- 12/04/2014 - Half the Sky's NICHOLAS KRISTOF / A Path Appears
- 11/25/2014 - 'Read and Share' Book Club
- 11/18/2014 - UC Berkeley Department of Theater, Dance and Performance Studies presents REGENTS' LECTURE: LUIS VALDEZ
- 11/13/2014 - Presidential Inaugural Poet RICHARD BLANCO / The Prince of Los Cocuyos
- 11/10/2014 - London's School of Life's ROMAN KRZNARIC / Empathy
Tag Archives: UA Berkeley 7
A few weeks ago I reached (and, thankfully, passed) one of those horrific chronological landmarks that remind us of our inevitable, coming-soon-to-a-crematorium-near-you demise. About the same time, The Expendables 2 – the sequel to 2010’s unforgettable muscle-fest The Expendables – opened in cinemas nationwide. Coincidence? I think not.
The characters in the series are, after all, played by long in the tooth, well past their prime action stars that should be collecting Social Security instead of truckloads of stolen plutonium. As for me, I’m an over the hill film critic who should probably be spending his golden years watching old Nelson Eddy-Jeanette MacDonald musicals instead of over the top shoot ‘em ups. (Anyone wanna buy me a ticket for the next TCM Classic Cruise? Mickey Rooney’s gonna be there!)
One horrific thought festered in my mind as The Expendables 2 began: I could succumb to a fatal heart attack at any moment. Could there be a less dignified death than popping one’s clogs during a matinée screening of a film in which the bad guy’s last name is ‘Vilain’? Dear Lord Baby Jesus, Great Tree Spirit, or Ever Expanding Black Hole of Nihilistic Non-Belief, I silently begged, please don’t let it happen to me! … Continue reading »
Do filmmakers and studios pay enough attention to the humble preview?
Trailers have only a few minutes in which to pitch their product, but all too frequently they consist of hastily cobbled together collections of off-cuts. (I’ve seen countless previews featuring scenes or shots that ultimately didn’t appear in the movie.)
Often they give away too much plotline, or simply fail to present a film in the best possible light — an especially critical issue for foreign or indie … Continue reading »