The solo-performer tells a fascinating story about how his beloved stepfather’s Alzheimer diagnosis and the election of Donald Trump changed his life in surprisingly positive ways.
The three-part audio drama is a prime example of how to create an engaging theatrical experience despite the limits imposed by our Covid-ridden world.
The Berkeley theatre group, known for its creativity and progressive philosophy, has crafted a virtual season consisting of six world premiere plays and visual essays.
In this new one-person, 45-minute play, Lynne Kaufman uses an anthropological tempest as context to explore Margaret Mead’s reaction to her character assassination.
This biting play about a daytime TV doctor whose career careens downward as a result of an exposé streams live through Saturday, Aug. 15.
Virtually all of the places people go to see shows in Berkeley are shut.
At a recent town hall convened by Aurora Theatre Company, the conversation touched on ways in which theater patrons have been victims of micro-aggressions and the best way to address those insults.
The Berkeley musical training and production company is reviving the smash 1957 Broadway hit, and equally popular 1962 movie — and, based on watching the cast in rehearsals, it promises to be a treat.
The three performers from San Francisco’s Mission District present a hilarious glimpse into today’s American society, with all its unfortunate warts.
Forty theater companies around the Bay Area are presenting works written and directed by women. Half of the performers are women or identify as women or are non-binary.
A relationship between two old friends is challenged when they have differing opinions on whether an artist’s unsavory past means his art should be disregarded.
The oration and recreation of F. Scott Fitzgerald’s ‘The Great Gatsby’ takes six hours, but the performance is mesmerizing.