds of years ago. Kanun still holds sway in the remote regions of northern Albania, where farmer Llesh Prenaga has been under virtual house arrest for the last three years. … Continue reading »