A new play by MacArthur Fellow and Tony Award-winner Mary Zimmerman is always a reason to celebrate.
The Broadway stars were shining on Berkeley for the opening of Macbeth at Berkeley Rep.
Elmwood's location of La PanotiQ and the downtown Berkeley McDonald's are both getting close to their opening days. These details, and much more East Bay food news, in this week's Bites.
Although intellectually we understand that we will die, most of us try to avoid contemplating death — either our own or of those we love. Julia Cho’s poetic new drama, Aubergine, makes us confront the heartrending loss of a parent and the painful grieving process that follows. Interlaced with the theme of loss is food — and its invocation of childhood, memory and love.
BCCO 50TH The Berkeley Community Chorus and Orchestra celebrates its golden anniversary this weekend with three concerts at UC Berkeley’s Hertz Hall. The program from the non-auditioned community chorus includes the first performances of “I Think I Shall Praise It,” composed by Napa-based Kurt Erickson for the BCCO 50th celebration, two movements from Brahms’ German Requiem, selections from Handel’s Messiah, Sibelius’ Finlandia and Leonard Bernstein’s Chichester Psalms. In addition to the concerts, the BCCO has built a special website for the 50th birthday, filled with stories about the group’s first half century. Performances are free, but donations are welcome. Friday, Jan. 8, 8 p.m., Saturday, Jan. 9 and Sunday, Jan. 10, 3 p.m., Hertz Hall. (more…)
Thirty-six years after Berkeley Rep opened its first permanent home on Addison Street in downtown, the theater company will, on Saturday, unveil a comprehensive overhaul of its original stage. (See below for details of the Grand Opening event for the public.)
Downtown Berkeley Association is hanging 85 colorful double banners from downtown Berkeley’s lampposts to launch a new branding campaign, “Meet Me Downtown.” The campaign is being led by the DBA with five partners, the new Berkeley Art Museum and Pacific Film Archive, the new UC Theatre, Berkeley Rep, Freight & Salvage and Visit Berkeley.
The exceptional and intense Pulitzer prize-winning drama, Disgraced, is a timely and unflinching exposition into the power and perils of race and ethnicity in America. Talented novelist (American Dervish) and playwright Ayad Akhtar elegantly communicates these multifaceted concepts using only four main characters, whose lives change over the course of a social dinner.
The Hypocrites, an ebullient, talented young musical troupe from Chicago is storming the beaches of Berkeley Rep (and Penzance) in their loving send-up of Gilbert and Sullivan’s Pirates of Penzance. These performers are so gifted in both voice and acting that they could probably perform the operetta Pirates of Penzance as written by Gilbert and Sullivan in 1879. Instead, director and adapter Sean Graney with co-adapter Kevin O’Donnell have spoofed, shortened (to 80 minutes) and transformed it into a modern musical version, using many of the melodies and lyrics of the original songs.
EATS BEATS & BREWS The Eats Beats & Brews salsa party returns to downtown Berkeley on Sunday, Sept. 20, noon to 6 p.m., with a packed program of fun events for all ages. Rumbaché will shake up the warm afternoon with live music and dancing, there’s an outdoor beer garden from Drakes Brewing, food from local restaurants, and fun games for all ages. Center Street’s Restaurant Row will showcase over 15 different international cuisines with special deals just for the event and combos perfect for al fresco eating. Games of Berkeley will be taking over part of the street for a Locally Grown Games Day where everyone can come meet game developers, try out new games and celebrate modern gaming. (more…)
The new musical Amélie is an absolutely charming musical achievement, with an outstanding cast, an inventive story, melodic tunes, a great band, complex stage craft, and a happy ending. Please keep this sentence in mind, when I write that Amélie may still be in its ingénue phase and could benefit from a bit of tightening here and there before it’s absolutely ready for New York, where it is likely heading.
We often wonder why tragedies occur, particularly when they affect good people. It’s a question as old as the story of Job or Jesus’s cry, “My God, my God, why hast thou forsaken me?” In Head of Passes, playwright Tarell Alvin McCraney, a 2013 MacArthur “genius” grantee, presents us with the deeply religious widow Shelah, who, when faced with personal tragedy, prays, pleads, and confronts her God with a biblical fervor worthy of Job.