An abundance of talent is evident on and behind the stage, and the production is of the highest professional caliber, yet this musical seems to lack that ephemeral quality that makes a show a memorable experience.
The stimulating play presents a fascinating glimpse into the all-too-human life of a genius, aided by excellent acting.
Patrick Dooley’s first-rate direction, the uniformly excellent acting, and the intimacy of the Ashby Stage all help to make this production a remarkable success.
Nilaja Sun is an original talent with marvelous gifts, who fully uses her voice, body and expression in this one-person show directed by Ron Russell.
Novels don’t always translate well to the stage or screen, but Jonathan Safran Foer’s acclaimed 2002 debut is a notable exception.
The witty satire and the universal truths beneath it, accompanied by some silliness, always make Molière’s work pleasurable and timeless.
Ubiquitous images of women laughing as they pick at salads inspired playwright Sheila Callaghan to explore women’s shame and self-deprivation, men’s chauvinism and insecurity and the deleterious influence of advertising.
Jackie Sibblies Drury’s brilliant new play, excellently directed by Sarah Benson, illustrates the power of theater to make an audience think, even squirm, during the performance, while its deep impression lingers.
We asked the highly regarded theater's next artistic director about her vision and talked to its managing director about why they chose her.
This compelling play is a creative exploration of the causes and effects of the 1967 Detroit riots from the viewpoint of members of a black family living there at the time.
Lucas Hnath’s ingenious and intriguing play picks up where Henrik Ibsen's immortal 1879 'A Doll's House' left off.
Pfaelzer will take over from Tony Taccone, who has been with Berkeley Rep for 33 years. She was selected from a field of 160 candidates.