Next year marks the 50th anniversary of the founding of the Black Panther Party in Oakland, and it’s probably safe to say the party is as contentious today as it was in 1966. Were the Panthers revolutionaries or reformists? Insurrectionists, or social workers working within the system to improve the lot of African-Americans? Focused primarily on self-defense, or intent on overthrowing the government of the United States?
The city process for the project at 2211 Harold Way is closing in on three years. In December 2012 the first application was submitted and the project is currently scheduled for another Zoning Board hearing on September 30, 2015.
Philanthropy has a way of softening our opinions about people we otherwise might thoroughly dislike. The robber barons of the late 19th and early 20th century were certainly capitalist pigs of the first order, and they knew it, but it’s hard not to be thankful for the bucket-loads of cash they donated to build hospitals and museums, support worthy causes, and (of course) cement their legacy.
In real life, the well-to-do have servants to help them count their money, weigh gold bullion, and keep the other servants in line. In the movies, the rich also have domestic help – but in films like The Servant (1963) and La Nana (The Maid, 2009), the ‘help’ quite often turns out to as much hindrance as anything else. Such is also the case in Que Horas Ela Volta? (The Second Mother), a Brazilian drama (albeit, with faint comedic overtones) opening at Landmark’s Shattuck Cinemas on Friday, Sept. 4.
Why would a 2015 audience want to see a documentary about televised political debates between Gore Vidal and William F. Buckley that occurred almost 50 years ago?
A controversial mixed-use project proposed in downtown Berkeley won an important permit Thursday night after a 6-3 vote from Berkeley’s Landmarks Preservation Commission.
The developer of 2211 Harold Way and Landmark Theatres are nearing a deal to increase the number of movie theaters in the 302-unit building in downtown Berkeley to 10 — but detractors say the changes do not go far enough.
There are very, very few films I consider ‘perfect’ — if perfection can ever truly be achieved in the field of cinema. Any discussion of ‘perfect films’, however, surely must include The Third Man (1949), a suspense classic coming to Landmark’s Shattuck Cinemas for a short run beginning Friday, July 3 in a newly remastered print.
Proponents of downtown development in Berkeley won two victories Thursday night after city leaders and commissioners approved a proposal for community benefits related to tall buildings and, in a separate meeting, certified the environmental impact analysis related to the first tall building in the pipeline, at 2211 Harold Way.
From its very first shot – the interior of a phone booth amid a torrential downpour – it’s clear that Tsai Ming-Liang’s Qing shao nian nuo zha (Rebels of the Neon God, which opened at Landmark’s Shattuck Cinemas on Friday, June 26) is going to be a damp affair. Produced in 1992, the film is only now getting a general release in the United States, serving as a prime (if extremely moist) example of Taiwanese New Wave Cinema.
What happens when you sequester yourself in a Lower East Side apartment for the better part of 20 years and raise your family of seven (six sons, one daughter) on a steady diet of home schooling, movies and rock music? Why, you get The Wolfpack, of course, an amazing documentary opening at Landmark’s Shattuck Cinemas on Friday, June 19.