Sabrina Klein , the director of artistic literacy at Cal Performances, wants to start a movement to better engage audiences.
The comedian and activist acknowledges Cal isn’t alone in its lack of black faces. He's leading a discussion for the campus Wednesday on the black experience at UC Berkeley.
The boundary-blurring Company Wang Ramirez will perform its hip-hop dance theater work "Borderline" at Cal Performances next week.
We picked some the most exciting performances from an eclectic and varied new season calendar.
British group brings its rock & roll sensibility to Shakespeare at Cal Performances.
Ever noticed how the sound at Zellerbach is rich, resonant — heroic, even? It's thanks to a system called Constellation created by Berkeley's Meyer Sound.
Nearly 50 years ago, composer Igor Stravinsky sat in the audience at Zellerbach Hall, nodding vigorously as his “Symphony of Psalms” and “Oedipus Rex” were played to celebrate the opening of the concert hall. This Sunday afternoon, London’s Philharmonia Orchestra conducted by Esa-Pekka Salonen will recreate that inaugural concert.
A world premiere of a Mark Morris work, the first fully staged performance of an opera in 270 years, a restaging of a groundbreaking collaboration between John Adams, Lucinda Childs and Frank Gehry, a residency by London’s Philharmonia Orchestra, a choral festival, and a complete cycle of Beethoven string quartets are among the highlights of the 2016-17 season of Cal Performances.
On a recent Tuesday Lower Sproul Plaza teemed with grade school children wearing Mardi Gras beads, buzzing, twirling and blinking in the sunlight after a Cal Performances matinee SchoolTime concert by Haitian star Emeline Michel. Inside of Zellerbach, Michel seemed equally energized after the show, a preview of the music she’ll be performing 8 p.m. Saturday as part of globalFEST: Creole Carnival, a Cal Performances triple bill with the great Rio samba band Casuarina and Jamaican guitar master Brushy One String.
TAKACS QUARTET One of the world’s great string quartets, Sunday’s Cal Performances concert by the Takács Quartet includes works by Haydn, Brahms and the 30-year-old, California-born, Brooklyn-based Timo Andres. The program opens with Haydn’s G minor, Op. 74, No. 3, “The Rider,” one of his most popular quartets. Andres’ “String Language” was composed for the Takács, who premiered it last November in Baltimore. The program closes with Brahms’ third and final quartet (although written mid-career), the B-flat major, Op. 67. 3 p.m., Sunday, Feb. 21, Hertz Hall. Tickets starting at $64 from Cal Performances. (more…)
IRA GLASS If you’re a fan of This American Life (and if you’re not, you should start listening), you know host Ira Glass’s steady, deadpan tone. Cal Performances brings Glass together with choreographer Monica Bill Barnes and dancer Anna Bass for an unusual combination of “live talking and dancing and radio snippets.” Barnes, “the Tina Fey of dance,” according to the Washington Post, combines elements of vaudeville and dance to pair with Glass’s “signature wit and charm.” Three Acts, Two Dancers, One Radio Host will be performed Saturday, Dec. 12 at 8 p.m. and Sunday, Dec. 13 at 3 p.m. in Zellerbach Hall. Tickets available from Cal Performances. (more…)
The big bang of 20th-century ballet was detonated by the Ballet Russe de Monte Carlo, a generative explosion that sent creative waves sweeping across the Americas, all the way to Berkeley. With Twyla Tharp in town for a Cal Performances residency to celebrate her fiftieth year as a choreographer on Oct. 16-18, Berkeley’s deep dance history is embodied Ramona Kelley (who connects with Ballet Russe by about three degrees of separation).