Virtually all of the places people go to see shows in Berkeley are shut.
At a recent town hall convened by Aurora Theatre Company, the conversation touched on ways in which theater patrons have been victims of micro-aggressions and the best way to address those insults.
The Berkeley musical training and production company is reviving the smash 1957 Broadway hit, and equally popular 1962 movie — and, based on watching the cast in rehearsals, it promises to be a treat.
The three performers from San Francisco’s Mission District present a hilarious glimpse into today’s American society, with all its unfortunate warts.
Forty theater companies around the Bay Area are presenting works written and directed by women. Half of the performers are women or identify as women or are non-binary.
A relationship between two old friends is challenged when they have differing opinions on whether an artist’s unsavory past means his art should be disregarded.
The oration and recreation of F. Scott Fitzgerald’s ‘The Great Gatsby’ takes six hours, but the performance is mesmerizing.
Everyone needs a good lawyer. But Shylock, one of Shakespeare’s most historically fraught villains, is a special case. On Sunday, Berkeley Law takes over the Freight to give the old usurer another shot at justice.
This three-person drama is about the reunion of nuclear scientists in the aftermath of a nuclear power station meltdown. Ostensibly they hadn’t seen one another for 38 years. Or had they?
John Collins directs the six-hour-long production of ‘Gatz,’ which opens at Berkeley Rep on Feb. 13. The complete reading of the novel has been an international hit.
A new student performance takes an introspective, updated look at issues within the Berkeley High community.
The play focuses on a 1941 meeting between two internationally respected physicists, one Danish, one German, who were once colleagues but ended up on opposing sides in World War II.